IMDb > A Woman, a Gun and a Noodle Shop (2009)
San qiang pai an jing qi
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A Woman, a Gun and a Noodle Shop (2009) More at IMDbPro »San qiang pai an jing qi (original title)

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Overview

User Rating:
5.7/10   2,240 votes »
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Director:
Writers:
Jianquan Shi (screenplay) &
Jing Shang (screenplay) ...
(more)
Contact:
View company contact information for A Woman, a Gun and a Noodle Shop on IMDbPro.
Release Date:
11 December 2009 (China) See more »
Genre:
Plot:
The owner of a Chinese noodle shop's scheme to murder his adulterous wife and her lover goes awry. | Add synopsis »
Awards:
2 nominations See more »
NewsDesk:
(182 articles)
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User Reviews:
Simultaneously Frantic and Dull Camp See more (20 total) »

Cast

  (in credits order)
Honglei Sun ... Zhang
Xiao Shen-Yang ... Li
Ni Yan ... Wang's wife
Dahong Ni ... Wang
Ye Cheng ... Zhao
Mao Mao ... Chen

Benshan Zhao ... The Captain
rest of cast listed alphabetically:
Ran Cheng ... Male Prisoner
Julien Gaudfroy ... Persian trader
Shuo Huang ... Male Prisoner
Wenting LI ... Female Prisoner
Sisi Wang ... Female Prisoner
Xiaojuan Wang
Na Wei ... Persian Woman

Directed by
Yimou Zhang 
 
Writing credits
Jianquan Shi (screenplay) &
Jing Shang (screenplay)

Ethan Coen  1984 screenplay Blood Simple
Joel Coen  1984 screenplay Blood Simple

Produced by
William Kong .... producer
Weiping Zhang .... producer
 
Original Music by
Lin Zhao 
 
Cinematography by
Xiaoding Zhao (director of photography)
 
Film Editing by
Peicong Meng 
 
Second Unit Director or Assistant Director
Vincent Ma .... assistant director
 
Sound Department
Steve Burgess .... sound re-recording mixer
Wei He .... sound mixer
Hongrui Ji .... sound effects editor
Peng Jiang .... sound recordist
Jiajia Mok .... sound effects editor
Blair Slater .... foley recordist & editor
Qiuqiu Sun .... dialogue editor
Jing Tao .... supervising sound editor
Yijing Zhang .... sound editor
 
Visual Effects by
David Chen .... digital compositor
Yann Doray .... compositing supervisor
Julie Fischer .... visual effects producer
Lani Greenhill .... cg modeler: BlackGinger
Lani Greenhill .... texture artist: BlackGinger
Pinghu Gu .... visual effects coordinator
Marc Horsfield .... digital effects supervisor
Yanming Jiang .... visual effects supervisor
Phil Jones .... visual effects supervisor
Neilan Naicker .... visual effects: BlackGinger
Marco Raposo de Barbosa .... compositing supervisor
Ashley Ryan .... digital compositor
George Webster .... compositing supervisor
 
Stunts
Hua Cao .... assistant stunt coordinator
 
Camera and Electrical Department
Shaofeng Cheng .... assistant gaffer
Raymond Lam .... AR steadicam operator
Raymond Lam .... camera operator
 
Other crew
Matt Garner .... creative consultant
 

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"San qiang pai an jing qi" - China (original title)
"A Simple Noodle Story" - Hong Kong (English title), International (English title)
"The First Gun" - International (English title)
See more »
MPAA:
Rated R for some violence
Runtime:
95 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Argentina:13 | Australia:M | Canada:14A (Alberta) | Canada:PG (British Columbia/Ontario) | Canada:G (Quebec) | Hong Kong:IIA | Japan:G | Portugal:M/16 | Singapore:PG | USA:R (certificate #46214)

Did You Know?


FAQ

The noodle dish cooked in the film
See more »
6 out of 9 people found the following review useful.
Simultaneously Frantic and Dull Camp, 29 October 2010
Author: jzappa from Cincinnati, OH, United States

It's like this: Whether you know what goes into constructing a story because you've done so yourself or because you've just seen and/or read so many of them that the formulas are embedded in your mind, a lot of times it's tough not to look where they don't mean for you to look, the marionette wires maneuvering it, the groundwork holding it all up. When you remake a merely twenty-year-old cult classic by filmmakers with an enormous cult following, a story everybody knows, it's one thing to tell the story in a different style, or to change certain things, but anachronizing everything to an arbitrarily different time period, culture and characters, we are only really looking for all the anachronisms, waiting for them, being let down, occasionally being gratified.

The time period is never specified, but what I expected was going to lead to interesting dramatic twists on the Coens' plot was that it begins with the sale of a gun, which the cheating wife and the ridiculous slapstick moron noodle-makers find foreign and unheard-of. The gun is apparently a pretty new invention. But Yimou, who normally cares profoundly about his characters, loses his passionate emotional dominion over his actors. He dries out the original's sultriness, trades humid night for arid day, and strains for slapstick. That would be perfectly fine if he traded those elements in for something just as or hopefully more effective, but he does not.

The Coens' original Gothic film noir, fanged and toxic like snake venom, dwindles here to the point of amateur slapstick. Though the exterior shots make almost psychedelically atmospheric use of red and orange sandstone, day for night, sunrise and sunset, the characters are never more than ugly, overwrought cartoons. I'll admit that Blood Simple was not the quintessence of character arc. Nobody really seemed to change in that film, despite having a wryly farcical lack of conception as to what's happening. So at the outset of A Woman, a Gun and a Noodle Shop, when the adulterous lover, originally played by John Getz, is a redefining coward, I was pleased, because, knowing what this character must later do, I felt I was in for a true character transformation. To describe the outcome without spoilers: No such luck.

Aside from its inevitable comparison---one of the reasons, in hindsight, it's fated to be a letdown---Noodle Shop is simultaneously frantic and dull, with no hint of the restraint or meticulous concern with form exhibited in Yimou's own earlier blockbusters. Like Hero, House of Flying Daggers and Curse of the Golden Flower, and even as early as Ju Dou, the stars of the show are ultimately Zhao Xiaoding's mostly gorgeous cinematography, Tao Jing's evocative sound design and Yimou's choice of otherworldly locations. But all its visual brightness and tonal goofiness are far from either the literal or conceptual darkness of the fundamental story. Most damning is that the effort to recreate the remarkable final shot of Blood Simple is so tacky and clumsy that I reflexively sighed in revulsion. Zhang needs to reconnect with the fierce, principled, humanistic sensibility that made him one of China's finest film artists.

So the result of this uneasy mix of ironic screwball affectation, particularly evident in the big comic close-ups, and Zhang's majestic but mostly show-offy imagery is triteness, artifice, unevenness, and pretension so immoderate and pointless as to have defiantly stylish interest. If the cast were comprised of John Waters, Elvira, Pee-Wee Herman and RuPaul, it would be less kitschy.

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