It's a jungle out there for Blu, Jewel and their three kids after they're hurtled from Rio de Janeiro to the wilds of the Amazon. As Blu tries to fit in, he goes beak-to-beak with the vengeful Nigel, and meets his father-in-law.
Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar, among a bunch of merry lemurs
Alex, Marty, Gloria and Melman are still fighting to get home to their beloved Big Apple. Their journey takes them through Europe where they find the perfect cover: a traveling circus, which they reinvent - Madagascar style.
When Gru, the world's most super-bad turned super-dad has been recruited by a team of officials to stop lethal muscle and a host of Gru's own, He has to fight back with new gadgetry, cars, and more minion madness.
In Rio de Janeiro, baby macaw, Blu, is captured by dealers and smuggled to the USA. While driving through Moose Lake, Minnesota, the truck that is transporting Blu accidentally drops Blu's box on the road. A girl, Linda, finds the bird and raises him with love. Fifteen years later, Blu is a domesticated and intelligent bird that does not fly and lives a comfortable life with bookshop owner Linda. Out of the blue, clumsy Brazilian ornithologist, Tulio, visits Linda and explains that Blu is the last male of his species, and he has a female called Jewel in Rio de Janeiro. He invites Linda to bring Blu to Rio so that he and Jewel can save their species. Linda travels with Blu and Tulio to Rio de Janeiro and they leave Blu and Jewel in a large cage in the institute where Tulio works. While they are having dinner, smugglers break into the institute and steal Blu and Jewel to sell them. Linda and Tulio look everywhere for Blu, who is chained to Jewel and hidden in a slum. Meanwhile, Jewel ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The smugglers' airplane is a Short SC-7 Skyvan. See more »
In the beginning of the movie, during the first performance of 'Real in Rio' the yellow Macaw that baby Blu looks to has three chicks. She only throws two out of the nest then flies away with the newly flying chicks, leaving the third one in the nest. See more »
So, how far is it to this Luiz?
Not far! Thirty minutes, as the crow flies.
I see... and how far as the macaw walks?
Bo-Bo here can't fly.
But, he's a bird!
Not all birds fly! There are ostriches...
You are NOT an ostrich!
Well... not technically.
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At the end of the credits, two blue feathers are formed by the abstract shapes. See more »
Wow, this was such a disappointment, I felt really bad having convinced my partner to go to see it. The great part that earns the 4 stars is the animation of animals (not humans) Yes, they are cute, well drawn and animated, and all that jazz. But, yes, there is a huge BUT here, the plot, the dialog, the human "love" story... Well, they all fail to inspire any kind of emotion or imagination. On top of badly written, slow dialog, which is not helped much by the necessary comic elements, you have really badly written songs! Something like: "I fly like a bird, oh wait, I AM a bird." Wow, really really? What's interesting, though, is that the "camera" lingers a few seconds after the characters leave the scene on the favela, the human built trash-tin-dumpster living spaces crammed on top of each other, full of homeless, street-smart kids like the one meet in the film... It lingers, as if to almost say something, as if it will finally add something to all this taking place in Rio, and the economic necessity that some people might have in stealing rare animals, but it doesn't. Nor does the film shy of piling up many stereotypes, you know, all Brazilians care about is partying, and they fail at doing their jobs mostly because they just want to party, watch soccer, wear Carnival costumes and dance in the streets, no wait, even at home all the time. Naturally, the police are useless, the professor is useless, the animal smugglers are useless. Right? At times the stereotypes are a bit uncomfortable, because it is not clear why they are there. They are mostly used as stale plot devices, otherwise nothing would be believable, even in the cartoon-suspended-reality kind of believable. The only character worthy of any praise, in terms of vision and execution, is Nigel, the villain bird. The rest? I have already forgotten everything about them! The laughter sometimes was louder than the joke merited, mainly because people and children expected to be laughing. When it is hard to find something good to laugh at, you laugh hard at the lame jokes even harder. Note for parents: Children in the audience seemed to enjoy the film much more than the adults.
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