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Ju-on: White Ghost (2009)
"Ju-on: Shiroi rôjo" (original title)

 -  Horror  -  27 June 2009 (Japan)
6.3
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Ratings: 6.3/10 from 863 users  
Reviews: 8 user | 16 critic

Akane begins seeing visions of a female ghost wearing the same yellow hat and red satchel she wore as a school child.

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Writers:

(screenplay), (story)
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Title: Ju-on: White Ghost (2009)

Ju-on: White Ghost (2009) on IMDb 6.3/10

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Cast

Cast overview, first billed only:
Hiroki Suzuki ...
Fumiya Hagimoto (segment "Fumiya")
Ichirôta Miyakawa ...
Hajime Kashiwagi (segment "Kashiwagi")
Natsuki Kasa ...
Shôgakusei no Akane (segment "Kashiwagi")
Akina Minami ...
Akane Kashiwagi (segment "Akane")
Marika Fukunaga ...
Yuka Kanehara (segment "Akane")
Chie Amemiya ...
Mayumi Yoshikawa (segment "Akane")
Aimi Nakamura ...
Junko Isobe (segment "Isobe")
Akiko Hoshino ...
Haru (segment "Isobe")
Eiichi Ôkubo ...
Kentarô Isobe (segment "Isobe")
Sumire Arai ...
Miho Isobe (segment "Isobe")
Yasuo Gotô ...
Shûichi Hirata (segment "Isobe")
Mihiro ...
Chiho Tanemura (segment "Chiho")
Chinami Iwamoto ...
Mirai Isobe (segment "Mirai")
Shûsei Uto ...
Takuji Suzuki ...
Hideki Yasukawa (segment "Yasukawa")
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Storyline

Akane begins seeing visions of a female ghost wearing the same yellow hat and red satchel she wore as a school child.

Add Full Plot | Plot Synopsis

Genres:

Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

27 June 2009 (Japan)  »

Also Known As:

Ju-on: White Ghost  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Connections

Followed by Ju-on: Beginning of the End (2014) See more »

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User Reviews

 
A good story. And more.
2 November 2011 | by (Düssledork) – See all my reviews

Without definition. That is my conclusion. A film with moral drops and historical spices , with a great cast but in final, only a labyrinth. Warm and seductive but not just a tea cup. Elegant and simple but lovely for deep causes. A delicate show but very strange. A king and his teacher. Shadows of crisis.And a lot of victories. For me, it is a fine embroidery. Old figures and few natural seams. Nothing complicated. But every gesture mathematical precise.The surprise is Ryih Aratama. Akira Nagasaki is the same - chameleon and slippery. Mitsuru Aki is secondary piece for a huge cake. But Takai is really impressive in this tall for ordinary people who discovers not a game with kings and ghosts but a basic crisis and a small answer to daily fear. For that motive, it is not a film for Oscar or a moralistic speech.It is a voice who must be more than a drop of wind.


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