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Film socialisme (2010)

Not Rated  |   |  Drama  |  19 May 2010 (France)
5.8
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Ratings: 5.8/10 from 1,820 users   Metascore: 64/100
Reviews: 18 user | 87 critic | 13 from Metacritic.com

A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe.... See full summary »

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(additional material) (as H. Arendt) , (additional material) (as W. Benjamin) , 9 more credits »
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Title: Film socialisme (2010)

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Cast

Cast overview, first billed only:
Jean-Marc Stehlé ...
Otto Goldberg (segment "Des choses comme ça") (as J. M. Stehlé)
Agatha Couture ...
Alissa (segment "Des choses comme ça") (as A. Couture)
Mathias Domahidy ...
Mathias (segment "Des choses comme ça") (as M. Domahidy)
Quentin Grosset ...
Ludovic (segment "Des choses comme ça") (as Q. Grosset)
Olga Riazanova ...
Olga - Russian secret agent (segment "Des choses comme ça") (as O. Riazanova)
Maurice Sarfati ...
(segment "Des choses comme ça") (as M. Sarfati)
...
Herself - Singer (segment "Des choses comme ça") (as P. Smith)
Lenny Kaye ...
Himself - Guitarist (segment "Des choses comme ça") (as L. Kaye)
Bernard Maris ...
Himself - Economist (segment "Des choses comme ça") (as B. Maris)
Marie-Christine Bergier ...
Frieda von Salomon (segment "Des choses comme ça") (as M.-C. Bergier)
Nadège Beausson-Diagne ...
Constance (segment "Des choses comme ça") (as N. Beausson)
Bob Maloubier ...
Himself - French secret agent (segment "Des choses comme ça") (as R. Maloubier)
Dominique Devals ...
(segment "Des choses comme ça") (as D. Devals)
Alain Badiou ...
Himself - Lecturer (segment "Des choses comme ça") (as A. Badiou)
Elias Sanbar ...
Himself - Haifan Historian (segment "Des choses comme ça") (as E. Sanbar)
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Storyline

A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe. At night, a sister and her younger brother have summoned their parents to appear before the court of their childhood. The children demand serious explanations of the themes of Liberty, Equality and Fraternity. Our humanities. Visits to six sites of true or false myths: Egypt, Palestine, Odessa, Hellas, Naples and Barcelona. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Freedom doesn't come cheap (USA) See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

|

Language:

| | | | |

Release Date:

19 May 2010 (France)  »

Also Known As:

Film socialisme  »

Box Office

Opening Weekend:

$4,526 (USA) (3 June 2011)

Gross:

$31,733 (USA) (30 September 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(as Dolby)|

Color:

Aspect Ratio:

1.78 : 1
See  »
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Did You Know?

Trivia

The cruise liner used in the film is the ill-fated Costa Concordia, which was shipwrecked so tragically on Friday 13th January 2012 off the coast of Italy. See more »

Quotes

[first lines]
Himself - Economist (segment "Des choses comme ça"): [dialogue continuity] Money is a public good.
Alissa (segment "Des choses comme ça"): Like water, then?
Himself - Economist (segment "Des choses comme ça"): Exactly.
See more »

Connections

Edited from Tsahal (1994) See more »

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User Reviews

 
the apocalypse conspiracies
15 February 2011 | by (Poland) – See all my reviews

Many old cinematographers say nowadays cinema is dead; I have no doubt that is precisely how they feel, how they think; and it is obviously part of their being old, grumpy, and having nothing left to be said. Yes, the world is coming to an end, we're dealing with an imminent Apocalypse, global warming and asteroids heading straight to the Earth. Not to mention the many political and economical conspiracy theories, always involving Jews, Mafia and some other people speaking Russian in strange accents.

I want to remember Godard as the creator of "À bout de soufflé" and "Pierrot le fou", not as the senile man with nothing left to be said. It is insulting and disappointing to the big world of fine cinema today. Because indeed there are fine young cinematographers out there who need respect and support. At least from those who don't organize their lives on account of the imminent Apocalypse, anyway.


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