5.4/10
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135 user 138 critic

Stone (2010)

A convicted arsonist looks to manipulate a parole officer into a plan to secure his parole by placing his beautiful wife in the lawman's path.

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Cast

Cast overview, first billed only:
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Madylyn
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Young Madylyn
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Greg Trzaskoma ...
Guard Peters
Rachel Loiselle ...
Kylie Tarnopol ...
Bailey Tarnopol ...
Madison Tarnopol ...
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Warden (as Peter Lewis)
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Janice
Richard Murphy ...
Guard #1
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Storyline

Parole officer Jack Mabry (Robert De Niro) has only a few weeks left before retirement and wishes to finish out the cases he's been assigned. One such case is that of Gerald "Stone" Creeson (Edward Norton), a convicted arsonist who is up for parole. Jack is initially reluctant to indulge Stone in the coarse banter he wishes to pursue and feels little sympathy for the prisoner's pleas for an early release. Seeing little hope in convincing Jack by himself, Stone arranges for his wife, Lucetta (Milla Jovovich), to seduce the officer, but motives and intentions steadily blur amidst the passions and buried secrets of the corrupted players in this deadly game of deception. Written by The Massie Twins

Plot Summary | Plot Synopsis

Taglines:

Some People Tell Lies. Others Live Them.

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong sexuality and violence, and pervasive language | See all certifications »

Parents Guide:

 »
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Details

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Release Date:

22 October 2010 (USA)  »

Also Known As:

La revelación  »

Box Office

Budget:

$22,000,000 (estimated)

Opening Weekend:

$75,766 (USA) (10 October 2010)

Gross:

$1,796,024 (USA) (19 December 2010)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Filming was interrupted by a drunk fan who approached Robert De Niro on the set. She was arrested and taken to a hospital. See more »

Quotes

[first lines]
Young Madylyn: Look at me.
Young Jack: Hmm?
Young Madylyn: I'm not standing for this.
Young Jack: Say what?
Young Madylyn: You keep my soul in a dungeon. I'm leaving.
Young Jack: [runs up the stairs, grabs his daughter out of bed, and holds her out the window] If you leave me, I'll throw her.
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Connections

Referenced in Maltin on Movies: No Strings Attached (2011) See more »

Soundtracks

Sonus Spiritus
Written by Cato (ASCAP)
Performed by Cato
Published by Creative Soundscapes, Inc. (ASCAP)
Courtesy of Creative Soundscapes, Inc.
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User Reviews

 
Disappointing, genre-confused story
16 October 2010 | by (United States) – See all my reviews

Filmmaking 101 has a rule; wait, Art 101 has a rule: Know your genre. A drama can have comic relief, but that works only in the framework of the genre that's been established. Comedies can have their dramatic, emotional moments, but if they then turn into dramas, audiences are confused and disappointed. If a screenwriter and director can't even tell their story competently within the confines of the genre they first set up, their movie will fail.

Yes, Stone is well acted. So what? Do you go to the movies to see good acting class exercises? If so, check this movie out. Norton and De Niro are entertaining, early on at least, and there's sharp dialog they have to work with (how else could they do their jobs? Don't you love people who praise the acting without acknowledging the script?)

But the story – the real reason most of us venture out to see a film – in Stoner is a mess. The movie starts off essentially as a thriller. The plot sets up a con working a con, with his sexy wife, on a prison case officer. But after putting the movie is thriller mode the movie then tries to be a drama about the meaning of life and presence of God. The movie tries to turn its main plot with the wife into a subplot, and then pretend that fun, salacious venture wasn't really what the movie wanted to deal with. No, let's talk about the meaning of life.

Stone, then, is a disappointment. Even as a drama it fails: the story dissipates into ambiguity with regard to the final action. POVs have jumped around all throughout the movie but in not showing us the final resolution between Stone and his wife, the whole fulcrum of the movie is left blank. As for the transformation of Stone – something Norton tries to act by occasionally calming his voice and widening his eyes – it's unbelievable, not fully formed or demonstrated and, like the rest of the movie, a pretentious attempt to take a fun dime-store novel's story and make it profound.

Don't waste your time or money with this one. If you have to see it, wait for video. The movie is shot in TV-like close-ups for the most part and it will play just as well there.


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