It's a jungle out there for Blu, Jewel and their three kids after they're hurtled from Rio de Janeiro to the wilds of the Amazon. As Blu tries to fit in, he goes beak-to-beak with the vengeful Nigel, and meets his father-in-law.
Alex, Marty, Gloria and Melman are still fighting to get home to their beloved Big Apple. Their journey takes them through Europe where they find the perfect cover: a traveling circus, which they reinvent - Madagascar style.
Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar, among a bunch of merry lemurs
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Boog, a domesticated 900lb. Grizzly bear finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith
In Rio de Janeiro, baby macaw, Blu, is captured by dealers and smuggled to the USA. While driving through Moose Lake, Minnesota, the truck that is transporting Blu accidentally drops Blu's box on the road. A girl, Linda, finds the bird and raises him with love. Fifteen years later, Blu is a domesticated and intelligent bird that does not fly and lives a comfortable life with bookshop owner Linda. Out of the blue, clumsy Brazilian ornithologist, Tulio, visits Linda and explains that Blu is the last male of his species, and he has a female called Jewel in Rio de Janeiro. He invites Linda to bring Blu to Rio so that he and Jewel can save their species. Linda travels with Blu and Tulio to Rio de Janeiro and they leave Blu and Jewel in a large cage in the institute where Tulio works. While they are having dinner, smugglers break into the institute and steal Blu and Jewel to sell them. Linda and Tulio look everywhere for Blu, who is chained to Jewel and hidden in a slum. Meanwhile, Jewel ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The 13th biggest grossing film of 2011. See more »
When the bird sanctuary guard rips off his clothes and begins dancing, his wrists are bare, but when he is giving his report to the police officer, he has fluffy straps around his wrists, matching the ones he has on his ankles. See more »
[as Eva sings out of tune]
Like a river of the sweetest honey.
[Blu and Jewel wince as Eva sings]
Ooh! I guess love is deaf too.
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At the end of the credits, two blue feathers are formed by the abstract shapes. See more »
Wow, this was such a disappointment, I felt really bad having convinced my partner to go to see it. The great part that earns the 4 stars is the animation of animals (not humans) Yes, they are cute, well drawn and animated, and all that jazz. But, yes, there is a huge BUT here, the plot, the dialog, the human "love" story... Well, they all fail to inspire any kind of emotion or imagination. On top of badly written, slow dialog, which is not helped much by the necessary comic elements, you have really badly written songs! Something like: "I fly like a bird, oh wait, I AM a bird." Wow, really really? What's interesting, though, is that the "camera" lingers a few seconds after the characters leave the scene on the favela, the human built trash-tin-dumpster living spaces crammed on top of each other, full of homeless, street-smart kids like the one meet in the film... It lingers, as if to almost say something, as if it will finally add something to all this taking place in Rio, and the economic necessity that some people might have in stealing rare animals, but it doesn't. Nor does the film shy of piling up many stereotypes, you know, all Brazilians care about is partying, and they fail at doing their jobs mostly because they just want to party, watch soccer, wear Carnival costumes and dance in the streets, no wait, even at home all the time. Naturally, the police are useless, the professor is useless, the animal smugglers are useless. Right? At times the stereotypes are a bit uncomfortable, because it is not clear why they are there. They are mostly used as stale plot devices, otherwise nothing would be believable, even in the cartoon-suspended-reality kind of believable. The only character worthy of any praise, in terms of vision and execution, is Nigel, the villain bird. The rest? I have already forgotten everything about them! The laughter sometimes was louder than the joke merited, mainly because people and children expected to be laughing. When it is hard to find something good to laugh at, you laugh hard at the lame jokes even harder. Note for parents: Children in the audience seemed to enjoy the film much more than the adults.
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