A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe.... See full summary »
In a palace of Paris. Two detectives are investigating a two-year-old murder. Emile and Francoise Chenal are putting pressure on Jim Fox Warner, a boxing manager, who owes them a huge ... See full summary »
On a movie set, in a factory, and at a hotel, Godard explores the nature of work, love and film making. While Solidarity takes on the Polish government, a Polish film director, Jerzy, is ... See full summary »
Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract ... See full summary »
In this modern retelling of the Virgin birth, Mary is a student who plays basketball and works at her father's petrol station; Joseph is an earnest dropout who drives a cab. The angel ... See full summary »
Carmen is a member of a terrorist gang who falls in love with a young police officer guarding a bank that she and her cohorts try to rob. She leads him on while dragging the two of them ... See full summary »
A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe. At night, a sister and her younger brother have summoned their parents to appear before the court of their childhood. The children demand serious explanations of the themes of Liberty, Equality and Fraternity. Our humanities. Visits to six sites of true or false myths: Egypt, Palestine, Odessa, Hellas, Naples and Barcelona. Written by
Let me first state that I am on the whole a fan of Godard's work and was excited to see this movie, that having been said this is a remarkable film solely for the reason that this was the FIRST movie I ever walked out of. Ever. From the minimal subtitles that only proved to confuse and annoy, to the windy microphones so even a French speaker couldn't understand what was being said. There was nothing in the film to keep me watching save the director's name. Fifteen minutes seemed an hour and by the half hour mark completely at wit's end I left. Not having seen the entire film I can't really rate it, but all I could think was that Godard was laughing at everyone still in the theatre; laughing at everyone that cites this pretentious unbearably dull film as a masterpiece, and proving that a well respected artist can get away with anything and people will still call trash art.
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