| Alex Di Dio | ... | Simon | |
| Kevin E. Smith | ... | Santa (as Rockstar) | |
| Joe Conti | ... | Tyler | |
| Carlos Abrieu | ... | Computer Bear | |
| Ross Rogers | ... | Computer Bear's Boyfriend | |
| Arthur H. Morgan | ... | Construction Bear One | |
| Oscar Maurosa | ... | Construction Bear Two | |
| Andrew McCormick | ... | Finance Bear | |
| Daniel Browne | ... | Times Square Bear One | |
| Jonathan Gati | ... | Times Square Bear Two | |
| Justin Ciambra | ... | Dog Walker Bear | |
| Paul Siljee Jr. | ... | Auditioning Actor | |
| Ashlie Atkinson | ... | Amy | |
| Robbyne Kaamil | ... | Receptionist | |
| Phillip S.R. Allison | ... | Director (as Phillip Allison) | |
| Brian Keane | ... | Fred | |
| Christian Dante White | ... | Cory | |
| Mark Ellis | ... | J.P, | |
| Kerry Watterson | ... | Big Bear | |
| Chumley Singer | ... | Daddy | |
| Leslie L. Smith | ... | Greg | |
| Bill McKinley | ... | Rob | |
| James Martinez | ... | Carlos | |
| Gregory Gunter | ... | Michael | |
| Stephen Guarino | ... | Brent | |
| Fernando Mateo Jr. | ... | Keith | |
| Jack Bethke | ... | Randy (as Jack G. Bethke) | |
| Jason Hill | ... | Big Al | |
| Gerald McCullouch | ... | Roger | |
| John Cunningham | ... | Playmate One | |
| Joey Stern | ... | Playmate Two | |
| Torez Bandeira | ... | Playmate Three | |
| Will Bethencourt | ... | Jack | |
| Paul J. Siljee | ... | Mover | |
| Nick Siljee | ... | Passerby | |
| Yaniv Dabach | ... | Street Cub | |
| Jonathan McEwan | ... | Ted (as Jonny Mack) | |
| Paul Mauriello | ... | Bob | |
| Fergus O'Brien | ... | Jim | |
| Michael Hartney | ... | Robbie | |
| Justin Stafford | ... | Drag Queen (as Trai La Trash) | |
| Dean Morris | ... | Polar Bear | |
| Chris March | ... | Himself | |
| Ted Huang | ... | Jealous Boyfriend | |
| Donny Terry | ... | Disgruntled Cag*eacute; Customer | |
| Jeffrey Marx | ... | Fireplug Cub | |
| J. Noah Rubin | ... | Gen-X Bear One | |
| Michael Bastianelli | ... | Gen-X Bear Two | |
| Ron Suresha | ... | Gen-X Bear Three | |
| Cole Mangano | ... | Muscle Cub | |
| Vayu O'Donnell | ... | Paul | |
| Dan Derby | ... | Paul's Boyfriend | |
| Peter Stickles | ... | Executive | |
| Sherry Stregack | ... | Nurse | |
| David Drake | ... | Dr. Straube | |
| David Beggs | ... | Slimworkzzz Model One | |
| David 'Austexgrizzly' LaVin | ... | Slimworkzzz Model Two | |
| Edd Chango | ... | Burly Dad 'Stroller Meat' | |
| Kathryn Moser | ... | Wife | |
| Joe Zaso | ... | Peter (as Joseph Zaso) | |
| Roy War | ... | Ken | |
| Michael Musto | ... | Himself | |
| Mike Brewer | ... | Nipple Clamp Bear | |
| Sebastian La Cause | ... | Fernando | |
| Gary Marcus | ... | Bartender Cub | |
| Robert Hollenbeck Jr. | ... | Warren (as Bob Hollenbeck) | |
| John O'Malley | ... | Baller | |
| Ed Davis | ... | Shell Lover | |
| Roland Rusinek | ... | Frank | |
| Johnathan Cerio | ... | Danny | |
| Blake Evan Sherman | ... | Melvin 'Uncle Mel' | |
| Robert Presar | ... | GoGoBear | |
| Randy Jones | ... | Buck | |
| Samuel Kite | ... | Chaser (as Sam Kite) | |
| Elli | ... | Heavy Bear (as Eliezer 'Elli' Meyer) | |
| Kevin Chamberlain | ... | Himself | |
| Joe Mannetti | ... | Hot Daddy Bear | |
| rest of cast listed alphabetically: | |||
| James Rudy Flesher | ... | Bar Patron | |
| Vinny Lomoriello | ... | Handsome Bear #2 | |
| Scott Maxson | ... | John | |
| Mike Quirk | ... | Handsome Bear #1 | |
| Mark Singer | ... | Daddy | |
| Carlin Langley | ... | Extra (uncredited) | |
Directed by | |||
| Douglas Langway | (as Doug Langway) | ||
Writing credits | ||
| Douglas Langway | (written by) (as Doug Langway) and | |
| Lawrence Ferber | (written by) | |
Produced by | |||
| Gregg Alwine | .... | co-executive producer | |
| Scott Ballin | .... | co-executive producer | |
| Derek Curl | .... | executive producer | |
| Lawrence Ferber | .... | associate producer | |
| Heidi H. Hamelin | .... | producer | |
| Ted Huang | .... | co-executive producer | |
| Michael S. Karen | .... | co-executive producer | |
| Jerry Knight | .... | co-executive producer | |
| Jim Lande | .... | executive producer (as Jim A. Lande) | |
| Christopher Petty | .... | co-executive producer | |
| José M. Queiros | .... | co-executive producer | |
| Dan Sanborn | .... | co-executive producer | |
| Lewis Tice | .... | executive producer | |
| Lewis Tice | .... | producer | |
| Michael Truppo | .... | co-executive producer | |
| Henry White | .... | executive producer | |
Original Music by | |||
| Kerry Muzzey | |||
Cinematography by | |||
| Michael Hauer | (director of photography) | ||
Film Editing by | |||
| Gerald Fernando | (as Gerald C. Fernando) | ||
| Douglas Langway | (as Doug Langway) | ||
Casting by | |||
| Zoe E. Rotter | |||
Production Design by | |||
| Racey North | |||
Costume Design by | |||
| Kathryn Moser | |||
Makeup Department | |||
| Amy Wadford | .... | key hair stylist | |
| Amy Wadford | .... | key makeup artist | |
Production Management | |||
| Bennett Elliott | .... | production manager | |
| Gerald Fernando | .... | post-production supervisor (as Gerald C. Fernando) | |
Second Unit Director or Assistant Director | |||
| Ed Gately | .... | first assistant director: second unit | |
| Ed Gately | .... | second assistant director | |
| Tracy Utley | .... | first assistant director | |
Art Department | |||
| Michelle McLoota | .... | art production assistant | |
Sound Department | |||
| Eve Cuyen | .... | sound designer | |
| Eve Cuyen | .... | sound re-recording mixer | |
| Yaniv Dabach | .... | boom operator | |
| Derek Morse | .... | sound recordist | |
Camera and Electrical Department | |||
| Peter Barr | .... | first assistant camera: second unit | |
| Greg Boas | .... | camera operator: second unit | |
| Scott Cramer | .... | gaffer/lighting director | |
| Patrick Egan | .... | grip | |
| Eric S. Eichelberger | .... | swing | |
| Gerald Fernando | .... | second assistant camera: second unit (as Gerald C. Fernando) | |
| Kevin Galvin | .... | on-set photographer (as Kevin Bersig-Galvin) | |
| Sara Hahn | .... | second assistant camera (as Sara C. Hahn) | |
| Emilie Jackson | .... | second assistant camera: second unit | |
| Lee Kazista | .... | crane operator: second unit | |
| David Lanese | .... | camera operator: second unit (as Dave Lanese) | |
| Amanda Provost | .... | swing | |
| Nate Spengler | .... | first assistant camera | |
| Steve Sterling | .... | key grip | |
| Brigid Swanick | .... | grip (as Bridgid Swanick) | |
| Michael Yannetelli | .... | camera operator: second unit (as Mike Yannetelli) | |
Animation Department | |||
| John Boutwell | .... | senior animator | |
| Nathan Gooden | .... | assistant animator | |
| J. Noah Rubin | .... | senior animator (as J. Noah Rubin) | |
| Miguel Valdes | .... | senior animator | |
Casting Department | |||
| Kali Riley | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Kayla Viani | .... | assistant costume designer | |
Editorial Department | |||
| Michael Christelles | .... | post-production assistant | |
| Jared Crellin | .... | post-production assistant | |
| Bruno Furtado | .... | post-production assistant | |
| Jason Hill | .... | assistant editor | |
| Daniel McNea | .... | post-production assistant | |
| David O'Grady | .... | post-production assistant | |
| Rob Rosenberg | .... | assistant editor | |
| Miguel Valdes | .... | colorist | |
Music Department | |||
| Will Bethencourt | .... | music consultant | |
| Freddy Freeman | .... | music consultant | |
| Martin Petersen | .... | music consultant | |
| Margarita Sullivan | .... | music clearances | |
| Margarita Sullivan | .... | music consultant | |
| Margarita Sullivan | .... | music supervisor | |
| Marc Urselli | .... | music mixer | |
Transportation Department | |||
| Nathan Buffaloe | .... | driver | |
| Tovi Collier | .... | driver | |
| Dee Martin | .... | driver | |
| Paul T. Robertson | .... | driver | |
| Scott Sousa | .... | driver | |
Other crew | |||
| Mark Aranduque | .... | production accountant | |
| Nora Bernard | .... | production assistant | |
| Greg Boas | .... | documentary crew | |
| Nathan Buffaloe | .... | production assistant | |
| Michael Christelles | .... | title designer: end titles | |
| Tovi Collier | .... | production assistant | |
| Monty Diamond | .... | location scout | |
| Rob Hauschild | .... | documentary crew | |
| Jamila Hunter | .... | production assistant (as Jamila H. Hunter) | |
| Alina Johnson | .... | production assistant | |
| Evan Kenward | .... | key production assistant | |
| Michelle Labriola | .... | assistant to director | |
| David Lanese | .... | documentary crew (as Dave Lanese) | |
| Stephen Langway | .... | production accountant | |
| Brian Leung | .... | production assistant: second unit | |
| Dee Martin | .... | production assistant | |
| Daniel McNea | .... | production assistant: second unit | |
| Rob Rosenberg | .... | bowling coach | |
| Noah Rubin | .... | title designer: opening titls (as J. Noah Rubin) | |
| Friday Savathphoune | .... | script supervisor | |
| Scott Sousa | .... | production assistant | |
| Miguel Valdes | .... | title designer: opening titles | |
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| Milk | Stonewall | I Love You Phillip Morris | Brokeback Mountain | Noah's Arc: Jumping the Broom |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Cute with the typical amateurish qualities that make gay films of this nature either charming or painful, depending upon your sensibilities. The acting is earnest but decidedly nonprofessional. The only standout is Gregory Gunter, whose character (Michael) is utterly compelling and which Gunter plays with pathos and humor but not self-pity. Gerald McCulloch as Roger is large unwatchable, though it's hard to tell whether it's because his character is such a d***head or because the actor's own ego kept popping through. (If you watch his endless interview after in the DVD highlights, you'll see what I mean.) It's tough to make a film centered around bar culture without making it seem petty, vulgar, soul-crushing, and at least occasionally self-destructive; and it's an open question whether the directors nudged a bit to highlight those aspects or whether they were simply recording cinéma vérité. With all the sweetness that comes through in the struggles of the film's couples (complete with serious and often over-the-top drama), the film's central mystery remains what Tyler (Joe Conti) could possibly see in Roger, a smarmy, shallow, ego-bloated scene queen who not once but half a dozen times snubs Tyler to his face because Tyler isn't bear enough or muscley enough (or something enough) for the superficial, middle-class-white-boys-with-gym-memberships crowd by which Roger judges himself and his actions. Or, to put it another way, you may never understand why Tyler falls for and pursues Roger (to the extent of giving himself a makeover a move that likely guarantees the doom of any relationship) and you'll certainly find yourself asking whether he has a shred of self-esteem in his body. The fact that Roger isn't what anyone could reasonably call a bear only adds to the confusion. Personally, I'd have gone for a little less Jennifer Anniston-esque comedy and paid a little more attention to the serious and genuinely dramatic (as opposed to simply flamboyant) issues that the film skates over like thin ice before turning safely back to shore: self-esteem issues among big men and the difficulty of cultivating and maintaining a positive body image in a gay "culture" ruled by gym Nazis and diet maniacs; the painful issue that's raised in the Michael-Carlos couple when Michael considers getting lap-band surgery (is he going to wind up so thin that Carlos won't be attracted to him anymore?); the double "coming out" required of non-bears who are attracted to men who are hairy and/or fat and/or older than they are and who face ridicule for their desires; and the uneasy co-existence of working-class bears and their middle- to upper-class counterparts who wear similar drag and occupy the same physical spaces in which "bear culture" is practiced but who, arguably, are essentially antagonists. _Bear City_ seems to intend to be a coup against the slavish cultural propaganda promulgated by so many "gay" indie films, but it's more of a bitch slap than the good hard sock in the jaw that's needed. Still, the film deserves credit for its beau geste and for starting a conversation within a medium that tends to pretend it doesn't understand the question.