An intentionally campy film designed to capitalize on Linda Lovelace's sudden fame following "Deep Throat", this film centers around Linda's fictional grass roots campaign to run for ... See full summary »
Nurse Linda Lovelace works for libidinous sex therapist Dr. Jayson. One of the patients she is treating is Dilbert Lamb, a meek geek who's harboring plans for a top secret government ... See full summary »
When the door is opened at hotel after the beach scene, the door handle is a magnetic keycard style, specifically a Ving Card 980 not released until the late- to mid-'90s. See more »
But tomorrow's Linda's big day. She needs me. Send somebody else.
OK. How about I send Linda for the film, and you can spend tomorrow with Harry's cock down your throat?
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If You Ain't Getting Your Thing
Written by Delmar Donnell
Performed by L.J. Waiters & Electrifiers
Published by Dandelion Music Co. / Leshawn Publishing (BMI)
Courtesy of Jamie Record Co.
www.jamguy.com See more »
It is quite surprising that sweet and wholesome Amanda Seyfried has been cast as legendary 70s porno star Linda Lovelace. Seyfried, whom we know better as ingénues in musical films like "Mamma Mia" and "Les Miserables," how could she pull this daring stunt off?
"Lovelace" tells of how young and pretty Linda Boreman, from a strict Catholic family, unlikely met and married a sleazy guy named Chuck Traynor.
First, she goes along with Chuck's wild idea to make a her a porn actress, exploiting a certain extraordinary talent of hers which would be the central theme of a little porn flick entitled "Deep Throat." She actually enjoyed the heady success of this stardom as Linda Lovelace, for a while at least.
In a sudden change of pace, the second half of the movie showed how Linda was abused by her husband, physically, mentally, sexually, financially. She quietly suffered this torture until she could not take it anymore and fights to get her old life back.
The acting of Ms. Seyfried was quite good, as she was able to convince us that she was Linda despite being cast against type. She will get us on her side before the film ends. People who watch this film expecting her to reveal more skin will be disappointed, as this Linda kept it pretty clean on screen. The image painted of Linda was actually very sympathetic as well, like it was all Chuck's fault. Ms. Seyfried played the perfect naive victim.
Peter Sarsgaard was effectively creepy as Chuck from the start. You really cannot understand how Linda would marry a guy like this. He could have portrayed being more charming in the beginning to convince us. But he looked like a creep even in that scene where he first met with Linda's parents (portrayed by Robert Patrick and a completely unrecognizable Sharon Stone.)
I think the main problem of the film was in its story telling. There was a very abrupt and stark transformation from happy Linda in Act 1 and sad Linda in Act 2. I think the director was trying to be stylistic about this, not telling these details linearly, instead going back and forth in time. I think this could have been told more effectively another way.
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