Critic Reviews



Based on 14 critic reviews provided by
The goof on New York's awful elite only gets grimmer and less viable as the film goes on.
The Best and the Brightest's sharp one-liners and strong cast, especially McDonald's gleefully lecherous performance as an unabashed Republican pervert, help make it a sturdy bit of subculture-tweaking silliness.
Amusing at times but never more than a modest diversion, lacking the cleverness and imagination required to turn it into more than a one-joke movie.
Unfortunately, writer-director Josh Shelov's sendup of the Manhattan private school culture flies off its comic rails after an engaging start, never to land back on solid ground.
Riding in to save almost every scene, though, are recent Tony Awards host Harris and the wild and woolly Sedaris, who goes too far, but in a good way. Shelov could learn from them.
Writer-director Josh Shelov (working with co-writer Michael Jaeger) is trolling in fertile, easy territory, but rather than mine the subject for what it's worth, he resorts to depressingly cheap mistaken-identity shenanigans and raunchy "he-milk" gags.
Amy Sedaris, channeling her inner Frances McDormand as a hyper admissions coach, gets most of the laughs.
All you need to know about this low-budget farce is that Amy Sedaris costars (yippee!) and New York pol Anthony Weiner would feel right at home with the sexting subplot (eeeuw!).
Manages to be simultaneously offensive and bland.
Cheap, preposterous and mind-bendingly dreadful.

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