Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
The siblings Hansel and Gretel are left alone in the woods by their father and captured by a dark witch in a candy house. However they kill the witch and escape from the spot. Years later, the orphans have become famous witch hunters. When eleven children go missing in a small village, the Mayor summons Hansel and Gretel to rescue them, and they save the red haired Mina from the local sheriff who wants to burn her, accusing Mina of witchcraft. Soon they discover that the Blood Moon will approach in three days and the powerful dark witch Muriel is responsible for the abduction of children. She intends to use the children together with a secret ingredient in a Sabbath to make the coven of witches protected against the fire. Meanwhile Hansel and Gretel disclose secrets about their parents. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Producer Adam McKay said in 2010, "The idea is, they've grown up and they hunt witches. It's a hybrid sort of old-timey feeling, yet there's pump-acting shotguns. Modern technology, but in an old style. We heard it and we were just like, 'That's a freakin' franchise! You could make three out of those!'" See more »
The article texts of the "newspaper articles" in the opening credits have nothing to do with the article titles; two different newspapers have the same text. See more »
[picks up a missing child poster]
I see you got my invitation.
Say your name before my arrows rip out your throat.
I go by many names. None of which you are worthy of pronouncing.
[Muriel grins as she slowly reveals her true self to Gretel]
Oh my God!
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The text of the newspaper clippings used in the opening credits is from Alexander Roberts' 1616 "A Treatise on Witchcraft". The same piece of text is used twice for different headlines. The repeated excerpt starts 'and of these in day of executions which she is no wise would condiscend'. See more »
Lately we have seen a lot of these fairy tale remakes, where they take a basic fairy tale plot, add in a lot of CGI, slightly darker atmosphere and some sex and call it a day. I still prefer the Disney version, thank you very much. At least in those films the story flows smoothly and the characters are not cardboard cutouts. That being said, this particular fairy tale movie was a pleasant surprise. For one, it didn't try to retell the same exact story we have grown up with. Rather it took the story of Hansel and Gretel and asked the question: "What if they grew up?" I'm totally on board with that question. It's something we've never seen before and frankly it's a fascinating idea. So yeah, colour me interested.
The film itself ends up being pretty much what anyone would expect. I hesitate to call it a good film, because it has numerous plot holes, nonsensical twists and its characters are somewhat bland and clichéd. On the other hand, it has a good visual style, its action is very pleasing, if a bit gore-filled (not a bad thing in this case), the two main actors are actually pretty good in their roles, and as a whole it's just plain solid fun. Yeah, it's stupid most of the time, but it's fun kind of stupid. The kind where you're just able to sit back, enjoy the scenery and laugh at the jokes.
It also needs to be remembered that this was Tommy Wirkola's first big budget film. And for a debut film, this shows a lot of promise. The style is definitely there, as is the atmosphere. The story-telling and the character development need some work, but even big name directors struggle with those every now and then. I'm looking forward to what this guy will bring us next.
And that's this film. Yeah, it's one of those so bad it's good films, but I'd still recommend this. The idea alone is worth checking out.
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