When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
In modern day Japan, Wolverine is out of his depth in an unknown world as he faces his ultimate nemesis in a life-or-death battle that will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits, he confronts not only lethal samurai steel but also his inner struggle against his own near-immortality, emerging more powerful than we have ever seen him before. Written by
Twentieth Century Fox
Guillermo del Toro expressed interest in directing, being a fan of the Japanese saga in the "Wolverine" comics. He met with James Gianopulos and Hugh Jackman about directing the film, but ultimately decided he did not wish to spend two to three years of his life, working on the film. See more »
The Bullet train is an electric train, yet there are no overhead wires. Wolverine leaps and ducks to avoid being knocked over by the gantries which are there to support the overhead wires. See more »
[an air raid begins on Nagasaki. At a prison camp, a young lieutenant sets all the prisoners free]
You! Go! Go!
[in a pit]
That was a B-29, bub. There's no outrunning what's coming. You're better off down here. I'd hurry if I were you.
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SPOILER: There is a scene in the closing credits: as Wolverine enters an airport security check, he comes face to face with Magneto and Professor X, who request his assistance for a new threat to mutants. This leads into X-Men: Days of Future Past (2014). See more »
THE WOLVERINE is a second spin off from the X-MEN franchise centred around Hugh Jackman's titular character. The first, X-MEN ORIGINS: WOLVERINE was a distinctly average viewing experience, although this one's a little better. It's not the stuff of greatness, but it has novelty value which makes it more entertaining than others I've seen.
The story in a nutshell is Wolverine in Japan. The good news is that this allows a cast of Japanese supporting actors to shine, although most of them have very thin characters that seem based on cliché rather than experience. There's the damsel-in-distress, the evil black sheep family member, the old man obsessed with immortality. However, I was delighted to see Hiroyuki Sanada in a Hollywood film again (even though he's once more given a one-dimensional role, just like in RUSH HOUR 3) and surprised to notice Hal Yamanouchi (star of ENDGAME and a dozen other trashy Italian sci-fi flicks of the 1980s) in a pivotal role.
The film's execution is fine, although the story is never quite as thrilling or expertly-made as I'd been led to believe. It's Jackman and his love interest against various competing bad guys. Jackman is bulked up but his acting is on autopilot. There's a ton of bloodless action scenes, and they do feel a little grittier than in the usual superhero outing, although the train set-piece has the same about of cheesy CGI as in the Thai flick VENGEANCE OF AN ASSASSIN. THE WOLVERINE does the job, and if you're a huge X-Men fan you might like it more. Me, I lightly enjoyed it, but it's not something I'd be in a hurry to watch again.
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