1 user 5 critic

Tell Me Who You Are (2009)

Min Ye (original title)


Add Image Add an image

Do you have any images for this title?

Learn more

People who liked this also liked... 

Brightness (1987)
Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A young man with magical powers journeys to his uncle to request help in fighting his sorcerer father.

Director: Souleymane Cissé
Stars: Issiaka Kane, Aoua Sangare, Niamanto Sanogo
Faat Kiné (2001)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A forty-year-old woman refuses to give into the stigma of unwed motherhood and climbs the ladder of success in a male dominated field.

Director: Ousmane Sembene
Stars: Venus Seye, Mame Ndoumbé, Ndiagne Dia
Moolaadé (2004)
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

When a woman shelters a group of girls from suffering female genital mutilation, she starts a conflict that tears her village apart.

Director: Ousmane Sembene
Stars: Fatoumata Coulibaly, Maimouna Hélène Diarra, Salimata Traoré
Bamako (2006)
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

Bamako. Melé is a bar singer, her husband Chaka is out of work and the couple is on the verge of breaking up... In the courtyard of the house they share with other families, a trial court ... See full summary »

Director: Abderrahmane Sissako
Stars: Aïssa Maïga, Tiécoura Traoré, Maimouna Hélène Diarra
The Wind (1982)
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Finye tackles the generation gap in post-colonial West Africa. Its heroine is the pot smoking daughter of a provincial military governor who falls in love with a fellow university student, the descendent of one of Mali's chiefs.

Director: Souleymane Cissé
Stars: Fousseyni Sissoko, Goundo Guissé, Balla Moussa Keita
Lumumba (2000)
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical ... See full summary »

Director: Raoul Peck
Stars: Eriq Ebouaney, Alex Descas, Théophile Sowié
Ceddo (1977)
    1 2 3 4 5 6 7 8 9 10 7/10 X  

The Ceddo try to preserve their traditional African culture against the onslaught of Islam, Christianity, and the slave trade. When King Demba War sides with the Muslims, the Ceddo kidnap ... See full summary »

Director: Ousmane Sembene
Stars: Tabata Ndiaye, Moustapha Yade, Ismaila Diagne
Xala (1975)
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

It is the dawn of Senegal's independence from France, but as the citizens celebrate in the streets we soon become aware that only the faces have changed. White money still controls the ... See full summary »

Director: Ousmane Sembene
Stars: Thierno Leye, Myriam Niang, Seune Samb
Tabu I (2012)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A restless retired woman teams up with her deceased neighbor's maid to seek out a man who has a secret connection to her past life as a farm owner at the foothill of Mount Tabu in Africa.

Director: Miguel Gomes
Stars: Telmo Churro, Miguel Gomes, Hortêncílio Aquina
O Ka (2015)
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Director: Souleymane Cissé
Stars: Aminata Cissé, Badjénèba Cissé, Magnini Koroba Cissé
Waati (1995)
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  
Director: Souleymane Cissé
Stars: Sidi Yaya Cissé, Mariame Amerou Mohamed Dicko, Balla Moussa Keita
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

A king's son takes over when his father dies.

Director: Idrissa Ouedraogo
Stars: Omar Ouedraogo, Rasmané Ouédraogo, Ina Cissé


Credited cast:
Sokona Gakou ...
Assane Kouyate ...
Badra Alou Sissoko


Add Full Plot | Add Synopsis








Release Date:

5 October 2009 (USA)  »

Also Known As:

Dis-moi qui tu es  »

Filming Locations:

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Boorish Bovary
29 September 2009 | by (Berkeley, California) – See all my reviews

Cissé, a mature (67-year-old) African director more known for folkloric village tales, veers off in a completely new direction in this lengthy (135-minute) exploration of marital conflict in an upper-class couple involving an overbearing courtesan-like woman and two polygamous men. It's a direction that has been favorably heralded locally by the Malian audience, but isn't likely to win admirers in Europe or America.

The setting is the capital of Mali, Bamako, and the scenes wander from one palatial house to another. The action involves repeated encounters, arguments, legal consultations and divorce proceedings, but as it grows more and more repetitious and -- dare one say it? -- annoying, the chief amusement becomes admiring the ladies' colorful hair, turbans, and matching dresses, which as in Wong Kar-Wai's 'In the Mood for Lov'e (which probably shouldn't really be mentioned in the same breath with this disaster) never change style but always vary in color and material. Interest in the European and American film markets seems the more unlikely given that the dialogue is not in the official language,French, but the local patois, Bambara.

A Malian writer has called Mimi (Sokana Gakou) "an African Madame Bovary." Okay. She has in common with the tragic French literary heroine an adulterous choice that dooms her marriage. But Cissé is no Flaubert. This story is no more sharply crafted than the average telenovela. You watch one scene after another wondering if it is ever going to lead anywhere, and the resolution is absurd, because it suggests some sort of peace between Mimi and Issa (Assane Kouyate), her filmmaker husband, when it's quite obvious that she is far too inconsistent, self-indulgent, and demanding to be worth bothering with and she has ruined her marriage many times over. She comes off as both glamorous and tacky, a fifty-something African Paris Hilton. Issa comes off as dignified, ironic, but foolish and weak -- and curiously absent.

Mimi's boyfriend is Abba (Alou Sissoko), a dealer in fish (and he seems himself rather slippery and slimy). Also a wealthy man, Abba has two wives, who are none too pleased with his affair. Issa has another wife too. Mimi doesn't like that. But though the film clearly shows the double standard that applies in African marriages, calling this a feminist film seems a considerable stretch given that its "heroine" is neither tragic like Emma Bovary nor complex in any other way, just boorish, overbearing, and foolish.

Mimi has a palatial house of her own with female servants on duty day and night, who don't need TV, since they have the dramas Mimi puts on to entertain them. She addresses them in a haughty, rude manner; she's fake with Abba and unpleasant with everybody else.

Mimi is trained as a lawyer, and claims she makes her country billions of dollars through her work for a national development agency, but as 'Variety' reviewer Alissa Simon says, "it's unclear when she actually works; her entire screen time is spent scheming, lying or complaining about her personal relationships." What she does do is lie about, have assignations when the whim strikes her with Abba, and model an endless wardrobe of outfits with dramatic jewelry to go with them. But work? We see her at it only once, early on.

This is one of the chief failings of the film: while it goes into wearying detail about the rows between Mimi and Issa, making this read more like a reality show than a film, there is no context of social or working life outside the marital problems, and no sense of action in any sense moving forward through work or outside events.

Reviewers have commented that the visuals are too dark and not sharp enough. In addition some outdoor shots of streets and fields are washed out and downright blurry. The darkness is not so bothersome because the people are so colorful, none more so than the super-sized Mimi, who surely must be some kind of caricature of a Malian nouveau riche type. But the prolixity of the dialogue and the lack of effective editing make her character become annoying rather than enlightening.

Inclusion of a film this disappointing in a film festival must be explained by "the current dearth of sub-Saharan African film-making" Alissa Simon notes. When one considers that three years ago the New York Film Festival showed Abderrahmane Sissako's outstanding and emotionally rich political drama 'Bamako,' this dearth seems very sad.

Showon as part of the New York Film Festival at Lincoln Center 2009.

1 of 3 people found this review helpful.  Was this review helpful to you?

Message Boards

Discuss Tell Me Who You Are (2009) on the IMDb message boards »

Contribute to This Page

Create a character page for: