| Photos (See all 25 | slideshow) | Videos (see all 18) |
| Jim Broadbent | ... | Tom | |
| Ruth Sheen | ... | Gerri | |
| Lesley Manville | ... | Mary | |
| Oliver Maltman | ... | Joe | |
| Peter Wight | ... | Ken | |
| David Bradley | ... | Ronnie | |
| Martin Savage | ... | Carl | |
| Karina Fernandez | ... | Katie | |
| Michele Austin | ... | Tanya | |
| Philip Davis | ... | Jack (as Phil Davis) | |
| Imelda Staunton | ... | Janet | |
| Stuart McQuarrie | ... | Tom's Colleague | |
| Eileen Davies | ... | Mourner | |
| Mary Jo Randle | ... | Mourner | |
| Ben Roberts | ... | Mourner | |
| David Hobbs | ... | Vicar | |
| Badi Uzzaman | ... | Mr. Gupta | |
| Meneka Das | ... | Mr. Gupta's Friend | |
| Ralph Ineson | ... | Drill Worker | |
| Edna Doré | ... | Allotment Lady | |
| Gary Powell | ... | Man in Bar | |
| Lisa McDonald | ... | Girl in Bar |
Directed by | |||
| Mike Leigh | |||
Writing credits | ||
| Mike Leigh | (written by) | |
Produced by | |||
| Danielle Brandon | .... | line producer | |
| Gail Egan | .... | executive producer | |
| Georgina Lowe | .... | producer | |
| Tessa Ross | .... | executive producer | |
Original Music by | |||
| Gary Yershon | |||
Cinematography by | |||
| Dick Pope | |||
Film Editing by | |||
| Jon Gregory | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Simon Beresford | |||
Art Direction by | |||
| Andrew Rothschild | |||
Set Decoration by | |||
| Sophia Chowdhury | |||
Costume Design by | |||
| Jacqueline Durran | |||
Makeup Department | |||
| Christine Blundell | .... | hair designer | |
| Christine Blundell | .... | makeup designer | |
| Chloe Meddings | .... | hair stylist (as Chloë Meddings) | |
| Chloe Meddings | .... | makeup artist | |
| Lesa Warrener | .... | senior makeuo stylist | |
Production Management | |||
| Polly Duval | .... | post-production supervisor | |
| Tracey Josephs | .... | head of production: Film4 | |
| Sarah McBryde | .... | production manager | |
| Fiona Morham | .... | head of physical production: UK Film Council | |
| Iain Smith | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Melanie Heseltine | .... | key second assistant director | |
| Toby Hosking | .... | key second assistant director | |
| Nicholas Kay | .... | third assistant director | |
| Josh Robertson | .... | first assistant director | |
| Steve Wentworth | .... | third assistant director | |
Art Department | |||
| Paul Barker | .... | standby rigger | |
| Caroline Bateman | .... | art department trainee: Skillset | |
| Netty Chapman | .... | standby art director | |
| Garry Dawson | .... | dressing props | |
| Kevin Day | .... | standby props | |
| Noel Deegan | .... | standby props | |
| Andrew Forrest | .... | standby props (as Andy Forrest) | |
| Peter Hodge | .... | standby carpenter | |
| Rowanna Lacey | .... | graphic artist | |
| Sophia Millar | .... | art department trainee: Ft2 | |
| Dorothy Sullivan | .... | production buyer | |
| Steve Wheeler | .... | property master | |
| Matt Wyles | .... | dressing props | |
| Loretta Lipworth | .... | daily art department assistant (uncredited) | |
Sound Department | |||
| Jason Canovas | .... | dialogue editor | |
| Antoinette Fernandez | .... | sound trainee: UKFC Diversity | |
| Les Fiddess | .... | foley artist | |
| Tim Fraser | .... | sound recordist | |
| Loveday Harding | .... | boom operator | |
| Simon Hewitt | .... | foley artist | |
| Raphi Hill | .... | sound trainee: UKFC Diversity (as Raphaella Hill) | |
| Martin Oswin | .... | foley mixer | |
| Mark Paterson | .... | sound re-recording mixer | |
| Steve Schwalbe | .... | supervising foley editor | |
| Nigel Stone | .... | sound re-recording mixer | |
| Nigel Stone | .... | supervising sound editor | |
| Andy Thompson | .... | sound re-recording mixer | |
| William Towers | .... | boom operator (as Will Towers) | |
| Mike Wood | .... | sound effects editor | |
| Ben Collinson | .... | sound assistant (uncredited) | |
| Robert Weatherall | .... | mix technician (uncredited) | |
| Philip Young | .... | adr recordist (uncredited) | |
Special Effects by | |||
| David Johns | .... | snow effects technician (uncredited) | |
Visual Effects by | |||
| Dolores McGinley | .... | visual effects artist | |
Camera and Electrical Department | |||
| Wailoon Chung | .... | generator operator | |
| John Evans | .... | clapper loader | |
| Phoebe Fraser | .... | camera trainee: UKFC Diversity | |
| Eugene Grobler | .... | electrician | |
| Mark Hanlon | .... | best boy | |
| Andy Long | .... | gaffer | |
| Simon Mein | .... | stills photographer | |
| Megan Ogilvie | .... | camera trainee: UKFC Diversity | |
| Dick Pope | .... | camera operator | |
| Gordon Segrove | .... | focus puller | |
| Colin Strachan | .... | grip | |
| Danny McGee | .... | practical electrician (uncredited) | |
Casting Department | |||
| Kharmel Cochrane | .... | casting assistant | |
| Robert Sterne | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lucy Donowho | .... | costume standby | |
| Edith Kähler | .... | costume assistant | |
| Holly Waddington | .... | assistant costume designer | |
Editorial Department | |||
| Helle Absalonsen | .... | senior digital intermediate producer | |
| Ben Bradley | .... | digital intermediate technical director | |
| John Claude | .... | colorist | |
| Sinead Cronin | .... | on-line editor (as Sinéad Cronin) | |
| Jo Dixon | .... | first assistant editor (as Jo-Anne Dixon) | |
| Sam Karr | .... | editing trainee: UKFC Diversity | |
| Garry Maddison | .... | data scanner | |
| Mark Neale | .... | additional assistant editor | |
| Natalie Silver | .... | data scanner | |
| Thora Woodward | .... | additional assistant editor | |
Music Department | |||
| Tom Bullen | .... | assistant score engineer | |
| Nick Cooper | .... | musician: cello | |
| Terry Davies | .... | conductor | |
| Andrew Glen | .... | music editor | |
| Isobel Griffiths | .... | musicians contractor | |
| John Parricelli | .... | musician: guitar | |
| Colin Rae | .... | music preparation | |
| George Robertson | .... | musician: viola | |
| Nick Taylor | .... | score mix engineer | |
| Nick Taylor | .... | score recordist | |
| David Theodore | .... | musician: oboe | |
| Helen Tunstall | .... | musician: harp | |
| Lucy Whalley | .... | assistant musician contractor | |
Transportation Department | |||
| Danny Brown | .... | facilities captain | |
| Simon Burgess | .... | driver: facilities | |
| John Doran | .... | unit driver | |
| Lloyd Eaton | .... | driver: facilities | |
| Stuart Little | .... | unit driver: minibus | |
| Jim McGleish | .... | unit driver | |
| Paul Racher | .... | driver: facilities | |
| Dan Smith | .... | driver: facilities | |
| Barry Quibell | .... | driver: transportation facilities (uncredited) | |
Other crew | |||
| Chris Allies | .... | title designer | |
| Chris Blyth | .... | caterer | |
| Philip Booth | .... | production assistant (as Philip James Booth) | |
| Kate Brown | .... | floor runner | |
| Sally Caplan | .... | head of premiere fund: UK Film Council | |
| Eleri Coulten | .... | assistant location manager | |
| Paul Creasy | .... | caterer | |
| Graham Easton | .... | completion guarantor: Film Finances | |
| Will Evans | .... | head of business affairs: UK Film Council | |
| Trisha Faulkner | .... | unit nurse (as Patricia Faulkner) | |
| Helen Grearson | .... | production assistant | |
| Paul Grindey | .... | head of business affairs: Film4 | |
| Laura Hicks | .... | solicitor: Reed Smith | |
| Ruth Hodgson | .... | completion guarantor: Film Finances | |
| Vince Holden | .... | head of production finance: UK Film Council (as Vincent Holden) | |
| Bek Leigh | .... | accountant: Thin Man Films | |
| Clem Leneghan | .... | health and safety | |
| Nicholas Marple | .... | development support | |
| Charles May | .... | location security | |
| Jerry Melichar | .... | director: delivery and post production: Focus Features International | |
| Steve Morley | .... | diversity scheme executive: UK Film Council | |
| Clive Noakes | .... | laboratory liaison: Deluxe Laboratories | |
| Robert Norris | .... | solicitor: Reed Smith | |
| Kevin O'Shea | .... | insurance agent: AON/Albert G. Ruben | |
| Herta Paarte | .... | executive vice president marketing and distribution: Focus Features International | |
| Richard Phillips | .... | solicitor: Reed Smith | |
| Sophie Roberts | .... | development support | |
| Jonathan Rutter | .... | publicist: Premier PR | |
| James Shirras | .... | completion guarantor: Film Finances | |
| Sue Bruce Smith | .... | head of commercial development: Film4 (as Sue Bruce-Smith) | |
| Sarah Stiff | .... | assistant accountant | |
| Heather Storr | .... | script supervisor | |
| Alison Thompson | .... | president sales and distribution: Focus Features International | |
| Nikki Thornhill | .... | insurance agent: AON/Albert G. Ruben | |
| Jack Timbrell | .... | production assistant | |
| Will Tyler | .... | production accountant | |
| Danielle Wilson | .... | caterer | |
| Henry Woolley | .... | location manager | |
| Ian Pearce | .... | set security (uncredited) | |
| Barry Quibell | .... | unit facilities (uncredited) | |
| Barnaby Riggs | .... | floor runner (uncredited) | |
| Helen Turpin | .... | production assistant (uncredited) | |
| Matthew Whitney | .... | location scout (uncredited) | |
| Eva Yates | .... | assistant: Tessa Ross (uncredited) | |
Thanks | |||
| Simon Channing Williams | .... | dedicatee | |
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| The Kids Are All Right | Looking for Palladin | The Constant Gardener | Revolutionary Road | Tea and Sympathy |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
In Mike Leigh's new slice of life, Another Year, a married couple who have managed to remain blissfully happy into their crumbling autumn days are surrounded over the course of the four seasons of one seemingly average year by friends, colleagues, and family, many of whom appear to suffer some degree of unhappiness or at least confusion. The film is nicely segmented into chapters, following the seasons. All of life is there - from birth, to a funeral. Strangely, or conveniently, given the apparently troubled lives all round, She works as a psychotherapist, while He builds things, but both spend their spare time together growing vegetables in their allotment. Mary, the secretary in her clinic, takes over the centre of the story as she gradually moves into more of everyone's lives. Or perhaps it's just that the film gradually opens up the relationship that was already there. Just as it is with all the extra characters. As it's a Mike Leigh film, all the actors will all have been living "in character" for maybe six months before breezing through, stirring up the plot with their back story and emotional infrastructure.
Lesley Manville, as Mary, the lonely and unstable girl of a certain age - 40, going on 17, really steals this in the final part, which gets even more intense than the rest of it. One thing I noticed right away was that adding to the intensity of the Mike Leigh close-ups, it's all shot in high-definition digital. But in the end it's the total effect that works. The apparent non-acting. The marvellous thing about Leigh is the way he shows really ordinary people doing really ordinary things and makes them really important. He is so compassionate towards everyone in his stories. You just can't help caring, too.