Rock roadie, Le Donk, has lived, loved and learned. Along the way, he's lost a classy girlfriend but gained a sidekick, Scorz-Ayz-Ee. He sets out to make Scorz a star with a little help from the Artic Monkeys.
A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends even like family. Based on experiences of director Shane Meadows.
Two twelve-year-old boys, Romeo and Gavin, undergo an extraordinary test of character and friendship when Morell, a naive but eccentric and dangerous stranger, comes between them. Morell ... See full summary »
Darren O. Campbell
Mark Sherbet is a young man obsessed with American wrestling. He dreams of becoming a professional wrestler but he has no idea what he is letting himself in for. Unfortunately for him, Mike couldn't punch his way out of a paper bag.
An improvised comedy, shot over five days by Shane Meadows, devised with and starring Paddy Considine. Rock roadie and failed musician, Le Donk has lived, loved and learned. Along the way he's lost a girlfriend but he has found a new sidekick in up-and-coming rap prodigy Scor-zay-zee. With Meadows' fly-on-the-wall crew in tow, Donk sets out to make Scor-zay-zee a star...with a little help from the Arctic Monkeys... This low-budget rockumentary follows Le Donk and Scorz on their journey of a lifetime; it's an unpredictable, irrepressible ode to spontaneous filmmaking - and to a burgeoning UK rap talent Written by
The success of Shane Meadows' recent television series on Channel 4 will hopefully spike a revival of interest in his brilliant movies; including this one, his funniest film yet. In his youth, Meadows was in a band with Paddy Considine, whose career as an actor he later helped launch; and the two are back together here, with Meadows playing a fictionalised version of himself, a film-maker shooting a documentary about the life of a roadie (Considine) and his musical protégé, a most unlikely rapper. Considine is great, as ever, in playing the part of a social misfit utterly lacking in self-awareness: the film is full of laugh-out-load moments, yet still manages to be touching in places. I don't know if the low budget is the reason why the role of a supposedly new-born baby is played by a child who's practically a toddler, and it's scarcely a weighty piece, but it's delightful nonetheless. I continue to find Meadows' ongoing struggle for commissions amazing - to me, he's the best film-maker we have in the U.K. right now.
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