MOVIEmeter
SEE RANK
Up 22,868 this week

Kinatay (2009)

6.6
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 6.6/10 from 1,012 users  
Reviews: 11 user | 48 critic

A young man tries to make some money so he can marry his girlfriend. He takes a job for $2,000 and then soon realizes that this job involves killing a woman.

Director:

(as Brillante Ma. Mendoza)

Writer:

(story)
0Check in
0Share...

Editors' Spotlight

IMDb Picks: March

IMDb's editors share the movies and TV shows they are excited to see in March.

User Lists

Related lists from IMDb users

a list of 46 titles
created 04 Dec 2010
 
a list of 26 titles
created 17 Apr 2011
 
a list of 26 titles
created 19 Jun 2011
 
a list of 31 titles
created 29 Feb 2012
 
list image
a list of 21 titles
created 2 days ago
 

Related Items

Search for "Kinatay" on Amazon.com

Connect with IMDb


Share this Rating

Title: Kinatay (2009)

Kinatay (2009) on IMDb 6.6/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Kinatay.
13 wins & 20 nominations. See more awards »
Learn more

People who liked this also liked... 

The Masseur (2005)
Drama
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  
Director: Brillante Mendoza
Stars: Coco Martin, Jaclyn Jose, Allan Paule
Drama
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Present-day Chad. Adam, fifty-five, a former swimming champion, is pool attendant at a smart N'Djamena hotel. When the hotel gets taken over by new Chinese owners, he is forced to give up ... See full summary »

Director: Mahamat-Saleh Haroun
Stars: Youssouf Djaoro, Dioucounda Koma, Emile Abossolo M'bo
Insiang (1976)
Drama
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

The first Filipino film to show at the Cannes Film Festival is set in the slums of Manila. A beautiful girl gets raped by her mother's lover, and then learns how to exact revenge.

Director: Lino Brocka
Stars: Hilda Koronel, Mona Lisa, Ruel Vernal
On Tour (2010)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

Joachim, a former Parisian television producer had left everything behind - his children, friends, enemies, lovers and regrets - to start a new life in America. He comes back with a team of... See full summary »

Director: Mathieu Amalric
Stars: Miranda Colclasure, Suzanne Ramsey, Dirty Martini
Drama
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

France, present day. A professional conman passes himself off as the boss of a construction site building a highway extension. He cons the whole region, hires dozens of workers and ... See full summary »

Director: Xavier Giannoli
Stars: François Cluzet, Emmanuelle Devos, Gérard Depardieu
Grigris (2013)
Drama
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

Despite a paralyzed leg, Grigris, 25 year old, dreams of being a dancer. A challenge. But his dreams are dashed when his uncle falls critically ill. To save him, Grigris resolves to work for petrol traffickers.

Director: Mahamat-Saleh Haroun
Stars: Souleymane Démé, Anaïs Monory, Cyril Guei
Slingshot (2007)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  
Director: Brillante Mendoza
Stars: Jiro Manio, Coco Martin, Kristoffer King
Face (2009)
Comedy | Drama | Musical
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

Hsiao-Kang, a Taiwanese film director, travels to the Louvre in Paris, France, to shoot a film that explores the Salomé myth.

Director: Ming-liang Tsai
Stars: Kang-sheng Lee, Yi-Ching Lu, Fanny Ardant
Foster Child (2007)
Drama
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A drama centered on the state of foster care in the Philippines.

Director: Brillante Mendoza
Stars: Cherry Pie Picache, Kier Segundo, Eugene Domingo
Drama
    1 2 3 4 5 6 7 8 9 10 7/10 X  

In the 1980s, encouraged by the government, a large number of families leave Chinese cities to settle in the poorer regions of the country, in order to develop local industry. The film's ... See full summary »

Director: Xiaoshuai Wang
Stars: Yuanyuan Gao, Bin Li, Hao Qin
Grandmother I (2009)
Drama
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Two elderly women bear the consequences of a crime involving their respective grandsons. One is the victim, the other is the suspect. Both weak and poor, they laboriously solicit money in ... See full summary »

Director: Brillante Mendoza
Stars: Anita Linda, Rustica Carpio, Tanya Gomez
Drama | Sport
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

A story about four brothers from a poor family who need to fight to follow their dreams.

Directors: Walter Salles, Daniela Thomas
Stars: Sandra Corveloni, João Baldasserini, Vinícius de Oliveira
Edit

Cast

Cast overview, first billed only:
Coco Martin ...
Peping
Maria Isabel Lopez ...
Madonna
Julio Diaz ...
Kap (Vic)
John Regala ...
Sarge
Jhong Hilario ...
Abyong
Lauren Novero ...
Boy Chico
Benjie Filomeno ...
Rommel
Mercedes Cabral ...
Cecille
Allan Paule ...
Leo (as Alan Paule)
Ping Medina ...
Bong
Susan Africa ...
Socorro
Lou Veloso ...
Judge
Sofia Lee ...
Marie
Mely Soriano ...
Lola Fe
Ruby Saavedra ...
Neneng
Edit

Storyline

A young man tries to make some money so he can marry his girlfriend. He takes a job for $2,000 and then soon realizes that this job involves killing a woman.

Plot Summary | Add Synopsis


Certificate:

See all certifications »

Parents Guide:

 »
Edit

Details

Official Sites:

Country:

|

Language:

|

Release Date:

23 September 2009 (Philippines)  »

Also Known As:

Butchered  »

Box Office

Budget:

$800,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

According to actress Maria Isabel Lopez, the role of Madonna was originally offered to actress Rosanna Roces. The actress, however, turned down the part because she was reportedly not keen on doing sexy roles anymore. The role went to her. See more »

Connections

Referenced in Fridge (2012) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Brillante Mendoza's "Kinatay" outscores every Filipino film for its masterful exploration of sound and its effect on people.
29 September 2009 | by (Philippines) – See all my reviews

If there's one thing about widely marketed Filipino movies which should improve dramatically, it's sound--I absolutely loathe the annoying synthesized staple background music being forced upon us each time the characters are set to spew their spit with their loud, hammy dialogues, or whenever someone is about to cry. That's why I applaud local indie films which at least feature original scores or unusual songs to give better local color to the story. Some experimental films by some of the innovative, unpopular directors even skip background music in order to give a sense of realism to their films. And what a relief--here comes Brillante Mendoza's "Kinatay"--which I believe outscores--pun intended--every Filipino film for its masterful exploration of sound and its effect on people.

"Kinatay"--before it won the Best Director Award in the most prestigious film festival in the world--was butchered by various international critics when the film was screened in Cannes. They blamed the unsteady video and the lack of light in about half of the entire film. Even the famous critic Roger Ebert dismissed "Kinatay" as the worst film ever screened in Cannes, even going as far as saying that he wanted to apologize to Vince Gallo for saying the same remark about his "The Brown Bunny." (I had the misfortune of seeing Gallo's film and I thought that Ebert should not retract his statement about Gallo's horrible, conceited trash.)

Movie watching for me has always been both a visual and an auditory experience. Often, movie makers tend to focus on the story or the actors or even special effects. But few directors actually bother to heighten music or sound as the most important aspect in a film. Quentin Tarantino, who's notorious for his wild taste in music in his films, is one of the directors who, I believe, highlights sound in his work. In his "Kill Bill Vol.2", one of the crucial scenes is when The Bride gets buried alive and the video of the movie is slowly diminished by the sight of dirt covering the entire screen. For a few seconds, we hear nothing but the sound of gasping, whimpering, and crying from the protagonist as her villains make loud noises with their shovels digging and throwing dirt to the screen. Experiencing this in a theater gives the audience a claustrophobic environment where we empathize with the experience of struggling of the character.

This sadistic manipulation of sound, for me, is crucial to understand "Kinatay." Mendoza wanted to make the audience fear more for the victim by making them see less details and hear more. By making the cries of Madonna nonstop and interspersing with the curses of the police officers, the audience feels equally threatened, abused, and angered. The background music reinforces the atmosphere of terror as it sounds like a masterful and unique score of a thriller or horror film.

I actually think it's pretty obvious that since the visuals are intentionally dark and shaky, the director wanted the audience to hear the movie out instead. Unfortunately, many viewers (critics included) are already blinded by digital spectacles. How ordinary it is for modern viewers nowadays to see a film just because the movie has good visual effects. There are only a few people who after watching a film goes out to say that the film has superb score or background music.

The striking quality of the sound of "Kinatay" is definitely its profound sense of realism. We hear the sounds of the city during the first thirty minutes of the film, and for people who live in Manila, it feels like home--with all the deafening noise of the vehicles, shouts of the vendors, gossips of the housewives, screams of street basketball players, music from TV, cellphones, radios, and even noises from animals. But as night falls, the absence of noise becomes more threatening. A simple curse in the middle of the night already gives us the creeps--what more if the curses and screams are confined in a compact vehicle, a remote house in the province?

The loudest sound in the movie comes from the facial expressions of Peping. In his silence, we hear the terrifying outburst of guilt, of helplessness, and of fear. With Peping, we become passive witnesses to crime and become deaf to the cries of the victim. We know exactly who are the dregs of society and yet we do nothing because we know that we are powerless because these villains are some of the most powerful people in the society. And sad to say, the message of Brillante Mendoza has to be heard loud and clear: this is what our reality sounds like today.


33 of 41 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Worst movie NickHafn
What's this one about, anyone? mrpetergreen
La Vie Nouvelle suspiria56
Discuss Kinatay (2009) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?