7.5/10
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También la lluvia (2010)

Unrated | | Drama, History | 5 January 2011 (Spain)
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As a director and his crew shoot a controversial film about Christopher Columbus in Cochabamba, Bolivia, local people rise up against plans to privatize the water supply.

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21 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Costa
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Sebastián
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Daniel / Atuey
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Juan / Montesinos
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Alberto / Las Casas
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María
Milena Soliz ...
Belén / Panuca
Leónidas Chiri ...
Teresa
Ezequiel Díaz ...
Bruno
Pau Cólera ...
Actor capitán
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Actor comandante
Antonio Mora ...
Actor franciscano
Daniel Currás ...
Soldado gallego
Glenda Rodríguez ...
Asistente casting
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Storyline

Spanish director Sebastián, his executive producer Costa and all his crew are in Bolivia, in the Cochabamba area, to shoot a motion picture about Christopher Columbus, his first explorations and the way the Spaniards treated the Indians at the time. Costa has chosen this place because the budget of the film is tight and here he can hire supernumeraries, local actors and extras on the cheap. Things go more or less smoothly until a conflict erupts over the privatization of the water supply. The trouble is that one of the local actors, is a leading activist in the protest movement. Written by Guy Bellinger

Plot Summary | Plot Synopsis

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Spain Conquered the New World for Gold 500 Years Later, Water is Gold Not Much Else has Changed...

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Drama | History

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Unrated | See all certifications »

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Release Date:

5 January 2011 (Spain)  »

Also Known As:

Même la pluie  »

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Box Office

Opening Weekend:

$66,315 (USA) (18 February 2011)

Gross:

$558,342 (USA) (6 May 2011)
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2.35 : 1
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Did You Know?

Trivia

Although most of her scenes were deleted, Najwa Nimri can be seen briefly in the restaurant sequence. See more »

Connections

Featured in Ebert Presents: At the Movies: Episode #1.6 (2011) See more »

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User Reviews

 
Movie within a movie, and parallels from Columbus to modern Bolivia
16 June 2011 | by (United States) – See all my reviews

Even the Rain (2010)

There are so many stunning, powerful, dramatic, believable moments to this hard hitting film, you wish so much that there weren't a few unreasonable gaffes to the plot and characters. It's frustrating when a film is almost amazing, because you are reminded of what it was not.

But also what it is, which is pretty thrilling and clever.

First, the contemporary setting is based quite closely on the true events of local Bolivians in the third largest city of the country, Cochabamba, fighting for rights to their own water supply. A private (Euro-U.S.) firm has cornered water rights and when the locals try to use their own handmade supply system the police come and interfere. It's maddening to the point of anger on both sides of the screen. In a way, this local uprising against injustice is the movie, the core of the events.

But what makes it actually fabulous is the way it told through the eyes and cameras of a large film crew working on a movie about Christopher Columbus arriving on the shores of America and mistreating the natives. Yes, a parallel that is obvious but handled with dramatic aplomb. There are many moments showing the shooting of the film, and it transports the viewer instantly and beautifully to the Columbus events, which are epic in their own way. But the characters are part professional actors from other countries and part local (and underpaid) extras, some of whom are involved in the water protests when not filming.

So there are several layers of action, tightly interwoven. The disdain and fear of some of the outsiders is believable (the man playing Columbus, Karra Elejalde, is amazing, world weary and tough, taking both sides as needed). Some of the circa 1500 history of resistance by the natives and even the brave defense of the natives by a Spanish priest is inspiring. And the way it still applies 500 years later (500 years!) is depressing. And energizing.

There are some other small problems, maybe the result of editing down too much later, such as the inclusion at the start of black and white video footage, a documentation of the filming, that you think will then become news footage (or not) but then it just disappears as a component of the film, completely, for no reason. And then the tumult of the last half hour with riots and roadblocks is great stuff, really well done, but so highly improbable you have to just write it off to generous screen writing. We aren't really able to believe the wholehearted change of attitude of the producer (played with intensity by Luis Tosar), but it makes for great interpersonal (and sympathetic) dramatics. And finally the director of the movie within the movie is played by the ever beautiful Gael Garcia Bernal, but in fact he's too weak and thoughtful a type to be directing this sprawling and frankly unmanageable movie about Columbus.

But these objections actually only came up for me later, thinking back. While immersed, I was really immersed and impressed. It's an ambitious, smart, and pertinent movie, with great and enjoyable complexity.


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