Without definition. That is my conclusion. A film with moral drops and historical spices , with a great cast but in final, only a labyrinth. Warm and seductive but not just a tea cup. Elegant and simple but lovely for deep causes. A delicate show but very strange. A king and his teacher. Shadows of crisis.And a lot of victories. For me, it is a fine embroidery. Old figures and few natural seams. Nothing complicated. But every gesture mathematical precise.The surprise is Ryih Aratama. Akira Nagasaki is the same - chameleon and slippery. Mitsuru Aki is secondary piece for a huge cake. But Takai is really impressive in this tall for ordinary people who discovers not a game with kings and ghosts but a basic crisis and a small answer to daily fear. For that motive, it is not a film for Oscar or a moralistic speech.It is a voice who must be more than a drop of wind.
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