Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
The siblings Hansel and Gretel are left alone in the woods by their father and captured by a dark witch in a candy house. However they kill the witch and escape from the spot. Years later, the orphans have become famous witch hunters. When eleven children go missing in a small village, the Mayor summons Hansel and Gretel to rescue them, and they save the red haired Mina from the local sheriff who wants to burn her, accusing Mina of witchcraft. Soon they discover that the Blood Moon will approach in three days and the powerful dark witch Muriel is responsible for the abduction of children. She intends to use the children together with a secret ingredient in a Sabbath to make the coven of witches protected against the fire. Meanwhile Hansel and Gretel disclose secrets about their parents. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film borrows elements from the western genre. See more »
In the opening scene, the father is silhouetted against a curtain while holding a lamp. The glowing lamp is part of his shadow. See more »
[sarcastically to Mina]
What you gonna do? Hit me with your love spell?
[Mina lets fly with a bolt from a dark witch's dropped wand; Muriel dodges]
[pins Mina to a wall]
Sacrificing yourself for a mortal... pathetic.
[Muriel stabs Mina in the stomach with a dagger]
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The text of the newspaper clippings used in the opening credits is from Alexander Roberts' 1616 "A Treatise on Witchcraft". The same piece of text is used twice for different headlines. The repeated excerpt starts 'and of these in day of executions which she is no wise would condiscend'. See more »
I couldn't believe my eyes when I first saw the poster for "Hansel and Gretel Witch Hunters" because it actually puts together my two favorite current movie stars, Jeremy Renner and Gemma Arterton! I liked Gothic interpretations of fairy tales like "Snow White and the Huntsman". And I also liked the "supernaturalization" of historical figures like "Abraham Lincoln Vampire Hunter" a lot. This film seems to be a cross of those two types, and so is one film I made sure I would watch this once it opened.
Hansel and Gretel starts as we all know them from the fairy tale, children left by their parents in the woods. They were lured by a house made of candy, and was captured by the wicked witch who lived inside. We all know how the tale ends, when Hansel and Gretel push the witch into the oven. But that was just the beginning of the movie, for that was when this brother-sister team launch their career as mercenary witch hunters. When a mysterious series of missing children terrorizes a small town, its mayor hires Hansel and Gretel to look for the witches responsible and kill them.
That was one shallow story line I know, but I really enjoyed myself while watching this movie. Yes, the gore factor was really high, but everything appeared to be done with tongue strictly in cheek. The actors Renner and Arteron are unquestionable bad-ass! They fit the titular roles very well. You will meet a new, more interesting "Edward" here. The CG and production design were quite good and imaginative. It was fun to spot traditional witch lore in the scenes, even as they took liberties to invent their own lore.
As I mentioned, the film does not shy from bloody violence, as the envelope is pushed to graphically show various mechanisms of death, from crushing to exploding - close-up! There was a brief scene of a nude village beauty Mina (Pihla Viitala) as she seduces Hansel. There were even unexpected modern-day swear words during the witch battles. With all of these scenes, I do not really know how it got a PG-13 rating in this country! Anyway, despite and maybe because of all these surprises, I found the whole film a lot of grown-up fun, a very entertaining one and half hours.
After the movie, I found out that the director was Tommy Wirkola, the same guy who directed the Norwegian Nazi zombies in the snow movie "Dead Snow." So that is why his strange Tarantino-esque sense of humor is all over this film. I am a fan! I will be awaiting his next project. However, for all the fun I had watching this film though, I think they should be happy with what they have now. I think a H&G sequel would already be pushing their luck.
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