A talented and successful actor retires at a young age due to a perceived mental illness. Now living in a small town with his deranged sister and his best friend, we watch as their Maladies intertwine.
After losing her virginity, Isabelle takes up a secret life as a call girl, meeting her clients for hotel-room trysts. Throughout, she remains curiously aloof, showing little interest in the encounters themselves or the money she makes.
Late comedy writer, Arthur Julian, was attached to a Lovelace biopic project in 1972. It was never produced. See more »
During one party scene set in 1970, Elvin Bishop's "Fooled Around And Fell In Love" plays on the radio. The song was released in 1976. See more »
But tomorrow's Linda's big day. She needs me. Send somebody else.
OK. How about I send Linda for the film, and you can spend tomorrow with Harry's cock down your throat?
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Out All Night
Written by Michael John McCormack, Carrick Moore Gerety (as Carrick McGovern Moore Gerety), Austin James Williams
Performed by Everybody Else
Published by Everybody Else Music (ASCAP) See more »
It is quite surprising that sweet and wholesome Amanda Seyfried has been cast as legendary 70s porno star Linda Lovelace. Seyfried, whom we know better as ingénues in musical films like "Mamma Mia" and "Les Miserables," how could she pull this daring stunt off?
"Lovelace" tells of how young and pretty Linda Boreman, from a strict Catholic family, unlikely met and married a sleazy guy named Chuck Traynor.
First, she goes along with Chuck's wild idea to make a her a porn actress, exploiting a certain extraordinary talent of hers which would be the central theme of a little porn flick entitled "Deep Throat." She actually enjoyed the heady success of this stardom as Linda Lovelace, for a while at least.
In a sudden change of pace, the second half of the movie showed how Linda was abused by her husband, physically, mentally, sexually, financially. She quietly suffered this torture until she could not take it anymore and fights to get her old life back.
The acting of Ms. Seyfried was quite good, as she was able to convince us that she was Linda despite being cast against type. She will get us on her side before the film ends. People who watch this film expecting her to reveal more skin will be disappointed, as this Linda kept it pretty clean on screen. The image painted of Linda was actually very sympathetic as well, like it was all Chuck's fault. Ms. Seyfried played the perfect naive victim.
Peter Sarsgaard was effectively creepy as Chuck from the start. You really cannot understand how Linda would marry a guy like this. He could have portrayed being more charming in the beginning to convince us. But he looked like a creep even in that scene where he first met with Linda's parents (portrayed by Robert Patrick and a completely unrecognizable Sharon Stone.)
I think the main problem of the film was in its story telling. There was a very abrupt and stark transformation from happy Linda in Act 1 and sad Linda in Act 2. I think the director was trying to be stylistic about this, not telling these details linearly, instead going back and forth in time. I think this could have been told more effectively another way.
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