A talented and successful actor retires at a young age due to a perceived mental illness. Now living in a small town with his deranged sister and his best friend, we watch as their Maladies intertwine.
An intentionally campy film designed to capitalize on Linda Lovelace's sudden fame following "Deep Throat", this film centers around Linda's fictional grass roots campaign to run for ... See full summary »
[to Anthony Romano]
This isn't small-time. I'm meeting this guy at Hef's party, OK? This guy, he owns half the adult bookstores on the West Coast. Millions in merchandise. Linda, like, sweet talks this guy, right? Or better yet, she sweet sucks this guy... we're made in the shade!
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An impressive cast lending their talents to a fascinating story, Lovelace brings Amanda Seyfried, Peter Sarsgaard, Sharon Stone, Robert Patrick, Chris Noth, Adam Brody, James Franco and Eric Roberts together to portray characters in the life of Linda Lovelace, a one-shot porn actress that made headlines back in 1972 as star of the blue movie, Deep Throat.
Amanda Seyfried plays Linda, a shy and fairly innocent young girl who falls for Chuck (Peter Sarsgaard) , a mostly manipulative manager/pimp that eventually becomes Linda's husband. Lovelace begins shortly before Linda meets Chuck and establishes Linda's home life with her parents (played by Robert Patrick and an unrecognizable Sharon Stone).
We first meet Chuck as he lays eyes on Linda at a roller skating rink where Linda does an impromptu dance in front of the live band. Chuck woos the younger Linda using his charm and the alluring freedom of his adult lifestyle to eventually bring Linda to a point where she moves out of her home.
The inexperienced Linda is comfortable enough to have Chuck film her giving him oral pleasure and Chuck takes his Super 8 home movie to Butchie Peraino and Gerry Damiano (Bobby Cannavale and Hank Azaria) who are so enthralled with Linda's oral sex talents that they immediately get producer Anthony Romano to provide the funds to make a film that will eventually become Deep Throat.
We get a few topless scenes of Seyfried emulating the famous porn star of the era and enjoying her fame until everything falls like a house of cards due to Chucks violent manner and his insistence that Linda have sex with multiple partners for the purposes of his own financial gain and notoriety.
The film takes us beyond the filming of Deep Throat and we watch as Linda copes with how the film put a strain on the relationship with her parents and through her book deal and talk show circuit appearances where she vehemently denounced pornography.
Laden with a talented cast, Lovelace fails to either have audiences find fault or fall in love with our title character. Everyone in the production come across as characters rather than actual people so it is hard for a viewing audience to attach themselves good or bad to any of the competent actors that make up the casting call.
Directors Rob Epstein and Jeffrey Friedman simply don't chisel away at the inner character or either Chuck or Linda with enough feeling to make this a well rounded bio-pic. Instead, it flat-lines with any pulse and does nothing more that attempt to be an exploitation flick about an exploitation flick. Even as the time is captured fairly well in the styles and moods of the early 70's, it ultimately fails in capturing much of anything else including our attention.
The final title cards might have been the most interesting revelations of the entire films. That Linda Lovelace died from injuries suffered in a car accident at age 53. That Chuck Traynor went on to marry another famous actress in the porn industry in his nuptials to Marilyn Chambers. And how the movie Deep Throat went on to become the most successful porn film of all-time raking in hundreds of millions while Linda collected less than $2,000 for her starring role.
If you have always been interested with the film Deep Throat or the incredible life of Linda Lovelace, you may want to seek out any of the documentaries or A&E specials on the topic. Because Lovelace will just leave you superficially satisfied.
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