| Photos (See all 71 | slideshow) | Videos (see all 23) |
| Zac Efron | ... | Charlie St. Cloud | |
| Charlie Tahan | ... | Sam St. Cloud | |
| Amanda Crew | ... | Tess Carroll | |
| Augustus Prew | ... | Alistair Wooley | |
| Donal Logue | ... | Tink Weatherbee | |
| Kim Basinger | ... | Claire St. Cloud | |
| Ray Liotta | ... | Florio Ferrente | |
| Dave Franco | ... | Sully | |
| Matt Ward | ... | Connors | |
| Miles Chalmers | ... | Latham | |
| Jesse Wheeler | ... | Green | |
| Desiree Zurowski | ... | Carla Ferrente | |
| Adrian Hough | ... | Ben Carroll | |
| Jill Teed | ... | Grace Carroll | |
| Valerie Tian | ... | Girl in Toy Store | |
| Grace Sherman | ... | Girl in Toy Store | |
| Brenna O'Brien | ... | Girl in Toy Store | |
| Tegan Moss | ... | Cindy | |
| Julia Maxwell | ... | Rachel | |
| Paul Chevreau | ... | Hoddy Snow | |
| Paul Duchart | ... | Reverend Polk | |
| Renu Bakshi | ... | Reporter | |
| Darren Dolynski | ... | Ambulance Driver | |
| Sophie Stukas | ... | Mary Rogers | |
| Marci T. House | ... | Photographer | |
| Ted Whittall | ... | Principal | |
| Natasha Denis | ... | Julie | |
| D. Neil Mark | ... | EMT |
Directed by | |||
| Burr Steers | |||
Writing credits(WGA) | ||
| Craig Pearce | (screenplay) and | |
| Lewis Colick | (screenplay) | |
| Ben Sherwood | (novel "The Death and Life of Charlie St. Cloud") | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| Enrique Chediak | (director of photography) | ||
Film Editing by | |||
| Padraic McKinley | |||
Casting by | |||
| Heike Brandstatter | |||
| Allison Jones | |||
| Coreen Mayrs | |||
Production Design by | |||
| Ida Random | |||
Art Direction by | |||
| Kelvin Humenny | |||
| Geoff Wallace | |||
Set Decoration by | |||
| Carol Lavallee | |||
Costume Design by | |||
| Denise Wingate | |||
Makeup Department | |||
| Gary Archer | .... | dental prosthetics | |
| Gitte Axen | .... | makeup artist | |
| Beth Boxall | .... | key makeup artist: second unit | |
| Connie Parker | .... | makeup department head | |
| Darrell Redleaf-Fielder | .... | hair stylist: Kim Basinger | |
Production Management | |||
| Penny Gibbs | .... | unit manager: second unit | |
| Casey Grant | .... | production manager | |
| Lisa Rodgers | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Neil Allan | .... | third assistant director | |
| Gary Capo | .... | second unit director | |
| Richard Cowan | .... | first assistant director (reshoots) | |
| Mimi Crowe | .... | trainee assistant director | |
| Rachel Fortier | .... | third assistant director | |
| Jackie Lightbody | .... | trainee assistant director | |
| David Markowitz | .... | first assistant director: second unit | |
| David Markowitz | .... | second unit director: West Coast unit | |
| Tracey Poirier | .... | second assistant director: marine unit | |
| Shea Rowan | .... | second assistant director | |
| Lisa C. Satriano | .... | first assistant director | |
| Robert S. Weber | .... | third assistant director: second unit | |
| Richard Worden | .... | second assistant director: second unit | |
Special Effects by | |||
| Kelly Coe | .... | special effects assistant | |
| Rory Cutler | .... | special effects foreman | |
| Graham S. Hollins | .... | special effects coordinator | |
| Steve Tressel | .... | special effects fabricator | |
Visual Effects by | |||
| Heather Abels | .... | digital matte painter: Rhythm & Hues | |
| Keith Acheson | .... | visual effects artist | |
| Michael Angelo | .... | visual effects artist | |
| Alina Anon | .... | matte artist | |
| Mathieu Archambault | .... | digital compositor | |
| Saurabh Arora | .... | rotoscope artist: Rhythm & Hues | |
| Greg Astles | .... | senior digital compositor: Mr. X Inc. | |
| Manuj Basnotra | .... | roto/prep artist | |
| Barb Benoit | .... | digital compositor | |
| Dennis Berardi | .... | visual effects supervisor: Mr. X Inc. | |
| Valerie Berney | .... | visual effects artist | |
| Jason Bettinger | .... | render i/o coordinator | |
| Kristy Blackwell | .... | matte painter | |
| Ryan Bowden | .... | junior effects technical director | |
| Nathan Brunskill | .... | Inferno assistant: Rhythm & Hues | |
| Charles Bunnag | .... | digital artist | |
| Ayo Burgess | .... | lighting artist: Mr. X Inc. | |
| Kris Carson | .... | digital compositor: Mr. X, Inc | |
| Sibi Chakaravarthi | .... | paint/roto artist | |
| Chris Chappell | .... | compositor | |
| Vinit Kumar Chaturvedani | .... | matchmove artist | |
| Vinit Chaturvedany | .... | track/matchmove artist | |
| Jothan Chin | .... | roto and paint artist | |
| Jeremy Chinn | .... | modeling lead: Rythm & Hues | |
| Vikas Chirate | .... | senior systems administrator | |
| Patrick Clancey | .... | digital opticals | |
| Lisa Clarity | .... | visual effects artist | |
| Sam Clark | .... | production coordinator | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues | |
| Krystal Cooper | .... | render i/o coordinator | |
| Robert Coquia Jr. | .... | data management vfx | |
| Michael Crane | .... | digital compositor: Rhythm and Hues | |
| Scott M. Davids | .... | visual effects supervisor: Level 256 | |
| Danielle DiMarco Barto | .... | visual effects coordinator: Rhythm & Hues Studios | |
| Manasa Divya | .... | matchmove artist | |
| Nicolas Donel | .... | lead matte painter | |
| Frank Du | .... | effects lead | |
| Amélie Dubois | .... | digital compositor | |
| Maxime Ducharme | .... | senior matchmover | |
| Pauline Duvall | .... | sequence supervisor: Rhythm & Hues | |
| Chan Ee Jien | .... | digital production coordinator | |
| David Fix | .... | senior systems administrator: Mr. X Inc. | |
| Mikael Genachte-Lebail | .... | digital matte painter: Rhythm & Hues | |
| Bill Georgiou | .... | sequence supervisor | |
| Matt Glover | .... | visual effects coordinator | |
| Jay Grunfeld | .... | compositor | |
| Anthony Harris | .... | color supervisor | |
| Firdaus Hashim | .... | roto and paint artist | |
| Steven Hodgson | .... | visual effects supervisor: Mr X | |
| Phil Holland | .... | digital imaging specialist | |
| Neh Jaiswal | .... | visual effects coordinator | |
| Colleen Jenkinson | .... | visual effects | |
| Surendran Chinnakonda Jeyaraman | .... | pipeline technical director (as Chinnakonda Jeyaraman Surendran) | |
| David Jones | .... | visual effects supervisor: Rampage VFX | |
| Anna Joukova | .... | digital compositor: Mr. X Inc | |
| Brandon Kachel | .... | matte painter: Rhythm & Hues | |
| Michael Kambli | .... | render i/o coordinator | |
| Sean Kennedy | .... | compositor: Rhythm & Hues | |
| Louis Kreusel | .... | render i/o coordinator: Rhythm & Hues | |
| Charles Lai | .... | on-set visual effects coordinator | |
| Jay Lalime | .... | digital compositor: Rhythm & Hues | |
| David Lamps | .... | render i/o coordinator: Rhythm & Hues Studios | |
| Mark Larranaga | .... | compositor | |
| Mai-Ling Lee | .... | digital artist | |
| Jackson Li | .... | digital artist | |
| Rahul Madan | .... | roto/prep artist: Rhythm & Hues | |
| Richard Mahon | .... | visual effects art director | |
| Mark Mancewicz | .... | technical animator | |
| L. Patrick McCormack | .... | senior manager: International Digital Productions | |
| Erika A. McKee | .... | visual effects producer | |
| Daniel Mizuguchi | .... | visual effects supervisor | |
| Meg Morris | .... | matchmove supervisor: Rhythm & Hues | |
| Benjamin Mossman | .... | production assistant: Mr. X Inc. | |
| Bill Murphy | .... | visual effects digital producer: Rhythm & Hues | |
| Travis Nelson | .... | digital compositor: Rhythm & Hues | |
| Kelly Noordermeer | .... | visual effects production assistant | |
| Onesimus Nuernberger | .... | matte painter: Rhythm & Hues | |
| Rachelle Paquin | .... | compositor: Rhythm & Hues (as Rachelle Bisson-Montpetit) | |
| Sagar Patil | .... | paint and rotoscope artist | |
| Tan Paw Xuan | .... | roto/prep artist | |
| Sebastien Proulx | .... | digital compositor | |
| Murthy Putrevu | .... | matchmove technical director | |
| Vikas Rajput | .... | digital artist | |
| Matt Ralph | .... | senior matchmover | |
| Nachiarkovil Durairaj Rangesh | .... | matchmove artist: rhythm & hues studios | |
| Sanjay Rao | .... | matchmove lead: Rhythm & Hues | |
| Stephen Regnier | .... | digital artist | |
| Michael Richardson | .... | visual effects production assistant: Rhythm & Hues Studios | |
| Karl Rumpf | .... | visual effects production manager: Rhythm & Hues | |
| Jayaraman Sabarisan | .... | matchmove artist: rhythm & hues studios | |
| Mag Sarnowska | .... | digital compositor | |
| Geoff Sayer | .... | digital compositor | |
| Seshaprasad | .... | head of digital production: Rhythm & Hues Studios Asia | |
| Siddharth Shah | .... | lead prep/roto artist: Rhythm and Hues | |
| Todd Shifflett | .... | visual effects supervisor | |
| Mark Simone | .... | visual effects producer: Rhythm & Hues | |
| Brad Smith | .... | render i/o administrator | |
| Gavin Soares | .... | tracking | |
| Shelby Stong | .... | visual effects artist | |
| Yuki Sugimoto | .... | matchmove technical director: Rhythm & Hues | |
| David Sweeney | .... | sequence supervisor: Rhythm & Hues Studios | |
| Brian Tatosky | .... | 2D supervisor | |
| Ben Taylor | .... | render i/o coordinator | |
| Will Telford | .... | digital effects supervisor | |
| Jateen Thakkar | .... | lead prep artist | |
| Nicholas Theisen | .... | digital imaging resources | |
| Peter Toufidis | .... | senior matte painter | |
| Sebastien Veilleux | .... | digital compositor | |
| Kabir Verma | .... | matchmove technical director | |
| Ned Wilson | .... | compositor: Dyfed | |
| Robert Young | .... | digital compositor: Rhythm and Hues | |
| Pia Odell-Foster | .... | visual effects producer: Rampage VFX (uncredited) | |
Stunts | |||
| Tom Bahr | .... | utility stunts | |
| Guy Bews | .... | stunt driver | |
| Brent Connolly | .... | stunt performer | |
| Duane Dickinson | .... | stunt driver | |
| Austin Dunn | .... | stunt double | |
| Marny Eng | .... | stunt coordinator | |
| Jeff Hotte | .... | safety diver | |
| Trevor Jones | .... | stunt double: Matt Ward | |
| Hamish Miller | .... | stunt double | |
| Scott Nicholson | .... | stunt performer | |
| Eli Zagoudakis | .... | stunt double: Zac Efron | |
Casting Department | |||
| Andrea Brown | .... | extras casting director | |
| Sara Brown | .... | extras casting assistant | |
| Barbara Harris | .... | adr voice casting | |
| Ben Harris | .... | casting associate | |
| Peter Kousakis | .... | casting assistant | |
| Amy Nygaard | .... | casting assistant | |
| Laura Obenaus | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Marco Daxton | .... | costumer | |
| Patrick Gray | .... | costume supervisor | |
| Janice MacIsaac | .... | costume supervisor | |
| Sara Rakhshandeh | .... | set costumer | |
| Heather Rupert | .... | costume dyer/breakdown | |
| Ellie Schultz | .... | costume breakdown/dyer | |
| Shelly Shaw | .... | set costumer | |
| Kai Siperko | .... | set costumer | |
Editorial Department | |||
| Ryan Acheson | .... | assistant editor | |
| Michael G. England | .... | first assistant editor | |
| Eileen Godoy | .... | digital intermediate producer | |
| Banner Gwin | .... | assistant editor | |
| Matt Hull | .... | digital intermediate assistant producer | |
| Jason Joseph | .... | first assistant editor | |
| Natasha Leonnet | .... | senior colorist | |
| Yvan Lucas | .... | colorist: Efilm | |
| Ken Smith | .... | post-production assistant | |
| Lee Wimer | .... | color timer | |
| Matthew Woolley | .... | apprentice editor | |
| Ed Dobbs | .... | dailies timer (uncredited) | |
| Valance Eisleben | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Tony Blondal | .... | booth supervisor | |
| Tony Blondal | .... | orchestrator | |
| Richard Bronskill | .... | orchestrator | |
| Stephen Coleman | .... | music programmer | |
| Nic Harcourt | .... | music consultant | |
| James T. Hill | .... | scoring mixer | |
| Rolfe Kent | .... | conductor | |
| Mike Knobloch | .... | music executive | |
| Phil McGowan | .... | mix recordist | |
| Meredith Meyer | .... | score coordinator | |
| Dan Savant | .... | orchestra contractor | |
| Alistair South | .... | music assistant | |
| Nick South | .... | music editor | |
| Greg Townley | .... | scoring mixer | |
| Alice Wood | .... | midi programmer | |
| Vincent Cirilli | .... | protools engineer (uncredited) | |
Transportation Department | |||
| Kelly Charlton | .... | transportation | |
| Terence Chase | .... | driver | |
| Terence Cochlan | .... | hair/make-up driver | |
| Scott Irvine | .... | transportation coordinator: reshoots | |
| Larry Tardif | .... | driver: special equipment | |
Other crew | |||
| Carolyn Adair | .... | stand-in: Kim Basinger (as Caroline Matthews) | |
| Tom Bahr | .... | picture boat consultant | |
| John Balfour | .... | background coordinator | |
| Patrice BelleRose | .... | helicopter pilot: second unit (as Patrice Belle Rose) | |
| Kimberly Buckham | .... | assistant production coordinator: additional photography | |
| Kyle Cooper | .... | title sequence: executive producer | |
| Jason Crosby | .... | marine coordinator | |
| Katharine Currie | .... | accounting trainee | |
| Hanelize de Beer | .... | second assistant production coordinator | |
| Ryan Fehr | .... | production assistant | |
| Ashley Fester | .... | production assistant | |
| Jim Filippone | .... | helicopter pilot: camera | |
| Michelle Gasque | .... | clearance/product placement coordinator | |
| Jennifer Giannone | .... | assistant accountant | |
| Elspeth Grafton | .... | script supervisor | |
| Dan Griffin | .... | key office production assistant | |
| Braden Haggerty | .... | dive safety team | |
| Braden Haggerty | .... | dive safety | |
| Glenn F. Haines | .... | acting coach | |
| Stephanie Hamilton | .... | production assistant | |
| Beth Henderson | .... | production assistant | |
| Lauren Henry | .... | animal provider | |
| Paul Jasper | .... | animal coordinator | |
| Jina Johnson | .... | assistant location manager | |
| Karin Korchinski | .... | assistant production coordinator | |
| Joey Levy | .... | assistant: Mr. Platt | |
| Sarah Long | .... | office production assistant | |
| Tony Lort | .... | accounting clerk | |
| Julian Marles | .... | production assistant | |
| Bliss McDonald | .... | production coordinator | |
| Earendil McNay | .... | script supervisor: second unit | |
| W. Robert Millar | .... | assistant location manager | |
| Veronica Miller | .... | assistant accountant | |
| Alexandra Muirhead | .... | production assistant | |
| Heather Murray | .... | production assistant | |
| Frédéric North | .... | helicopter pilot: second unit (as Fred North) | |
| Korey Petrie | .... | production assistant | |
| Cynthia Phillips | .... | post production accountant | |
| Marijke Richman | .... | production assistant | |
| Kevin Rosenberg | .... | creative assistant: Mr. Platt | |
| Andy Scott | .... | assistant: Zac Efron | |
| Shawn Seifert | .... | boat wrangler | |
| Josh Skye | .... | asset coordinator | |
| Josh Skye | .... | production assets | |
| Cherie Smid | .... | assistant animal handler | |
| Louise Smith | .... | accounting clerk | |
| Adrienne Sol | .... | production coordinator: additional photography | |
| Kimberley Sutton | .... | assistant: Michael Fottrell | |
| David M. Taylor | .... | payroll | |
| Elaine Thurston | .... | production accountant | |
| Cheryl A. Tkach | .... | post production coordinator | |
| Conor Welch | .... | creative assistant: Mr. Platt | |
| Geoff White | .... | set security | |
| Mike Witherington | .... | cast security | |
| Stirling Bancroft | .... | sailing technical advisor (uncredited) | |
| Nicole Mak | .... | dailies film assistant: Deluxe Vancouver (uncredited) | |
Thanks | |||
| Michael Storm Raven | .... | very special thanks | |
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| Bright Star | Feast of Love | Hidden Places | Persepolis | Boy A |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Charlie St Cloud is the type of movie many people will love to hate. The plot is simply contrived and the script is somewhat identical to Shyamalan's film "The Sixth Sense" yet I was very much moved by the story of Charlie St. Cloud and by Zac Efron in the title role. It looks like Zac is going out of his way to shred that teenage 'High School Musical' image that he is now known for.
When we first meet Efron in the title role he looks to be a young man with a bright future. A scholarship to Stanford awaits as he graduates high school from his New England coastal town where he enjoys sailing with his younger brother Charlie Tahan. The two share some heart warming chemistry as brothers, those who have younger siblings will understand the brotherly love between the two.
However, a cruel trick of fate puts the two of them in the path of an oncoming drunk driver. Both die, but a determined, spiritual paramedic played by Ray Liotta manages to bring Efron back.
As per an agreement they made minutes before the crash, Zac and Charlie still meet in the woods every day to play catch and work on Charlie's baseball skills. It's all Efron lives for. By some trick of fate he can communicate and see his deceased brother. Efron's forgotten Stanford and he now works at the local graveyard, to be close Charlie so that He can fulfil the promise he made.
I won't go into it too much except that the climax is something that we have seen before yet it is still touching and shows that we must learn that the true value of life is to live and let live.
I came out of the cinema feeling good and that is what the film is all about- loving life. My only criticism is that Liotta and Kim Basinger(as the mother) don't have enough screen time, although i must say that Liotta still manages to impress even with this small supporting role. Zac Efron and Charlie Tahan deliver strong performances as the two brothers and Amanda Crew is pretty decent. The film is beautifully shot and the scenery is quite breathtaking at times.
We've seen quite a few romantic dramas this year(Dear John, The Last Song)- but this has to be one of the most touching(not the most original i must say) but still, it'll make you feel good inside. So my advice is go watch the movie or rent it when it comes out on DVD and don't believe those critics who's job it is to tell us how bad the movie must be just because it didn't earn $100 million at the box office.