| Photos (See all 10 | slideshow) | Videos (see all 6) |
| François Cluzet | ... | Max Cantara | |
| Marion Cotillard | ... | Marie | |
| Benoît Magimel | ... | Vincent Ribaud | |
| Gilles Lellouche | ... | Éric | |
| Jean Dujardin | ... | Ludo | |
| Laurent Lafitte | ... | Antoine | |
| Valérie Bonneton | ... | Véronique Cantara | |
| Pascale Arbillot | ... | Isabelle Ribaud | |
| Anne Marivin | ... | Juliette | |
| Louise Monot | ... | Léa | |
| Joël Dupuch | ... | Jean-Louis | |
| Hocine Mérabet | ... | Nassim | |
| Mathieu Chedid | ... | Raphaël (as Matthieu Chedid) | |
| Maxim Nucci | ... | Franck | |
| Néo Broca | ... | Elliot | |
| Marc Mairé | ... | Arthur | |
| Jeanne Dupuch | ... | Jeanne | |
| Mado Mérabet | ... | Brigitte | |
| Sara Martins | ... | Petite amie de Marie | |
| Edouard Montoute | ... | Copain boîte de Ludo | |
| Nikita Lespinasse | ... | Virginie, la figurante | |
| Niseema Theillaud | ... | Sabine, la mère de Ludo | |
| Patrice Renson | ... | Le futur mari de Juliette | |
| Jean-Claude Lagniez | ... | Moniteur bateau-école | |
| Jean-Claude Cotillard | ... | Architecte hôtel Max | |
| Pierre-Benoist Varoclier | ... | Serveur hôtel Max | |
| Benoît Petitjean | ... | Serveur hôtel Max | |
| François Bredon | ... | Physionomiste boîte de nuit | |
| Jean-Louis Fourrier | ... | Le Prêtre enterrement | |
| Claude Lellouche | ... | Supporter foot | |
| Jean-Claude Farnaud | ... | Supporter foot | |
| rest of cast listed alphabetically: | |||
| Sarah Barlondo | ... | Cliente (uncredited) | |
| Eric Moreau | ... | Le machiniste de cinéma (uncredited) | |
Directed by | |||
| Guillaume Canet | |||
Writing credits | ||
| Guillaume Canet | (scenario and dialogue) | |
Produced by | |||
| Alain Attal | .... | producer | |
| Gaëtan David | .... | associate producer | |
| André Logie | .... | associate producer | |
Cinematography by | |||
| Christophe Offenstein | |||
Film Editing by | |||
| Hervé de Luze | |||
Production Design by | |||
| Philippe Chiffre | |||
Art Direction by | |||
| Stanislas Reydellet | |||
Set Decoration by | |||
| Ariane Audouard | |||
Costume Design by | |||
| Carine Sarfati | |||
Makeup Department | |||
| Guillaume Castagné | .... | special makeup effects artist | |
| Nicolas Herlin | .... | special makeup effects artist | |
| Frédéric Lainé | .... | special makeup effects artist | |
| Pascal Larue | .... | special makeup effects artist | |
| Thi Thanh Tu Nguyen | .... | key make-up artist | |
| Gérald Portenart | .... | key hair stylist | |
| Olivier Seyfrid | .... | hair stylist | |
| Manuela Taco | .... | key makeup artist | |
Production Management | |||
| Tony Botella | .... | extra unit manager trainee | |
| Gregory Bruneau | .... | assistant unit manager | |
| Sébastien Delepine | .... | assistant unit manager | |
| Varujan Gumusel | .... | post-production manager | |
| Fabrice Lamy | .... | unit manager trainee | |
| François Lebourg | .... | extra unit manager trainee | |
| Sébastien Lombard | .... | unit manager trainee | |
| Nicolas Mouchet | .... | post-production manager | |
| Florent Perrin | .... | unit manager trainee | |
| Nora Salhi | .... | production manager | |
| Grégory Valais | .... | unit manager | |
| Roxanne Vallet | .... | unit manager trainee | |
| Gregory Valmir | .... | unit manager trainee | |
Art Department | |||
| Thomas Akoka | .... | head painter | |
| Khadija Ben Mustapha | .... | set dresser | |
| Sébastien Borie | .... | prop master | |
| Frédéric Cambon | .... | assistant art director | |
| Aude Charlon | .... | assistant set decorator | |
| Leromain Isabelle | .... | assistant art director | |
| Félix Roue | .... | swing gang | |
| Uriel Zylberman | .... | art department assistant | |
Sound Department | |||
| Niels Barletta | .... | sound mastering engineer | |
| Vincent Breau | .... | boom operator | |
| Christophe Burdet | .... | assistant foley artist | |
| Rémi Daru | .... | boom operator | |
| Marc Doisne | .... | sound re-recording mixer | |
| Patrick Egreteau | .... | foley artist | |
| Pierre Gamet | .... | sound | |
| Steven Ghouti | .... | adr & foley mixer | |
| Jean Goudier | .... | sound editor | |
| Jean-Paul Hurier | .... | sound re-recording mixer | |
| Vincent Montrobert | .... | dialogue editor | |
Special Effects by | |||
| Olivier Afonso | .... | special effects makeup | |
| Jeanne Bolzinger | .... | special effects makeup | |
| Cyril Hipaux | .... | special effects makeup | |
Visual Effects by | |||
| Alain Bignet | .... | digital compositor | |
| Emilien Breuillier | .... | visual effects: previz (as Breuillier Emilien) | |
| Eric Carme | .... | visual effects artist | |
| Alain Carsoux | .... | visual effects director | |
| Florian Chauvet | .... | visual effects coordinator | |
| Ana Cojanu | .... | visual effects editor | |
| Séverine De Wever | .... | visual effects producer | |
| Christophe Dehaene | .... | digital compositor | |
| Antoine Dezelli | .... | digital compositor | |
| Stephane Dittoo | .... | visual effects supervisor | |
| Adrien Garcia | .... | digital compositor | |
| Aurélien Grand | .... | retouch and restoration | |
| Pacini Kevin | .... | visual effects editor | |
| Julien Lasson | .... | digital compositor | |
| Guillaume Le Gouez | .... | digital compositor | |
| Christophe Lucotte | .... | visual effects | |
| Fredrik Monteil | .... | digital compositor | |
| Vincent Perzo | .... | digital compositor | |
| Joel Pinto | .... | digital compositor | |
| Laurent Ripoll | .... | visual effects editor | |
| Aurore Rousset | .... | animator | |
| Christian Simon | .... | digital compositor | |
| Jeremy Séguin | .... | digital compositor | |
Stunts | |||
| Dean Bailey | .... | action coordinator | |
| Michel Carliez | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Fabrice Bismuth | .... | first assistant camera | |
| Fanny Coustenoble | .... | second assistant camera: renfort | |
| Magali Sylvestre de Sacy | .... | first assistant camera | |
| Gérald Faure | .... | grip | |
| Vincent Garat | .... | generator operator | |
| Julie Gaujour | .... | second assistant camera | |
| Guillaume Genini | .... | first assistant camera: second unit | |
| David Goudier | .... | assistant video | |
| Jean-Baptiste Jay | .... | ultimate arm camera operator | |
| Antoine Laurens | .... | camera loader | |
| Vincent Le Borgne | .... | electrician | |
| Lucas Leconte | .... | first assistant camera | |
| Jean-Claude Lother | .... | still photographer | |
| Robert Petrin | .... | ultimate arm operator | |
| Luc Poullain | .... | helicopter pilot: camera helicopter | |
| James Swanson | .... | aerial cinematographer | |
Casting Department | |||
| Adèle Bruchert | .... | extras casting assistant | |
| Laurent Couraud | .... | casting associate | |
| Laurent Couraud | .... | extras casting | |
Costume and Wardrobe Department | |||
| Aurore Vicente | .... | assistant costume designer | |
Editorial Department | |||
| Pierre-Victor Bainier | .... | assistant editor | |
| Jean-Denis Buré | .... | first assistant editor | |
| Arnaud Caréo | .... | on-line editor | |
| Mickaël Commereuc | .... | colorist assistant | |
| Xavier Desjours | .... | dailies color grader | |
| Fabien Pascal | .... | colorist | |
Other crew | |||
| Anthony Cauchy | .... | business affairs manager: M6 Films | |
| Marie Le Mire | .... | legal | |
| David Leroux | .... | i t specialist | |
| Isabelle Querrioux | .... | script supervisor | |
| Emmanuel Sierra | .... | financial director | |
Thanks | |||
| Marion Cotillard | .... | the director wishes to thank | |
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| Kings & Queen | Undertow | Lawless Heart | Under the Sand | Potiche |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
The singular failing of this film is in the writing: it is a simple story (OK so far) but it's bookended episodes of accident and the result of that incident do not give it sufficient structure. The center of the film is tedious. It is not much more than a home movie of one's closest friends and that is not enough material to interest strangers.
Nor does it do what a good art does: which is move from the specific situation to a general plain in which to invite others into, and share, the drama. It descends into a shapeless hole of laughs, cuddles (endless embraces and smiles as if they had a quote to fulfill) and silly episodes of similar length and boredom. The use and duration of pop songs with montage is like an idiotic pop video and reveals the low aspirations and mediocrity behind the design.
The characters are uneven and the female are very badly crafted; the male are simpering fools and without much emotional maturity or ability. The closing scenes are mawkish and indulgent to a degree that ought to have been consigned to a cutting room floor.
The entire film is over long and does not merit the duration at all as it is has been completed without adequate editing.
The scenes of the Bordeaux coast are the best feature of the entire film.