| Brian Amidei | ... | Gary | |
| Rom Barkhordar | ... | Rabisu | |
| Brion Bliss | ... | Reggie | |
| Ezekiel Brown | ... | Det. Rosen | |
| John Brown | ... | Marty | |
| Amanda Cohen | ... | Baba | |
| Michelle Courvais | ... | Amy | |
| Derek Dziak | ... | Tyler | |
| Kurt Ehrmann | ... | Det. Lopez | |
| Leah Graham | ... | Girl Ghoul | |
| Matt Griffo | ... | Derelict | |
| Jessica Hardy | ... | Hooker | |
| Emil Hyde | ... | Motel clerk | |
| Dan Kiggins | ... | Insurance agent | |
| Mike Madgiak | ... | Tall Ghoul | |
| Joan McGrath | ... | Ms. Lipinsky | |
| Rob McLean | ... | Warren | |
| Refugio Molina | ... | Big Ghoul | |
| Eileen Montelione | ... | Teen Mother | |
| Erin Myers | ... | Donna | |
| Lori Myers | ... | Lamashtu | |
| Phil O'Neil | ... | Announcer | |
| Mike Ryan | ... | John | |
| Paula C. Stevens | ... | Counselor | |
| Coye Vega | ... | Cultist |
Directed by | |||
| Emil Hyde | |||
Writing credits(in alphabetical order) | ||
| Emil Hyde | written by | |
Produced by | |||
| Emil Hyde | .... | producer | |
| Dan Kiggins | .... | co-producer | |
Original Music by | |||
| Karen Sandvoss | |||
Cinematography by | |||
| Phil O'Neil | (director of photography) | ||
Makeup Department | |||
| Samantha Daley | .... | assistant makeup artist | |
| Kristin LeClair | .... | special makeup effects artist | |
| Crystal Portillo | .... | special makeup effects artist | |
Sound Department | |||
| Brandon Schabell | .... | sound recordist | |
Special Effects by | |||
| Jennifer Hiltwein | .... | special effects foreman | |
Visual Effects by | |||
| Phil Johnson | .... | visual effects | |
| Michael Lemke | .... | rotoscope artist | |
| Daniel J. Maher | .... | rotoscope artist | |
| Tyler Petrick | .... | rotoscope artist | |
| Charles Youssi | .... | rotoscope artist | |
Camera and Electrical Department | |||
| Tim Abel | .... | lighting supervisor | |
Other crew | |||
| Jennifer Hiltwein | .... | assistant armorer | |
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| All Good Things | Pacific Heights | Dark Water | On Our Merry Way | Chew-Chew Baby |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Independent horror cinema can be quite a sketchy realm even for those who have a taste for it, and the same certainly goes for horror comedy, a good deal of which is neither adequately horrific or amusing. All the more satisfying therefore that The Landlord is a success in its efforts, with an interesting plot, likeably quirky characterisations and some laugh out loud moments, bolstered by a few doses of cheap but gutsy grue. The plot centres upon Tyler, landlord to an attractive townhouse where guests unfortunately tend not to stay very long. The place is home to two demons, to whom Tyler is servant and provider, and their taste for flesh leads to plenty of missing persons and stress for him. Meanwhile his corrupt cop sister Amy gets into more than she can handle with city vampires, and things come to a head for both as a pregnant young lady moves into an apartment. Writer/director Emil Hyde crafts a loosely plotted but always engaging tale, with a flair for both shocks and laughs and a good spread of offbeat and imaginative touches, there are a few surprisingly fierce moments and humour including a hilariously ghastly anti abortion propaganda video. The main performances work nicely, Derek Dziak is wholly sympathetic as the often exasperated everyman Tyler dealing with a bizarre situation, whilst Michelle Courvais is smart, sassy and compellingly authoritarian as the crooked Amy. Rom Barkhordar provides plenty of laughs as the goofy, shopping channel loving green faced Rabisu, whilst Lori Myers gives a sharp turn as the dog faced demon queen Lamashtu. As the young and pregnant Donna Erin Myers is sweetly ordinary yet determined, bringing an effectively contrasting touch of the ordinary to affairs. The kooky scoring of Karen Sandvoss is at turns light and potent, while Phil Johnson leads the visual effects, which are often colorful and towards the end head swimmingly so, with an always charming flair. There are a few little flaws, minor sound issues, the vampire subplot isn't much developed, the same goes for some of the side characters. But on the whole I found this a richly entertaining and pleasingly unconventional film, heartfelt and amply dosed with delightful moments. A fine achievement then, though at the same time it is the sort of thing one needs to have a yen for indie horror cinema to really dig.