A weak con man panics when he learns he's going to prison for fraud. He hires a mysterious martial arts guru who helps transform him into a martial arts expert who can fight off inmates who want to hurt or love him.
Unlucky, clumsy, charming Marseile PD detective Émilien Coutant-Kerbalec must assist worse-then-Clouseau commissioner Gibert guarding a Belgian criminal reputed as dangerous as - and caged ... See full summary »
The siblings Hansel and Gretel are left alone in the woods by their father and captured by a dark witch in a candy house. However they kill the witch and escape from the spot. Years later, the orphans have become famous witch hunters. When eleven children go missing in a small village, the Mayor summons Hansel and Gretel to rescue them, and they save the red haired Mina from the local sheriff that wants to burn her accusing Mina of witchcraft. Soon they discover that the Blood Moon will approach in three days and the powerful dark witch Muriel is the responsible for the abduction of children. She intends to use the children together with a secret ingredient in a Sabbath to make the coven of witches protected against the fire. Meanwhile Hansel and Gretel disclose secrets about their parents. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Originally scheduled for release in March 2012, was delayed for ten months to accommodate Renner's appearances in "The Avengers" and "The Bourne Legacy" and to give Wirkola time to shoot a post-credits scene. See more »
In the opening scene, their father is silhouetted against a curtain while holding a lamp. The glowing lamp is part of his shadow. See more »
The Curse of Hunger for Crawling Things. I fucking hate that one.
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The text of the newspaper clippings used in the opening credits is from Alexander Roberts' 1616 "A Treatise on Witchcraft". The same piece of text is used twice for different headlines. The repeated excerpt starts 'and of these in day of executions which she is no wise would condiscend'. See more »
R-rated, gory horror-adventure has brother and sisters Hansel (Jeremy Renner) and Gretal (Gemma Arterton) called to a small town to try and locate some children that have been kidnapped by some witches. Soon they realize that a Queen witch (Famke Janssen) has bigger plans that could have a major change on the world. HANSEL & GRETEL: WITCH HUNTERS isn't quite as bad as some are making it out to be but there's no question that the entire film just has an uneasy mix of genres that never fully come together and in the end the film just came off as something that didn't know what it wanted to be or do. At times there's some campy comedy moments but these aren't good enough to save the picture. At other times we're given a fairly interesting look at two people hunting witches but the film doesn't do too much with this. We're also given a picture with some extremely graphic gore that comes out of nowhere. I really liked the fact that they went for a R-rating and didn't hold back for a smaller rating but at the same time if you took this away there really wouldn't be much to the movie. The film manages to be slightly entertaining because of this type of gore but at the same time I can see how it might not sit well with some more sensitive viewers. Another thing I liked was the actual look of the witches. The CGI effects were actually quite believable whenever the witches changed form in their faces. The look of the major witch was also quite nice and benefited from the strong and fun performance by Janssen who managed to bring a certain sexy nature to the role. Both Renner and Arterton are good in their parts but the screenplay really makes both characters quite boring and uninteresting. The supporting players here are usually much better and the movie probably would have benefited having them in it more. This includes an obsessed fan of the duo as well as an evil sheriff. Another problem with the film is that you just never really get involved with anything going on. It looks nice and some of the action scenes are put together nicely but there's just no real energy that brings you into the film.
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