| Photos (See all 25 | slideshow) | Videos (see all 2) |
| Ashley Greene | ... | Kelly | |
| Sebastian Stan | ... | Ben | |
| Tom Felton | ... | Patrick | |
| Julianna Guill | ... | Lydia | |
| Luke Pasqualino | ... | Greg | |
| Rick Gomez | ... | Mike | |
| Anna Clark | ... | Maggie | |
| Tim Williams | ... | Office Executive | |
| Marti Matulis | ... | Apparition (as Marty Martulis) | |
| rest of cast listed alphabetically: | |||
| Suzanne Ford | ... | Mrs. Henley (uncredited) | |
| Melissa Goldberg | ... | Fast Food Girl (uncredited) | |
| John Grady | ... | Apparition (uncredited) | |
| Meena Serendib | ... | Veterinarian (uncredited) | |
Directed by | |||
| Todd Lincoln | |||
Writing credits(WGA) | ||
| Todd Lincoln | (written by) | |
Produced by | |||
| Daniel Alter | .... | executive producer | |
| Sue Baden-Powell | .... | executive producer | |
| Stephen Bender | .... | associate producer | |
| Ethan Erwin | .... | associate producer | |
| Christoph Fisser | .... | co-producer | |
| Alex Heineman | .... | producer | |
| Adam Kuhn | .... | co-producer | |
| Todd Lincoln | .... | producer | |
| Richard Mirisch | .... | co-producer | |
| Henning Molfenter | .... | co-producer | |
| Steve Richards | .... | executive producer | |
| Andrew Rona | .... | producer | |
| Joel Silver | .... | producer | |
| Charlie Woebcken | .... | co-producer | |
Original Music by | |||
| tomandandy | |||
Cinematography by | |||
| Daniel Pearl | (director of photography) (as Daniel C. Pearl) | ||
Film Editing by | |||
| Jeff Betancourt | |||
| Tom Elkins | |||
| Harold Parker | |||
Casting by | |||
| David Rapaport | (as David H. Rapaport) | ||
Production Design by | |||
| Steve Saklad | |||
Art Direction by | |||
| David Scheunemann | (supervising art director) | ||
| Steve Summersgill | |||
| James F. Truesdale | |||
Set Decoration by | |||
| Daniele Drobny | |||
Costume Design by | |||
| Kimberly Adams-Galligan | |||
Makeup Department | |||
| Tamar Aviv | .... | special make up effects artist: Spectral Motion Inc | |
| Vivian Baker | .... | makeup department head | |
| Andy Clement | .... | special makeup effects artist | |
| Mary Elizalde | .... | CFO: Spectral Motion Inc | |
| Mike Elizalde | .... | creature and makeup effects designer | |
| Emanuel Millar | .... | hair department head | |
| Stefanie Owens | .... | key makeup artist | |
| Valeska Schitthelm | .... | hair | |
| Valeska Schitthelm | .... | make-up artist | |
Production Management | |||
| Noelle Green | .... | production manager | |
| Sebastian Neitsch | .... | production manager: Germany | |
Art Department | |||
| Sven Adrian | .... | set dresser | |
| Henning Brehm | .... | graphic designer | |
| Tony Bridgers | .... | general foreman | |
| Shane Buckallew | .... | lead plaster foreman | |
| Christin Busse | .... | art department assistant | |
| Stephanie Charbonneau | .... | graphic designer: Los Angeles | |
| Holger Delfs | .... | painter | |
| Joey Genitempo | .... | stand-by painter: re-shoots | |
| Robin Haefs | .... | screen graphics designer | |
| Steve A. Hagberg | .... | construction coordinator | |
| Patrick Herzberg | .... | draughtsman | |
| Patrick Herzberg | .... | stand-by art director | |
| Jan Hülpüsch | .... | graphic designer | |
| Tom Ivanjack | .... | stand-by painter | |
| Peggy Johnson | .... | paint gang boss | |
| Thomas V. Johnson | .... | lead scenic | |
| Axel Kahnt | .... | property master | |
| Roxy Konrad | .... | art department coordinator | |
| Jerad Marantz | .... | character designer | |
| Christoph Merg | .... | lead set dresser | |
| Christoph Merg | .... | leadman | |
| Adam Mull | .... | model maker | |
| Kailey Newman | .... | art department production assistant | |
| Steffen Reichstadt | .... | concept artist | |
| Erin E. Riegel | .... | art department production assistant | |
| Peter Roderick | .... | contruction buyer/estimator | |
| Bradley Rubin | .... | set designer | |
| Cindy Schnitter | .... | assistant propmaker | |
| Aaron Sims | .... | character designer | |
| Julia Smola | .... | painter | |
| Anthony Syracuse | .... | construction coordinator: additional photography | |
| Alwara Thaler | .... | set decoration buyer | |
| Gary Thomas | .... | storyboard artist | |
| Michael A. Truesdale | .... | art department coordinator | |
| Chris Ubick | .... | property master: US | |
| Simon Weisse | .... | prop maker | |
| Marcel Worch | .... | general foreman: additional photography | |
Sound Department | |||
| Christopher Alba | .... | supervising foley editor | |
| Dane A. Davis | .... | sound designer | |
| David Lee Fein | .... | foley artist (as David Fein) | |
| Alexandra Gallo | .... | boom operator: Los Angeles | |
| Ryan Gegenheimer | .... | apprentice sound editor | |
| Paul Hackner | .... | co-supervising sound editor | |
| Hilda Hodges | .... | foley artist | |
| David Jobe | .... | foley mixer | |
| Steven Klinghoffer | .... | utility sound technician: Los Angeles | |
| Mark Larry | .... | supervising sound editor | |
| Tim LeBlanc | .... | sound re-recording mixer | |
| Kimberly Ellen Lowe | .... | adr & dialogue supervisor | |
| Thomas J. O'Connell | .... | adr mixer | |
| Tom Ozanich | .... | sound re-recording mixer | |
| Pawel Wdowczak | .... | sound mixer: Los Angeles | |
Special Effects by | |||
| Roland Blancaflor | .... | creature crew | |
| James Bomalick | .... | special effects coordinator: Los Angeles | |
| Darin Bouyssou | .... | mold department and life-casting: Spectral Motion Inc. | |
| Robert Garrigus | .... | special effects | |
| Kevin Hannigan | .... | special effects coordinator: Los Angeles | |
| Jane Kilkenny | .... | special effects technician | |
| Michael Luppino | .... | special effects foreman | |
| Klaus Mielich | .... | special effects technical & crew coordinator | |
| Gerd Nefzer | .... | special effects supervisor (as Gerd Feuchter) | |
| Alejandro Palma | .... | creature designer: Spectral Motion | |
| Bernd Rautenberg | .... | special effects foreman | |
| Sally Ray | .... | project coordinator: Spectral Motion | |
| Michael Rudnik | .... | special effects senior technician | |
| Jürgen Thiel | .... | special effects senior technician | |
| Brian Walsh | .... | pre-build coordinator: Spectral Motion Inc | |
Visual Effects by | |||
| Eran Barnea | .... | visual effects | |
| Travis Baumann | .... | visual effects artist | |
| Sam Bollinger | .... | visual effects editor | |
| Michaela Braun | .... | team-assistant: ScanlineVFX | |
| Stuart Bullen | .... | lead compositor: Blue-Bolt | |
| Freddy Chavez Olmos | .... | visual effects compositor | |
| Christopher Custodio | .... | visual effects coordinator | |
| Fabrizio Fioretti | .... | visual effects artist: Bluebolt | |
| Steve Garrad | .... | visual effects executive producer: Image Engine | |
| Christoph Gaudl | .... | matchmove supervisor: ScanlineVFX | |
| Andrea Geiger | .... | compositing artist: ScanlineVFX | |
| Andrea Giordano | .... | texture & modeling artist | |
| Markus Hagemeier | .... | vfx editor: ScanlineVFX | |
| Michael S. Harbour | .... | head of 2d: CIS Hollywood | |
| Ian A. Harris | .... | compositor: Method Studios | |
| David Harter | .... | compositing artist: ScanlineVFX | |
| Jasmin Hasel | .... | vfx producer: ScanlineVFX | |
| Carla Heinzel | .... | animation artist: ScanlineVFX | |
| Jan Huybrechs | .... | 3D Scanning: Eyetronics | |
| Barbara Keydel | .... | compositing artist: ScanlineVFX | |
| Bernhard Kimbacher | .... | compositor | |
| Claudia Knorr | .... | modelling artist: ScanlineVFX | |
| Christian Kratzert | .... | animation artist: ScanlineVFX | |
| Jan Krupp | .... | vfx supervisor: ScanlineVFX | |
| Sebastian Küchmeister | .... | fx artist: ScanlineVFX | |
| Felix Laser | .... | compositing artist: ScanlineVFX | |
| Jesus Lavin | .... | compositor: Image Engine | |
| Alexander Lee | .... | visual effects artist | |
| Alex Llewellyn | .... | digital compositor: Image Engine | |
| Björn Lubitz | .... | shading & texturing artist: ScanlineVFX | |
| Richard Lund | .... | translite photographer | |
| Francisco Moncayo Moreno | .... | digital compositor: Image Engine | |
| Andy Moorer | .... | visual effects artist | |
| John Norris | .... | visual effects business affairs | |
| Eddie Offermann | .... | software | |
| Chris Payne | .... | lead Flame artist | |
| Shinichi Rembutsu | .... | visual effects: ScanlineVFX | |
| Mark Richardson | .... | lead compositor: Image Engine | |
| Ryan Robertson | .... | visual effects producer | |
| Thorsten Rolle | .... | mattepainting: ScanlineVFX | |
| Benjamin Ross | .... | mattepainting: ScanlineVFX | |
| Jaqgravan Sananikone | .... | visual effects artist | |
| Hamish Schumacher | .... | lead compositor: Image Engine | |
| Stephan Schweizer | .... | compositing lead: ScanlineVFX | |
| Andrew Smith | .... | visual effects editor | |
| Paul Venn Stirling | .... | digital compositor: Image Engine | |
| Michael Strathearn | .... | lighting td: BlueBolt | |
| Mortimer Warlimont | .... | vfx set supervisor: ScanlineVFX | |
| Mark Webb | .... | visual effects coordinator: Bluebolt | |
| José Manuel Weil | .... | shading & texturing lead: ScanlineVFX | |
| Matt Wilson | .... | compositing supervisor | |
| Bjoern Wortmann | .... | I/O coordinator: ScanlineVFX | |
| Kelvin Yee | .... | digital compositor: Image Engine | |
| Ismat Zaidi | .... | executive vfx producer: ScanlineVFX | |
Stunts | |||
| Denise Badura | .... | stunts | |
| Nitasha Bhambree | .... | stunts | |
| James Bomalick | .... | stunt coordinator: Los Angeles | |
| Jan Böhme | .... | stunt rigger | |
| Martin Goeres | .... | stunt double | |
| Antje Rau | .... | stunt coordinator | |
| Pat Romano | .... | stunts | |
| Wolfgang Stegemann | .... | stunt rigger | |
| Spencer Stone | .... | stunts | |
Casting Department | |||
| Jonathan Clay Harris | .... | casting associate | |
| Justine Hempe | .... | additional casting | |
| Jason James | .... | casting associate | |
| Johanna Ragwitz | .... | extras casting: Germany | |
Costume and Wardrobe Department | |||
| Jenny Lorenz | .... | set costumer | |
| Lisa Spengler | .... | textile artist/dyer | |
Editorial Department | |||
| Jessica Bonander | .... | editorial intern | |
| Joseph Derrico III | .... | assistant editor (credits only) | |
| Gabriel J. Diaz | .... | editor: end title sequence | |
| Maxine Gervais | .... | digital intermediate colorist | |
| Erik Kaufmann | .... | on-line editor | |
| Adam Ohl | .... | digital intermediate producer | |
| Melany Sirkedjian | .... | post-production assistant | |
| David Thomas | .... | digital cinema producer | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Gabe Castro | .... | pro tools operator: music | |
| Alexina Matisse | .... | music coordinator | |
| Amine Ramer | .... | music supervisor | |
| Brian Richards | .... | music editor | |
| Andy Ross | .... | music co-ordinator | |
Transportation Department | |||
| Leonel Alvarez | .... | driver: Los Angeles | |
| Chris Alviani | .... | driver: Los Angeles | |
| Iris Barbarino | .... | driver: Los Angeles | |
| Cammie Caira | .... | driver: Los Angeles | |
| Cody Caira | .... | driver: Los Angeles | |
| Delwin Chin | .... | driver: Los Angeles | |
| Michael Chonos | .... | driver: Los Angeles | |
| Kaiser Clark | .... | driver | |
| Peyton J. Fitzpatrick | .... | driver: Los Angeles | |
| Tony Greasley | .... | driver: Los Angeles | |
| Daniel Huhn | .... | personal driver Andrew Rona | |
| Matthias Langwich | .... | driver (as Mathias Langwich) | |
| Paolo Maggio | .... | driver: cast | |
| Jim Oge Jr. | .... | driver | |
| Thomas Siegert | .... | production driver | |
| Mark Sorani | .... | driver: Los Angeles | |
| Joseph Sparks | .... | driver: Los Angeles (as Joe Sparks) | |
| Russ Tolliver | .... | driver: Los Angeles | |
| Tad Venger | .... | driver: Los Angeles | |
| Mike Wacker | .... | driver | |
| Rick Womelduff | .... | driver: Los Angeles | |
| Victor Ybiernas | .... | driver: Los Angeles | |
| Erhan Özer | .... | driver (as Ergan Oezer) | |
Other crew | |||
| Matthew Ackerson | .... | key set production assistant: reshoots | |
| Natalia Anderson | .... | production coordinator: additional photography | |
| Markus Bensch | .... | production executive: Studio Babelsberg Motion Pictures | |
| Dashiell Boam | .... | assistant to Andrew Rona | |
| Milena Bomalick | .... | production secretary | |
| Sofia Bossman | .... | production assistant | |
| Alasdair Boyd | .... | location manager | |
| Gero Brugmann | .... | legal counsel: for Studio Babelsberg | |
| Jennifer Bydwell | .... | product placement | |
| Nina Büttner | .... | production accountant: Germany | |
| Melissa DeFauw | .... | animal trainer | |
| Christian Fischer | .... | assistant accountant: Germany | |
| Patrizia Fischer | .... | production assistant | |
| Cliff Fleming | .... | helicopter pilot | |
| Michael Frayeh | .... | financial controller | |
| Meline Frey | .... | subsidies coordinator: Studio Babelsberg Motion Pictures | |
| Elliot Gannon | .... | set production assistant: reshoots | |
| Katharina Gapski | .... | production coordinator | |
| Mirjam Grosse Darrelmann | .... | assistant: Mr. Molfenter | |
| Jurgen Heimann | .... | mechanical department | |
| Michael Herbell | .... | assistant location manager | |
| Rabeah Hinrichs | .... | cashier: Germany | |
| Michael Hird | .... | medic | |
| Katja Hoerstmann | .... | business affairs: Studio Babelsberg Motion Pictures (as Katja Hörstmann) | |
| Peter Hough | .... | set production assistant | |
| Mara Joerke | .... | production assistant | |
| Margit Jütz | .... | assistant accountant: Studio Babelsberg Motion Pictures | |
| Ellie Kemps | .... | assistant production coordinator | |
| Brian Patrick Kinney | .... | key assistant location manager | |
| Danika Kohler | .... | production coordinator | |
| Ronald J. Levin | .... | legal representative | |
| Martina Ludwig | .... | assistant: Mr. Woebcken and Mr. Fisser | |
| Christian Malouf | .... | payroll accountant | |
| Alex McAtee | .... | assistant production office coordinator | |
| Paulette Osorio | .... | unit publicist | |
| Scott Peterson | .... | script supervisor | |
| Ryan Radefeld | .... | production assistant | |
| Bobby Ravanshenas | .... | assistant to cast | |
| Rickie-Lee Roberts | .... | key set production assistant | |
| Ryan Robertson | .... | main title producer | |
| Evan L. Robichaud | .... | production assistant | |
| Maxwell Salberg | .... | production assistant: reshoots | |
| Wolfgang Schwedler | .... | accountant: Studio Babelsberg Motion Pictures | |
| Megan Shields | .... | assistant to T. Lincoln & S. Baden-Powell | |
| Mo Stemen | .... | production secretary | |
| Tyler Stratton | .... | key set production assistant: Los Angeles | |
| Didi Tokova | .... | first assistant accountant | |
| Chanda Venable | .... | production staff | |
| Marlon 'Goose' Wall | .... | set production assistant | |
| Joshua P. Warren | .... | ghost consultant | |
| Martine White | .... | key assistant location manager | |
| Eike Wolf | .... | production publicist (babelsberg ) | |
| Eike Wolf | .... | production publicist: Studio Babelsberg | |
| Sonja B. Zimmer | .... | production executive: Studio Babelsberg Motion Pictures | |
| Ashton Shane | .... | body double: Ashley Greene (uncredited) | |
| Ivan Siebel | .... | location scout (uncredited) | |
| Ivan Siebel | .... | location scout: California (uncredited) | |
Thanks | |||
| James Herbert | .... | special thanks | |
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| Haunted Poland | The Unborn | The Haunting | Poltergeist III | The St. Francisville Experiment |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
I first heard about this movie by listening to Coast to Coast AM where the Writer/Director was on talking about this film and how he was inspired by actual events. So I was really anticipating watching this film.
At first it started out pretty interesting but then it took a turn for the worse. I started to not care about what was going on, the characters were a bit annoying and I didn't really care about them one way or another.
The film is not scary, it has its thrilling moments but all in all it's just a typical horror film for the new generation which really means its pathetic.
I think the film would have been awesome if it had followed the group doing the experiment on getting a ghost to appear, in fact that's what I was thinking I was getting into but instead got a cheap shot at a horror film that left me feeling like I had completely wasted my time.
It had some good moments but all in all it's not really worth watching.