Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
A lone man, recently released from prison, seeks out the people from his past who he believes betrayed him. While he forces each to atone for their sins, he must also face what meting out vengeance will do to his immortal soul. Meanwhile, he's not the only one looking to settle old scores. Hired by the man responsible for the events which lead him to prison, an eccentric contract killer follows his every move. Scenes of them crossing paths, sometimes violently, are interspersed with the assassin's self-realizations of how to deal with struggles within his own life. As if old enemies & hired guns aren't enough, a young female detective begrudgingly works alongside a veteran investigator looking to simply survive his last two weeks on the force before retirement, as they seek out the brazen ex-con who has been blazing a path of gasoline-powered destruction in his vintage Chevelle. Written by
The Chevelle that Dwayne Johnson drives in the film is a 1971 or 1972 model (as evidenced by the dual taillights), but the front is from the 1970 model (as evidenced by headlights and grille). Also, although the car is badged with the SS (Super Sport) logo, it is in fact a Malibu edition Chevelle as evidenced by the sweep style dash - SS Chevelles have round gauges. See more »
The front of the Chevelle that Driver is driving is a 1970, but the rear is a 1971 or 1972. See more »
While I always thought Dwayne Johnson (The Rock!) had potential as an actor, I thought his career choices have been pretty dismal since he left the world of wrestling. Whether throwaway crap like "The Scorpion King" or just plain embarrassing stuff like "The Tooth Fairy" (we get it Dwayne, you can laugh at yourself - how about getting down to business!), I just never felt compelled to see one of his movies. Until now.
I could tell from the trailer this one was going to be different.
Faster is a throwback to the merciless action flicks of the 1970s. Existential in tone. Ruthless in execution. It's kind of a cross between Death Wish and Vanishing Point. A pure, undiluted revenge drama that shows Dwayne Johnson really can walk the walk when he wants to. This isn't G-rated pabulum for the whole family. This is a leather glove across the chops, R-rated blast from the muzzle of a sawed-off shotgun. The plot isn't very complex, but the pacing is beautiful, as is the purity of this amazing movie.
Billy Bob Thornton does a great job too as The Cop, a lowlife drug addicted, slimy little lawman with 9 days to go before retirement and one last case to solve. And Oliver Jackson-Cohen is terrific as a yuppie hit-man with a personal score to settle.
If you like movies that are intent simply in kicking your ass for 90 minutes, you could do a lot worse than Faster. After all these years, I'm finally a Dwayne Johnson fan.
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