A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe.... See full summary »
Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract ... See full summary »
In this modern retelling of the Virgin birth, Mary is a student who plays basketball and works at her father's petrol station; Joseph is an earnest dropout who drives a cab. The angel ... See full summary »
On a movie set, in a factory, and at a hotel, Godard explores the nature of work, love and film making. While Solidarity takes on the Polish government, a Polish film director, Jerzy, is ... See full summary »
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Everything returns to normal after Chernobyl. That is, everything but art. Most of the great works are lost, and it is up to people like William Shakespear Junior the Fifth to restore the ... See full summary »
A famous French filmmaker is hired by a major Hollywood producer to make a documentary on the state of post-Cold War Russia. The filmmaker, though, subverts the project by stubbornly ... See full summary »
A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe. At night, a sister and her younger brother have summoned their parents to appear before the court of their childhood. The children demand serious explanations of the themes of Liberty, Equality and Fraternity. Our humanities. Visits to six sites of true or false myths: Egypt, Palestine, Odessa, Hellas, Naples and Barcelona. Written by
Jean-Luc Godard is a reference in cinema and changed the art fifty years ago with a unique challenging style that defied current esthetics and etiquette.
His latest work can be described more as an eclectic experiment than any enduring piece of cinema, but it serves to show his mastery of the art and his ability to dissect it in its most basic components before trying to create a different, distinct experience for the viewer. He plays with themes, locations, styles and intermingles with little restriction photos, videos, ambient sounds, silence, music, narrations, monologues, dialogues to delves into a dream-like undefined cinematic discussion.
The film does not quite work as a whole, precisely from this lack of focus, but some of the imagery (some sharp and some out of focus, some old and some new, some seemingly meaningless and some full of allegories, etc.), dialogues (existential, simple, social, revolutionary) and intertiles do reach a cord and will be remembered subconsciously or consciously. It's lack of clear content or continuity should not take away from it's task of deconstruction and desire to destabilize our current comforts. In that aspect, Godard grabs the rug under conventional cinema and pulls very hard to make it topple over dumbfounded and confused.
There are three segments, each shorter than the previous, but besides being glad to finally leave this seemingly derelict boat and to briefly know a fictional philosophizing family, there is not enough distinction between the segments to warrant further feedback at this point. Only that as Godard's life perhaps, and exemplified in the crafty ancient time-telling device in segment #2, time is getting shorter...
Maybe we'll get it right some day, may be one of many messages of this remue-méninges.
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