It's a jungle out there for Blu, Jewel and their three kids after they're hurtled from Rio de Janeiro to the wilds of the Amazon. As Blu tries to fit in, he goes beak-to-beak with the vengeful Nigel, and meets his father-in-law.
Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar, among a bunch of merry lemurs
Alex, Marty, Gloria and Melman are still fighting to get home to their beloved Big Apple. Their journey takes them through Europe where they find the perfect cover: a traveling circus, which they reinvent - Madagascar style.
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
Flint Lockwood now works at The Live Corp Company for his idol Chester V. But he's forced to leave his post when he learns that his most infamous machine is still operational and is churning out menacing food-animal hybrids.
In Rio de Janeiro, baby macaw, Blu, is captured by dealers and smuggled to the USA. While driving through Moose Lake, Minnesota, the truck that is transporting Blu accidentally drops Blu's box on the road. A girl, Linda, finds the bird and raises him with love. Fifteen years later, Blu is a domesticated and intelligent bird that does not fly and lives a comfortable life with bookshop owner Linda. Out of the blue, clumsy Brazilian ornithologist, Tulio, visits Linda and explains that Blu is the last male of his species, and he has a female called Jewel in Rio de Janeiro. He invites Linda to bring Blu to Rio so that he and Jewel can save their species. Linda travels with Blu and Tulio to Rio de Janeiro and they leave Blu and Jewel in a large cage in the institute where Tulio works. While they are having dinner, smugglers break into the institute and steal Blu and Jewel to sell them. Linda and Tulio look everywhere for Blu, who is chained to Jewel and hidden in a slum. Meanwhile, Jewel ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The 13th biggest grossing film of 2011. See more »
When Fernando is carrying the birds to the smugglers safe house, Jewels rips off a hole in the cloth the cage is covered with to see where they are taken. She is situated at the front part of the cage and Blue is at the rear end - closer to the door. They pretend they are dead and lay still on the cage floor. When they come in, Fernando puts the cage down on the desk still covered with the cloth with the hole (Jewels had ripped) facing Marcel - the lead smuggler. Marcel stands up, goes around his desk and pulls the cloth off of the cage, facing the cage at the side with the door. He sees the "dead" birds and in this frame Jewels is next to the door of the cage - the birds switched places. See more »
[Linda watches on the monitor as Blu and Jewel struggle, thinking they're mating]
Wow! That was fast.
Lionel Richie. Works every time. We should probably give them some privacy.
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At the end of the credits, two blue feathers are formed by the abstract shapes. See more »
That in mind, there is more of 2011 I have yet to see, hence the so far bit, but I absolutely loved this movie after seeing it when it came out today. From the trailers and advertising it looked like a bright, breezy and entertaining animation, and in my mind it was much more than that. And I genuinely mean it when I say it is my favourite of the year so far, even surpassing the outstanding(if somewhat misunderstood) Rango.
What I loved most about Rio was its energy. Rio for me has more energy than any of the Ice Age(from the same team) movies, and its energy is truly infectious at that. Two reasons especially make it so. One is the writing, I wasn't expecting the writing to be this sharp, funny and witty, looking at some of the previous work the writer has penned, while the jokes are plentiful and come by thick and fast. The other is the soundtrack. It has a huge amount of authentic Brazilian flavour and just ripples with zest. I loved the samba and bossa nova rhythms that pulsate throughout, and further fun is to be had in the Busby Berkeley-style beginning and the truly spectacular Carnaeval finale.
The story isn't perhaps original, nor did it need to be, but it is fast-paced, with many entertaining scenes and is very rarely predictable. There is also the obligatory life lessons here which are seamlessly blended without feeling shoe-horned in or preachy. I loved the characters too. Blu is very endearing, and voiced brilliantly by The Social Network's Jesse Eisenberg. Jewel is a lovely love interest, and her chemistry with Blu is ceaselessly entertaining and cute. Anne Hathaway previously voiced Haru on the English dub of The Cat Returns. She did a fine job on that, but in Rio she is even better, more understated and less shrill. I equally loved the villainous cockatoo Nigel(who avoids being a caricature and the like and voiced phenomonally by Jermaine Clement) and the constantly drooling bull-dog.
Other than the above components, what also made Rio was its animation, which is simply stupendous. I haven't seen an animated movie in a long while(and I am a huge fan of animation) where the colours in particular are so rich and warm. The characters are also beautifully modelled especially the titular character Blu, and this includes the secondary characters as well, and the sceneries and backgrounds are breathtaking with such a refreshing richness and warmth. In conclusion, a wonderful animated film and my favourite of the year so far. 10/10 Bethany Cox
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