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Film socialisme (2010)

 -  Drama  -  19 May 2010 (France)
5.8
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Ratings: 5.8/10 from 1,755 users   Metascore: 64/100
Reviews: 18 user | 85 critic | 13 from Metacritic.com

A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe.... See full summary »

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Title: Film socialisme (2010)

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Cast

Cast overview, first billed only:
Jean-Marc Stehlé ...
Otto Goldberg (segment "Des choses comme ça") (as J. M. Stehlé)
Agatha Couture ...
Alissa (segment "Des choses comme ça") (as A. Couture)
Mathias Domahidy ...
Mathias (segment "Des choses comme ça") (as M. Domahidy)
Quentin Grosset ...
Ludovic (segment "Des choses comme ça") (as Q. Grosset)
Olga Riazanova ...
Olga - Russian secret agent (segment "Des choses comme ça") (as O. Riazanova)
Maurice Sarfati ...
(segment "Des choses comme ça") (as M. Sarfati)
...
Herself - Singer (segment "Des choses comme ça") (as P. Smith)
Lenny Kaye ...
Himself - Guitarist (segment "Des choses comme ça") (as L. Kaye)
Bernard Maris ...
Himself - Economist (segment "Des choses comme ça") (as B. Maris)
Marie-Christine Bergier ...
Frieda von Salomon (segment "Des choses comme ça") (as M.-C. Bergier)
Nadège Beausson-Diagne ...
Constance (segment "Des choses comme ça") (as N. Beausson)
Bob Maloubier ...
Himself - French secret agent (segment "Des choses comme ça") (as R. Maloubier)
Dominique Devals ...
(segment "Des choses comme ça") (as D. Devals)
Alain Badiou ...
Himself - Lecturer (segment "Des choses comme ça") (as A. Badiou)
Elias Sanbar ...
Himself - Haifan Historian (segment "Des choses comme ça") (as E. Sanbar)
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Storyline

A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe. At night, a sister and her younger brother have summoned their parents to appear before the court of their childhood. The children demand serious explanations of the themes of Liberty, Equality and Fraternity. Our humanities. Visits to six sites of true or false myths: Egypt, Palestine, Odessa, Hellas, Naples and Barcelona. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Freedom doesn't come cheap (USA) See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

|

Language:

| | | | |

Release Date:

19 May 2010 (France)  »

Also Known As:

Film socialisme  »

Box Office

Opening Weekend:

$4,526 (USA) (3 June 2011)

Gross:

$31,733 (USA) (30 September 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(as Dolby)|

Color:

Aspect Ratio:

1.78 : 1
See  »
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Did You Know?

Trivia

The film did not include traditional English language subtitles for releases in countries that spoke such language. Instead, the subtitles were in "Navajo English", a translation that baffled many critics and audience members. See more »

Quotes

[first lines]
Himself - Economist (segment "Des choses comme ça"): [dialogue continuity] Money is a public good.
Alissa (segment "Des choses comme ça"): Like water, then?
Himself - Economist (segment "Des choses comme ça"): Exactly.
See more »

Connections

Edited from Journey to Italy (1954) See more »

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User Reviews

 
Godard is laughing at you.
22 March 2011 | by (Canada) – See all my reviews

Let me first state that I am on the whole a fan of Godard's work and was excited to see this movie, that having been said this is a remarkable film solely for the reason that this was the FIRST movie I ever walked out of. Ever. From the minimal subtitles that only proved to confuse and annoy, to the windy microphones so even a French speaker couldn't understand what was being said. There was nothing in the film to keep me watching save the director's name. Fifteen minutes seemed an hour and by the half hour mark completely at wit's end I left. Not having seen the entire film I can't really rate it, but all I could think was that Godard was laughing at everyone still in the theatre; laughing at everyone that cites this pretentious unbearably dull film as a masterpiece, and proving that a well respected artist can get away with anything and people will still call trash art.


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