| Anne Dorval | ... | Chantale Lemming | |
| Xavier Dolan | ... | Hubert Minel | |
| François Arnaud | ... | Antonin Rimbaud | |
| Suzanne Clément | ... | Julie Cloutier | |
| Patricia Tulasne | ... | Hélène Rimbaud | |
| Niels Schneider | ... | Éric | |
| Monique Spaziani | ... | Denise | |
| Pierre Chagnon | ... | Richard Minel | |
| Justin Caron | ... | Young Hubert | |
| Benoît Gouin | ... | Boarding School Principal | |
| Johanne-Marie Tremblay | ... | Boarding School Teacher | |
| Hugolin Chevrette-Landesque | ... | Student Fighter #1 (as Hugolin Chevrette) | |
| Francis Ducharme | ... | Student fighter #2 | |
| Pascale Audrey | ... | Art Professor | |
| Emile Mailhot | ... | Classroom Student #1 (as Émile Mailhot) | |
| Laurent-Christophe De Ruelle | ... | Classroom Student #2 | |
| Mathieau Grimard | ... | Hélène's Young Lover (as Mathieu Grimard) | |
| Mariflore Véronneau | ... | Waitress | |
| Manuel Tadros | ... | Apartment Concierge | |
| Bianca Gervais | ... | Video Library Cashier |
Directed by | |||
| Xavier Dolan | |||
Writing credits | ||
| Xavier Dolan | (screenplay) | |
| Xavier Dolan | (dialogue) | |
Produced by | |||
| Xavier Dolan | .... | producer | |
| Carole Mondello | .... | executive producer | |
| Daniel Morin | .... | associate producer | |
Original Music by | |||
| Nicholas Savard-L'Herbier | |||
Cinematography by | |||
| Stéphanie Anne Weber Biron | (director of photography) (as Stéphanie Weber-Biron) | ||
Film Editing by | |||
| Hélène Girard | |||
Set Decoration by | |||
| Anette Belley | |||
Costume Design by | |||
| Nicole Pelletier | |||
Makeup Department | |||
| Marie-Josée Galibert | .... | key makeup artist | |
Production Management | |||
| Karl Archambault | .... | unit manager | |
| Carole Mondello | .... | production manager | |
Second Unit Director or Assistant Director | |||
| France Boudreau | .... | first assistant director | |
| Robert D. Morais | .... | additional first assistant director | |
| Sinan Saber | .... | second assistant director | |
Art Department | |||
| Anette Belley | .... | props | |
| Anette Belley | .... | set designer | |
Sound Department | |||
| Sylvain Brassard | .... | sound editor | |
| Sylvain Brassard | .... | sound re-recording mixer | |
| Benoît Dame | .... | dialogue editor | |
| Alexis Farand | .... | foley artist | |
| Jean-Sébastien Roy | .... | sound recordist | |
Special Effects by | |||
| Ryal Cosgrove | .... | special effects supervisor | |
| Marc Reichel | .... | special effects foreman | |
Visual Effects by | |||
| Martin Lipmann | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Xavier Boisvert | .... | extra lighting technician | |
| Nicolas Canniccioni | .... | director of photography: additional photography | |
| Ilio Kotorenchev | .... | first assistant camera | |
| Manuel Lessard | .... | gaffer | |
| Lino Mondello | .... | lighting technician | |
| Sean Sweeney | .... | data wrangler | |
| Armando Tremblay | .... | extra lighting technician | |
| Alexis Vanier | .... | best boy lighting | |
Costume and Wardrobe Department | |||
| Xavier Dolan | .... | costumes | |
| Nicole Pelletier | .... | costumes | |
Editorial Department | |||
| Martin Lipmann | .... | colorist | |
|
|
|
|
|
| My Own Private Idaho | Edge of Seventeen | Get Real | The Man I Love | Almost Famous |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb Canada section |
She: like most mothers she cares for her son and looks after him. She drives him to school, she washes his clothes, she cooks.
The downside: She uses these things as excuses to constantly make him feel guilty, make him feel like he owes her for loving him. She keeps accusing him of being ungrateful (though she never says it directly, but implies it in almost every conversation).
What's (arguably) worse: she refuses to listen to him. When she does listen, she doesn't take him seriously. She avoids confrontation, barring occasional hysterical outbursts.
He: makes it perfectly clear that he doesn't expect her to do all the material things for him that she does, and that he'd much rather fend for himself if that means not having to be made to feel guilty all the time.
She: is a struggling single mother, working each day to try to give him a better future. She has to face self-important people who judge her, but who have no idea about the kind of life she leads.
He: does not understand this. He does not see past her awful taste (in clothes and interior design). He thinks she's superficial. He refuses to let her be a part of his life, he criticizes her every word, her every move. He screams at her, insults her.
She: loves him.
He: loves her too. So much.
J'ai tue ma mere is an unflinchingly honest, masterfully shot portrayal of a strained mother/son relationship. Great actors, beautiful images and, I cannot emphasize this enough, absolutely spectacular technique.
Bravo Xavier Dolan! You have created a true work of art.