An tale of revenge, honor and disgrace, centering on a poverty-stricken samurai who discovers the fate of his ronin son-in-law, setting in motion a tense showdown of vengeance against the house of a feudal lord.
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
During the time of change of the mid-19th Century, Yaichiro is bid farewell by his fellow samurai friends Munezo and Samon as he leaves their clan's fiefdom on the northwest coast of Japan ... See full summary »
In 1844, the peace of Feudal Japan is threatened by cruel Lord Naritsugu Matsudaira, who is politically rising and getting closer to his half-brother, the shogun. After the harakiri of the Namiya clan leader, samurai Shinzaemon Shimada is summoned by the shogun's advisor Sir Doi of the Akashi Clan to listen to the tragedy of Makino Uneme, whose son and daughter-in-law have been murdered by Naritsugu. Then Sir Doi shows a woman with arms, legs and tongue severed by Naritsugu and she writes with her forearm a request to Shinza to slaughter Naritsugu and his samurai. Shinza promises to kill Naritsugu and he gathers eleven other samurais and plots a plan to attack Naritsugu in his trip back to the Akashi land. But the cunning samurai Hanbei Kitou that is responsible for the security of his master foresees Shinza's intent. Shinza decides to go with his samurai through the mountain, where they find the hunter Koyata that guides them off the mountain and joins the group. Now the thirteen men... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
No mercy! There's no samurai code or fair play in battle! No sword? Use a stick. No stick? Use a rock. No rock? Use your fists and feet! Lose your life, but make the enemy pay!
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Having been furious at American cinema for releasing some garbage over the past few years, I have purely focused on international cinema and more so Asian cinema. You would be hard pressed finding better films than what South Korea has to offer. Unless you stumble across 13 Assassins. My god, what an experience. And that is exactly what it is, an experience. Exactly what cinema is meant to be. I will not spoil any part of this film other than saying, if you are sick and tired of the same old melodramatic, over hyped, under performed, over budgeted, egotistical, run of the mil ho hum doldrum from modern day cinema, then you must (and I mean must) see 13 Assassins. This film is a solid entry from Takashi Miike. His previous films were everything from outstanding to bizarre, but this film speaks volumes. It is a film reminiscent of 7 Samurai, brilliantly executed. Takashi Miike has certainly matured in his vision, bringing to the screen an instant classic. Tell your people, friends, family, scream it from the rooftops.....13 Assassins is brilliant! Now, how long will it take Hollywood to bastardize this film?
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