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Film socialisme (2010) 5.8
Ratings:
5.8/10 from 1,366 users
Metascore: 64/100
Reviews: 15 user | 79 critic | 13 from Metacritic.com A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe.... See full summary » Director:Jean-Luc GodardWriters:Hannah Arendt (additional material), Walter Benjamin (additional material), 9 more credits » |
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Cast
| Cast overview, first billed only: | |||
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Jean-Marc Stehlé | ... |
Otto Goldberg (segment "Des choses comme ça")
(as J. M. Stehlé)
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Agatha Couture | ... |
Alissa (segment "Des choses comme ça")
(as A. Couture)
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Mathias Domahidy | ... |
Mathias (segment "Des choses comme ça")
(as M. Domahidy)
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Quentin Grosset | ... |
Ludovic (segment "Des choses comme ça")
(as Q. Grosset)
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Olga Riazanova | ... |
Olga - Russian secret agent (segment "Des choses comme ça")
(as O. Riazanova)
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Maurice Sarfati | ... |
(segment "Des choses comme ça")
(as M. Sarfati)
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| Patti Smith | ... |
Herself - Singer (segment "Des choses comme ça")
(as P. Smith)
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Lenny Kaye | ... |
Himself - Guitarist (segment "Des choses comme ça")
(as L. Kaye)
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Bernard Maris | ... |
Himself - Economist (segment "Des choses comme ça")
(as B. Maris)
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Marie-Christine Bergier | ... |
Frieda von Salomon (segment "Des choses comme ça")
(as M.-C. Bergier)
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Nadège Beausson-Diagne | ... |
Constance (segment "Des choses comme ça")
(as N. Beausson)
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Bob Maloubier | ... |
Himself - French secret agent (segment "Des choses comme ça")
(as R. Maloubier)
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Dominique Devals | ... |
(segment "Des choses comme ça")
(as D. Devals)
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Alain Badiou | ... |
Himself - Lecturer (segment "Des choses comme ça")
(as A. Badiou)
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Elias Sanbar | ... |
Himself - Haifan Historian (segment "Des choses comme ça")
(as E. Sanbar)
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Edit
Plot Summary
|
Add Synopsis
Storyline
A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe. At night, a sister and her younger brother have summoned their parents to appear before the court of their childhood. The children demand serious explanations of the themes of Liberty, Equality and Fraternity. Our humanities. Visits to six sites of true or false myths: Egypt, Palestine, Odessa, Hellas, Naples and Barcelona. Written by Anonymous
Taglines:
La liberté coûte cher (Freedom is expensive) See more »Genres:
DramaParents Guide:
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See full technical specs »
Details
Release Date:
19 May 2010 (France) See more »Also Known As:
Film Socialism See more »Box Office
Opening Weekend:
$4,526 (USA) (3 June 2011)Gross:
$31,733 (USA) (30 September 2011)Company Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Runtime:
Color:
ColorAspect Ratio:
1.78 : 1
Edit
Himself - Economist (segment "Des choses comme ça"): [dialogue continuity] Money is a public good.
Alissa (segment "Des choses comme ça"): Like water, then?
Himself - Economist (segment "Des choses comme ça"): Exactly.
See more »
Did You Know?
Trivia
The cruise liner used in the film is the ill-fated Costa Concordia, which was shipwrecked so tragically on Friday 13th January 2012 off the coast of Italy. See more »Quotes
[first lines]Himself - Economist (segment "Des choses comme ça"): [dialogue continuity] Money is a public good.
Alissa (segment "Des choses comme ça"): Like water, then?
Himself - Economist (segment "Des choses comme ça"): Exactly.
See more »
Many old cinematographers say nowadays cinema is dead; I have no doubt that is precisely how they feel, how they think; and it is obviously part of their being old, grumpy, and having nothing left to be said. Yes, the world is coming to an end, we're dealing with an imminent Apocalypse, global warming and asteroids heading straight to the Earth. Not to mention the many political and economical conspiracy theories, always involving Jews, Mafia and some other people speaking Russian in strange accents.
I want to remember Godard as the creator of "À bout de soufflé" and "Pierrot le fou", not as the senile man with nothing left to be said. It is insulting and disappointing to the big world of fine cinema today. Because indeed there are fine young cinematographers out there who need respect and support. At least from those who don't organize their lives on account of the imminent Apocalypse, anyway.