When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
In modern day Japan, Wolverine is out of his depth in an unknown world as he faces his ultimate nemesis in a life-or-death battle that will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits, he confronts not only lethal samurai steel but also his inner struggle against his own immortality, emerging more powerful than we have ever seen him before. Written by
Twentieth Century Fox
In the comics Yukio is known for short hair and black leather outfits. In this film Yukio has long red hair and wears clothes influenced mostly by Generation X and anime. See more »
Wolverine and Mariko are traveling in the same compartment in the Bullet Train. During the fight on the roof of the train, Wolverine and his enemies fall back many compartments. However when one of the assailants looks down through an overhead window, he can still see Mariko, and Wolverine appears way ahead of Mariko's seat. See more »
[an air raid begins on Nagasaki. At a prison camp, a young lieutenant sets all the prisoners free]
You! Go! Go!
[in a pit]
That was a B-29, bub. There's no outrunning what's coming. You're better off down here. I'd hurry if I were you.
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Rounded-rectangle encompassed full-screen credit: "The making and authorized distribution of this film supported over 15,000 jobs and involved hundreds of thousands of work hours." See more »
Wolverine is one of the iconic characters in both the Marvel Universe as well as the 20th Century Fox's movies; so is his Adamantium claws and healing factor. An immortal and living through ages he does have a lot of stories ready to be told through movies/comics. We did get an Origin movie, X-Men Origins Wolverine which was panned by critics and audiences alike. But I felt it was trashed more than it deserved to be. It had loads of action and bits from the original Wolverine Origin story arc but it did trash the character for the sake of being an action-heavy summer blockbuster. A weak script, irrelevant characters and a stupid take on 'the merc with a mouth' underwhelmed the audiences. Anyways The Wolverine salvages some of its lost prestige putting a lot of focus on the core character.
Rumors that Darren Aronofsky'd be helming the new Wolverine had me excited but the director's chair was handed over to James Mangold in the end. I am not skeptic at all regarding Mangold's directing prowess, as evident from gems like 3:10 to Yuma, Walk the line and Identity. But I was wondering how he'd handle a superhero flick. After watching it, its safe to say Mangold's direction is far better than what I'd expected it to be.
The Wolverine is undoubtedly based on Frank Miller's take on the superhero and I was already familiar with the names Mariko, Shingen and Yukio. It all came like a whiff of fresh air. The Wolverine is sort of a reboot for the series and a brilliant stepping stone for a new franchise which could tell a parallel story to the X-Men movies. Although it has its roots attached to the previous flicks, we are dropped into the midst of Wolverine's story. There ain't no origin, there ain't no 'Previously'; instead we are just dropped into a narrative which ploughs forward to the thick of Japan. The Wolverine could be compared to treatment our superheros been getting recently. He's been stripped off his healing factors and he is left like so almost the entire movie and it does bring out some tension. I mean when he had the healing power, we knew he wouldn't just die even if she's split into two (admit it!)
The Wolverine is directed well and so was it well written and the action sequences well choreographed but its not without its flaws though. As mentioned above The Wolverine still has the debris it's carried on from X-Men The Last Stand and I wasn't pleased with it. Wolverine has flashbacks of his lost love? Seriously? Isn't it time his healing factor took care of that already? I mean its the god-damn Wolvie we're talking about here. Jean Grey's flashbacks (more like boring nightmares and more than once) kept crawling into the plot disrupting the pace and I just didn't like it. Of course Wolverine is tormented from what he'd done in the past but that doesn't mean, we the audience need to be tormented from start to end. The Japan setting was a bit distracting as well and maybe thats a personal thing. I am not a big fan of Martial arts movies and there was an excess of martial arts settings and jargon here in the movie though it all did look good. Props were fantastic and the action sequences thick, especially the Bullet Train sequence is something to gape at.
Hugh Jackman effortlessly steps into his Wolverine shoes for the 6th time and having worked with Mangold in Kate & Leopold did wonders for The Wolverine. This is the Logan we've all praised and been used to and Hugh easily slides into the role and storyline straight from X-Men The Last Stand albeit forgetting X-Men Origins Wolverine. But then again playing Wolverine would have become second instinct for Hugh by now. Supporting cast couldn't be praised for the same, most of them being just bait for the plot. Especially Wolverine love interest in the movies, I felt they had absolutely no chemistry. Rila Fukushima did an absolutely splendid job playing Yukio. I had huge expectations for Svetlana Khodchenkova who played the only other mutant in the movie, Viper but she just served for some eyecandy and wasn't even fleshed up to be a proper antagonist.
For what its worth, The Wolverine is a splendid action movie which concentrates more on the character and the plot than heavy heavy action sequences. If you are an X-Men/Wolverine fan you are gonna love it and please do stay back after the credits coz there is a monumental end- credit to be seen there.
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