It's a jungle out there for Blu, Jewel and their three kids after they're hurtled from Rio de Janeiro to the wilds of the Amazon. As Blu tries to fit in, he goes beak-to-beak with the vengeful Nigel, and meets his father-in-law.
Alex, Marty, Gloria and Melman are still fighting to get home to their beloved Big Apple. Their journey takes them through Europe where they find the perfect cover: a traveling circus, which they reinvent - Madagascar style.
Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar, among a bunch of merry lemurs
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Boog, a domesticated 900lb. Grizzly bear finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith
In Rio de Janeiro, baby macaw, Blu, is captured by dealers and smuggled to the USA. While driving through Moose Lake, Minnesota, the truck that is transporting Blu accidentally drops Blu's box on the road. A girl, Linda, finds the bird and raises him with love. Fifteen years later, Blu is a domesticated and intelligent bird that does not fly and lives a comfortable life with bookshop owner Linda. Out of the blue, clumsy Brazilian ornithologist, Tulio, visits Linda and explains that Blu is the last male of his species, and he has a female called Jewel in Rio de Janeiro. He invites Linda to bring Blu to Rio so that he and Jewel can save their species. Linda travels with Blu and Tulio to Rio de Janeiro and they leave Blu and Jewel in a large cage in the institute where Tulio works. While they are having dinner, smugglers break into the institute and steal Blu and Jewel to sell them. Linda and Tulio look everywhere for Blu, who is chained to Jewel and hidden in a slum. Meanwhile, Jewel ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Oreo created a special edition version of their cookies with blue icing to tie in with the release of the film. See more »
When Nico and Pedro are singing 'Hot Wings' at the club, in the introduction of the song, Nico can be heard saying 'My Life', but neither Nico or Pedro's lips move. See more »
[Blu tries to speak as Jewel is standing on him with one clawed foot holding his throat]
You're standing on my throat!
[she gets off him]
Oh, you're an American!
[Blu clears his throat]
Thanks. I need my throat for talking. So, thank you.
You look like me!
Oh, hi. Hi. My name is Blu. You know, like the cheese with the mold on it, that smells really bad.
[to himself as he realizes what he's just said]
That's stupid! Stupid! Stupid! Stupid!
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The initial set of credits is accompanied by a reprise of "Real in Rio" from the main cast. It is then followed by a scene of a featherless Nigel being photographed by Mauro. See more »
"Oh, how wish I was back in my cage, with my mirror, and my little bell"
Jesse Eisenberg should be forever grateful that the Oscar-nominated "The Social Network" was released before Rio. That's because his voice as Blu, the macaw, is so distinctive and perfect, that in my mind he will always be Blu. And if Rio had been released months ago, audiences worldwide would think that Mark Zuckerberg, the Facebook founder, missed his cage, mirror and little bell.
Now, for the movie itself
Location, location, location. Because what's Rio, the movie, without (pulsating, colorful, exuberant, romantic) Rio, the city? The story is delightful, though predictable. The characters are cardboard, even if 3D and feathery. But "predictable" and "cardboard" are the worst adjectives I could possibly link to Rio. The Rio deal, is that I laughed all the way through it, like everybody else in the theater.
Blu, the last male of his kind, is the happiest macaw, out there in a snowy town with Linda, his nerdy owner. Jewel, the last female of her kind, lives in Brazil, and is the saddest macaw, imprisoned in a cage and fighting for her freedom. She's a free-spirited soul, with the world at her feet. Blu has lived a sheltered life, can't fly, and loves every minute of it. What happens when they meet? Anyone above the age of 7 can guess how it ends (age 5 if he's seen the trailer). But there's so much delight from the first minute to the last, that you don't want it to end.
I was one of the lucky few to watch the premiere of Rio in Rio, and at this point I can hardly wait to see it again. A Brazilian, Carlos Saldanha, directed the movie, and it shows. The details of the city are all there, but so is the big picture (you know, everything that really matters, along with wide panoramas of Rio by night, of a crowded beach, of a sunset in the cable cars of Santa Teresa).
Lots of AMAZING aerial views in the action scenes. The main characters are birds, thus flying should be expected. Many of those places showed in the movie can be visited by tourists.
Rio doesn't have the depth of stories such as Toy Story or Up. It is a simpler plot. It is, however, pure fun from start to finish, and visually stunning. Location, location, location. As a native of Rio, I could recognize most places, and was stunned with how realistic were the slums, and how the geography of the city, especially the mountains, could be so painstakingly reproduced.
The movie is not a musical, but it comes close to it. There's funk, bossa nova, a few clichés of Brazilian music and even samba sang in English (still conflicted about it!).
There is also the portrayal of animal trafficking, a centuries-old problem in Brazil, and the subplot of a boy who lives on the streets and must resort to petty crime, which adds up to a much-needed social commentary.
By all means, don't miss this movie!
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