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Directed by | |||
| Takashi Miike | |||
Writing credits(in alphabetical order) | ||
| Kaneo Ikegami | based on a screenplay by | |
| Daisuke Tengan | screenplay | |
Produced by | |||
| Takashi Hirajô | .... | executive producer | |
| Minami Ichikawa | .... | producer | |
| Hiroaki Kitano | .... | co-executive producer | |
| Tomoko Machida | .... | co-executive producer | |
| Shigeji Maeda | .... | producer | |
| Toshiaki Nakazawa | .... | executive producer | |
| Toshiyasu Ohmiya | .... | co-executive producer | |
| Yutaka Ohnishi | .... | co-executive producer | |
| Yûji Shimamoto | .... | co-executive producer | |
| Yoshinari Shimatani | .... | co-executive producer | |
| Tôichirô Shiraishi | .... | producer | |
| Kazuomi Susaki | .... | co-producer | |
| Jeremy Thomas | .... | executive producer | |
| Michio Uematsu | .... | co-executive producer | |
| Hisashi Usui | .... | co-producer | |
| Michihiko Yanagisawa | .... | producer | |
| Kagami Yoshida | .... | co-executive producer | |
| Kôji Yoshida | .... | producer | |
| Takahiro Ôno | .... | producer | |
Original Music by | |||
| Kôji Endô | |||
Cinematography by | |||
| Nobuyasu Kita | (director of photography) | ||
Film Editing by | |||
| Kenji Yamashita | |||
Production Design by | |||
| Yuji Hayashida | |||
Costume Design by | |||
| Kazuhiro Sawataishi | |||
Sound Department | |||
| Daniel Cabrera Majada | .... | spanish sap mixer | |
| Daniel Cabrera Majada | .... | dubbing mixer (uncredited) | |
Visual Effects by | |||
| Natsuko Watanabe | .... | compositor | |
Stunts | |||
| Keiji Tsujii | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Yoshimi Watabe | .... | gaffer | |
Casting Department | |||
| Emi Fukuda | .... | casting coordinator | |
Other crew | |||
| Chiara Gelardin | .... | for HanWay Films | |
| Paul Hillier | .... | insurance | |
| Alainée Kent | .... | development executive: Recorded Picture Company | |
| Jonathan Lynch-Staunton | .... | for HanWay Films | |
| Richard Mansell | .... | business and legal affairs: Recorded Picture Company | |
| Peter Watson | .... | managing director: Recorded Picture Company | |
| Fabien Westerhoff | .... | worldwide sales | |
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| Seven Samurai | The Last Samurai | Shogun Assassin | Conan the Barbarian | The Hunted |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Japan section |
Having been furious at American cinema for releasing some garbage over the past few years, I have purely focused on international cinema and more so Asian cinema. You would be hard pressed finding better films than what South Korea has to offer. Unless you stumble across 13 Assassins. My god, what an experience. And that is exactly what it is, an experience. Exactly what cinema is meant to be. I will not spoil any part of this film other than saying, if you are sick and tired of the same old melodramatic, over hyped, under performed, over budgeted, egotistical, run of the mil ho hum doldrum from modern day cinema, then you must (and I mean must) see 13 Assassins. This film is a solid entry from Takashi Miike. His previous films were everything from outstanding to bizarre, but this film speaks volumes. It is a film reminiscent of 7 Samurai, brilliantly executed. Takashi Miike has certainly matured in his vision, bringing to the screen an instant classic. Tell your people, friends, family, scream it from the rooftops.....13 Assassins is brilliant! Now, how long will it take Hollywood to bastardize this film?