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Directed by | |||
| George Tillman Jr. | |||
Writing credits(WGA) | ||
| Tony Gayton | (written by) & | |
| Joe Gayton | (written by) | |
Produced by | |||
| Joe Gayton | .... | executive producer | |
| Tony Gayton | .... | producer | |
| Liz Glotzer | .... | producer | |
| Martin Shafer | .... | producer | |
| Robert Teitel | .... | producer | |
| Dara Weintraub | .... | executive producer | |
Original Music by | |||
| Clint Mansell | |||
Cinematography by | |||
| Michael Grady | (director of photography) | ||
Film Editing by | |||
| Dirk Westervelt | |||
Casting by | |||
| Sarah Finn | |||
Production Design by | |||
| David Lazan | |||
Art Direction by | |||
| Andrew Murdock | |||
Set Decoration by | |||
| Jan Pascale | |||
Costume Design by | |||
| Salvador Pérez Jr. | (as Salvador Perez) | ||
Makeup Department | |||
| Jean Ann Black | .... | makeup department head (as Jean A. Black) | |
| Kim Collea | .... | makeup artist | |
| Lynne K. Eagan | .... | makeup and hair stylist: Mr. Thornton (as Lynne Eagan) | |
| Connie Grayson Criswell | .... | contact lens technician (as Connie Grayson) | |
| Robin Myriah Hatcher | .... | special makeup effects production coordinator: Tinsley Studio | |
| Jules Holdren | .... | assistant hair stylist department head | |
| Rolf John Keppler | .... | assistant makeup department head | |
| Bill Myer | .... | makeup artist | |
| Allison Oliver | .... | silicone and prosthetic transfers technician: Tinsley Studio | |
| Rachel Solow | .... | barber: Mr. Johnson | |
| Rick Stratton | .... | makeup artist | |
| Rick Stratton | .... | tattoo designer | |
| Christien Tinsley | .... | special effects makeup | |
| Terrie Velazquez Owen | .... | hair stylist department head (as Terrie Velazquez-Owen) | |
| Hiroshi Yada | .... | special makeup effects crew: Tinsley studio | |
Production Management | |||
| Dara Weintraub | .... | unit production manager | |
Sound Department | |||
| Odin Benitez | .... | sound effects editor | |
| Jason Brennan | .... | sound editor | |
| Don Coufal | .... | boom operator | |
| Rob Embrey | .... | adr facility supervisor | |
| Michael Ferdie | .... | sound editor | |
| Aaron J. Green | .... | manager: sound services | |
| Adam Horley | .... | adr recordist | |
| Marti D. Humphrey | .... | sound re-recording mixer | |
| Chris M. Jacobson | .... | assistant sound re-recording mixer | |
| Devin Joseph | .... | dialogue editor | |
| Ben Lazarus | .... | sound department intern | |
| Larry Mann | .... | supervising sound editor (as Lawrence H. Mann) | |
| James Moriana | .... | foley artist | |
| Chris Navarro | .... | adr mixer | |
| Myron Nettinga | .... | sound re-recording mixer | |
| Myron Nettinga | .... | supervising sound designer | |
| Brad North | .... | sound effects editor | |
| David Obermeyer | .... | sound mixer | |
| Paul D. Poduska | .... | second assistant sound editor (as Paul Poduska) | |
| Pernell L. Salinas | .... | first assistant sound editor | |
| Brian Seagrave | .... | audio post-conform | |
| Walter Spencer | .... | dialogue editor | |
| Bruce Stambler | .... | sound effects editor | |
| Andrii Trifonov | .... | sound re-recording mixer: ukr mix | |
| Brett Voss | .... | foley mixer | |
| Ben Whitver | .... | adr mixer | |
| Jeffrey Wilhoit | .... | foley artist | |
Special Effects by | |||
| Roy K. Cancino | .... | special effects technician | |
| Danny Cangemi | .... | special effects general foreperson | |
| Clark James | .... | custom electronics | |
| Bruce Y. Kuroyama | .... | special effects technician | |
| Donald Myers | .... | special effects foreman (as Donald E. Myers Jr.) | |
| James Nagle | .... | special effects foreman | |
| Eric Rylander | .... | special effects coordinator | |
| John Ziegler | .... | special effects technician | |
Visual Effects by | |||
| David Altenau | .... | visual effects supervisor: FuseFX (as Dave Altenau) | |
| Noah Sage Amrani | .... | rotoscope artist | |
| Alan E. Bell | .... | visual effects supervisor: Handmade Digital | |
| Mike Bozulich | .... | compositor | |
| Ray Bushey III | .... | additional visual effects (as Raymond Bushey) | |
| Rhodem Regner Capilla | .... | roto artist (as Rhodem R. Capilla) | |
| Elohim Cervantes Tampus | .... | roto artist | |
| Chad E. Collier | .... | digital intermediate data technician: Company 3 | |
| Kevin Del Colle | .... | digital film scanner | |
| Brian Delmonico | .... | compositor | |
| Faith Domingo | .... | rotoscope artist | |
| Dick Edwards | .... | visual effects producer: Invisible Effects | |
| Jason Fotter | .... | compositing supervisor: FuseFX | |
| Fortunato Frattasio | .... | compositor: FuseFX | |
| Ignacio Garcerón | .... | lighting technical director: FuseFX | |
| Todd Groves | .... | digital compositor | |
| Eric Hayden | .... | compositor: FuseFX | |
| James Holt | .... | inferno artist: CBS Digital | |
| Elbert Irving IV | .... | visual effects coordinator: Wildfire VFX (as Elbert Irving Jr.) | |
| Tim Jacobsen | .... | visual effects producer | |
| Louis Katz | .... | compositor: FuseFX (as Luis Katz) | |
| Tom Lamb | .... | compositor: FuseFX | |
| Diane Macke | .... | visual effects coordinator | |
| Ed W. Marsh | .... | additional visual effects | |
| Jim 'Big Dog' McLean | .... | compositor: FuseFX (as Jim McLean) | |
| Josh Miyaji | .... | compositor: FuseFX | |
| Josh Miyaji | .... | visual effects artist | |
| Andy Mower | .... | compositor | |
| Toby Newell | .... | compositor: FuseFX | |
| James P. Noon | .... | tracking | |
| Caleb Owens | .... | compositor: FuseFX | |
| Eric Pender | .... | compositor: FuseFX | |
| Francisco Ramirez | .... | compositor: Red Hive VFX | |
| Lauren Ritchie | .... | visual effects producer: Wildfire VFX | |
| Lillian Ritchie | .... | visual effects assistant coordinator: FuseFX | |
| Sean Rowe | .... | digital film scanner | |
| Aldo Ruggiero | .... | digital compositor | |
| Aldo Ruggiero | .... | lighting technical director: Fuse FX | |
| Alessandro Schiassi | .... | visual effects artist | |
| Prateep Siamwalla | .... | tracking | |
| Dottie Starling | .... | visual effects supervisor: Wildfire VFX | |
| Chris Tezber | .... | visual effects coordinator | |
| Matt von Brock | .... | CG supervisor: FuseFX | |
| Cliff Welsh | .... | inferno artist: CBS Digital | |
| Xye | .... | tracking | |
| Jared Pecht | .... | digital film scanner (uncredited) | |
Casting Department | |||
| Chris Bustard | .... | extras casting | |
| Lauren Herrel | .... | casting | |
| Tamara Hunter | .... | casting associate | |
| Mariann H.W. Lee | .... | extras casting | |
| Leslie-Ann Reale | .... | casting associate | |
Costume and Wardrobe Department | |||
| Gala Autumn | .... | costume supervisor | |
| Paul Black | .... | costume assistant | |
| Steve Constancio | .... | set costumer | |
| Gia Jimenez | .... | set costumer | |
| Robert Mata | .... | costumer | |
| Erich A. Muller | .... | set costumer | |
| Dalhia Schuette | .... | key costumer | |
Editorial Department | |||
| Michael Boggs | .... | scanning producer | |
| Ray Bushey III | .... | vfx editor | |
| Paul Carlin | .... | digital intermediate editor | |
| Siggy Ferstl | .... | digital intermediate colorist | |
| Travis Flynn | .... | digital intermediate colorist assist | |
| Jordan Fox | .... | digital intermediate colorist assist | |
| Cory Hamilton | .... | digital intermediate producer | |
| Michael Landon | .... | digital intermediate editor | |
| Blake Maniquis | .... | film editor | |
| Santiago Padilla | .... | colorist: dailies | |
| Joe Pestana | .... | dailies assistant | |
| Elizabeth Ross | .... | additional editor | |
| Lance Spindler | .... | color timer | |
| Ian Sullivan | .... | digital intermediate accountant (uncredited) | |
Music Department | |||
| Spring Aspers | .... | executive in charge of music | |
| Monique Donnelly | .... | singer | |
| Matt Dunkley | .... | conductor | |
| Matt Dunkley | .... | orchestrator | |
| Geoff Foster | .... | score engineer | |
| Geoff Foster | .... | score mixer | |
| Geoff Foster | .... | score recordist | |
| Emma Fox | .... | guitar | |
| Emma Fox | .... | musician | |
| Dan Garde | .... | music editor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Kier Lehman | .... | music department | |
| Laura Lively | .... | featured vocalist | |
| Stephanie Lowry | .... | additional music editor | |
| Steve Mair | .... | musician: double bass | |
| Toby Pitman | .... | musician: guitar | |
| James A. Rota | .... | music consultant | |
| Jill Streater | .... | music copyist | |
| Bruce White | .... | viola | |
| Brian 'Excel Beats' Whittaker | .... | composer: additional music | |
| Nigel Wiesehan | .... | score technical assistant | |
| Jonathan Williams | .... | musician: solo cello | |
| Chrystopher Ryan Johnson | .... | singer (uncredited) | |
Transportation Department | |||
| Dawn Ballou | .... | driver | |
| Dave Busick | .... | set mechanic | |
| Sanchez Daniel | .... | picture car mechanic/fabricator | |
| Mark Dobkousky | .... | driver: director | |
| Hector M. Gonzalez | .... | driver | |
| Geno Hart | .... | transportation coordinator | |
| Kirk Huston | .... | transportation | |
| Hugh Kelly | .... | driver | |
| Hardy Ophuls | .... | transportation captain | |
| Marty Osborne | .... | picture car coordinator | |
| John Pellegrino | .... | driver | |
| Adam Pinkstaff | .... | transportation captain | |
| Tim Schau | .... | transportation | |
| Derek Severson | .... | driver: production van | |
| Brian Stackhouse | .... | driver | |
| Jay E. Vigil | .... | transportation co-captain | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
This was the first movie our family went to in a long time, and it was so worth it! My boys said it was excellent.
The plot was simple enough, bad guy wants revenge for the murder of a loved one. In all honesty, it didn't seem to need a wide range of acting from Dwayne Johnson (aka, The Rock). I should rephrase that; it wasn't so much the dialog, but his mannerisms and facial expressions that said it all!
The movie wasn't just about revenge, it also looked into how he got to be the way he was... the way he was treated growing up. It talked about forgiveness & redemption.
I say it's about time The Rock (I will always know him as that!) got back to what he does best, Action/Adventure. Like The Rundown he did with Sean Scott.
All in All, I would give this movie a B++