Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
A lone man, recently released from prison, seeks out the people from his past who he believes betrayed him. While he forces each to atone for their sins, he must also face what meting out vengeance will do to his immortal soul. Meanwhile, he's not the only one looking to settle old scores. Hired by the man responsible for the events which lead him to prison, an eccentric contract killer follows his every move. Scenes of them crossing paths, sometimes violently, are interspersed with the assassin's self-realizations of how to deal with struggles within his own life. As if old enemies & hired guns aren't enough, a young female detective begrudgingly works alongside a veteran investigator looking to simply survive his last two weeks on the force before retirement, as they seek out the brazen ex-con who has been blazing a path of gasoline-powered destruction in his vintage Chevelle. Written by
Salma Hayek was cast as Cicero, but dropped out a week before filming began, due to a scheduling conflict. See more »
Towards the end of the film, when Cop and Killer are talking, in a shot from behind Killer his coat collar is turned up. The next shot, in front of Killer and behind Cop, the collar is now turned down and is so when Killer turns to walk away. See more »
While I always thought Dwayne Johnson (The Rock!) had potential as an actor, I thought his career choices have been pretty dismal since he left the world of wrestling. Whether throwaway crap like "The Scorpion King" or just plain embarrassing stuff like "The Tooth Fairy" (we get it Dwayne, you can laugh at yourself - how about getting down to business!), I just never felt compelled to see one of his movies. Until now.
I could tell from the trailer this one was going to be different.
Faster is a throwback to the merciless action flicks of the 1970s. Existential in tone. Ruthless in execution. It's kind of a cross between Death Wish and Vanishing Point. A pure, undiluted revenge drama that shows Dwayne Johnson really can walk the walk when he wants to. This isn't G-rated pabulum for the whole family. This is a leather glove across the chops, R-rated blast from the muzzle of a sawed-off shotgun. The plot isn't very complex, but the pacing is beautiful, as is the purity of this amazing movie.
Billy Bob Thornton does a great job too as The Cop, a lowlife drug addicted, slimy little lawman with 9 days to go before retirement and one last case to solve. And Oliver Jackson-Cohen is terrific as a yuppie hit-man with a personal score to settle.
If you like movies that are intent simply in kicking your ass for 90 minutes, you could do a lot worse than Faster. After all these years, I'm finally a Dwayne Johnson fan.
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