Anna Foster has never had an ordinary life. At eighteen years old, she is the most protected girl in America; she is the First Daughter. Frustrated with her overprotective father, the ... See full summary »
Los Angeles, 1958: a detective holes up in a downtown hotel awaiting killers to come get him. During the course of one night he will meet various occupants of the hotel and the truth of how... See full summary »
Two ex-government agents turned rival industrial spies have to be at the top of their game when one of their companies prepares to launch a major product. However, they distract each other in more ways than one.
Handsome, romantic, sexy gentile Charlie enjoys his honeymoon with liberal-Jewish marriage counselor Ava. It's cut short when her parents Bradley and Betty, who always seemed the perfect couple, suddenly border on divorce over an old affair and poorly matched expectations. Worse, in turn they invite themselves to move in and drive the newly-weds crazy. Ethics prevent Ava from taking them on as clients and the colleagues she refers to prove hopelessly inept. Meanwhile Charlie's impulsive buddy Gerber, the eternal bachelor party animal, has married Polish green-card-chaser Kasia. Written by
Hi... what was all the yelling about?
Just your mother's normal kvetching.
Ohhhh... would you stop talking like that! This isn't a production of Fiddler on the Roof!
Would you just relax and stop acting like some kind of meshuggeneh in front of our daughters!
What does that even mean? Jesus!
Okay, can we just take this into my office... please? Right into my office... thank you... come on.
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If this is the best that Dermot Mulroney can do as a director, then I can safely say that I'll pass on any future projects to which he is attached. This is another "Pottery Barn/cashmere throw" style rom com a la Nancy Meyers (with his and hers convertibles!), but her scripts are superior. This one ranks with the worst offerings on Lifetime TV-- superficial, dull and directed in a lumbering style. The lead is miscast: Mandy Moore is unbelievable as a marital counselor with a Ph.D and a thriving private practice. She has no intellectual weight, no emotional maturity and delivers her lines like a high school girl. It gets old fast. I'm not a Jew but I was offended by the way Brolin's character tries to "explore" his spirituality by taking on all the trappings of that faith and nothing else. If this "subplot" was supposed to be funny, it really wasn't. (Compare the scene in "Annie Hall" when Woody Allen decides to become a Catholic and unpacks white bread and mayo from a grocery bag.) In order to get to the end (which I had to do because of my work), I entertained myself by ticking off how many times Jane Seymour dropped her American accent in the middle of sentences (47). This is a waste of 90 mins and you're better off watching something else.
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