"Taggart" Grass (TV Episode 2009) Poster

(TV Series)

(2009)

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8/10
Robbie Ross is set up.
bethwilliam21 December 2009
Warning: Spoilers
DI Ross meets with an informant in a city graveyard. Thomas Duffy, a petty criminal, reveals he has some information and Ross arranges to meet him the next day.

That night, Ross and Fraser go for drinks. When Fraser leaves Ross starts chatting to a woman, Manda. The two leave together. The next morning Ross wakes to find Manda gone – along with his contact book.

When a body is found in the woods Ross arrives at the scene with a hang- over. To his horror, the dead man is Duffy. Spray painted in red next to the body is the word 'GRASS'.

Ross confesses to Reid about the missing book and the two of them return to search Ross' flat, but the book is nowhere to be found. When they scan the CCTV footage from outside his flat, they see Manda handing the book to someone in a car.

Ross is concerned about the contacts in his book and his network of informants. Gangland boss and drug dealer, William Drydon, has been providing information for years, much to the distress of DCI Burke.

At Drydon's mansion, Ross tells the gangster and his wife Carla about Duffy and the missing book, and they both accuse Ross of letting them down.

Meanwhile, Reid and Fraser visit Martin Hayne, a owns a property developer which Drydon used to invest in. They soon discover that Duffy was the grass who turned Martin's son in to the police.

Ross meets with Duffy's brother, Gavin, to find out if he knows what his brother was about to reveal, but Gavin denies all knowledge and blames Ross for his brother's death. That night Drydon is shot dead outside a pool hall.

The next morning, Reid goes to Ross' flat to find him half-asleep and stinking of alcohol. When she tells him of Drydon's murder, Ross is adamant that he must see Carla.

As tensions run high at the station and the team set off to follow other leads, Ross calls on Reid to cover for him one last time. Can he solve the case before his career becomes the next casualty?

With no back-up, Ross follows his instincts to a deadly confrontation with the killer. This is a good episode. The new fifty minute format is starting to take shape. Hopefully Taggart will continue to evolve and gain in quality.
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8/10
Setting up murder
TheLittleSongbird2 August 2022
'Taggart' had declined quite a bit by this point. There was a feel of it having run out of ideas and had completely lost its spark. Especially in the later Burke period episodes, that suffered further from the shorter lengths. "Grass" was one of the Burke period episodes that somehow was seen later on after the show had ended, shortly before getting into the Taggart and Jardine eras (and much preferring them on the whole in all honesty).

"Grass" however was proof that 'Taggart' did still have some mileage in it and worth sticking with. Will admit to not remembering that much about it on first watch, but rewatching it recently "Grass" has grown on me quite a lot. While there are a couple of the things that brought the latter Burke episodes down that were common throughout his period, it is still very good. Not quite on great level like "Compensation", "Judgement Day", "A Death Foretold" and "Pinnacle" but much better than "Genesis" and "Law" at any rate.

It is too short in length, the latter Burke episodes really did suffer from the lengths being significantly shorter (over half as long) which was a hindrance when having stories that leant themselves much better to two hours.

Like all the later episodes of 'Taggrt', what does distract is now rather out of date and not very well fitting music. It was fine in the 80s and 90s and fitted then, at this point it was at odds with the action and like 10 plus years too late.

Other than that, "Grass" has a huge amount to like and even love. The photography is both gritty yet moody, very well suited to the story's style, and the location is striking yet suitably unforgiving. The theme tune is hard to forget and still works, it's the background music that doesn't work and there has been nothing held against the theme tune.

From a writing point of view, "Grass" has the right amount of entertainment value (the banter) and grit (in the crime solving it doesn't shy away). The story is never too simple, with it being very twisty, or too complicated, neither does it come over as too rushed too much (considering the length that's amazing). The truth wasn't a shock but it wasn't too obvious either.

The team work really well together and John Michie gives a very strong performance here, one of his better ones for this show.

Summing up, very good. 8/10.
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