A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Hollywood actor Johnny Marco, nested in his luxury hotel of choice, is a stimulated man. Drinking, parties and women keep a creeping boredom under wraps in between jobs. He is the occasional father of a bright girl, Cleo, who may be spoiled but doesn't act it. When Cleo's mother drops her off and leaves town, Johnny brings her along for the ride, but can he fit an 11-year-old girl into his privileged lifestyle? Written by
Peter Brandt Nielsen
Stephen Dorff and Elle Fanning spent a lot of time together prior to the shoot in order to build the father-daughter relationship their characters have. For example, Dorff sometimes picked Fanning up after school. See more »
Cleo toggles between having and not having braces from scene to scene. This is most noticeable in scenes in the living room with Sammy and scenes in Johnny's car. See more »
Love Like A Sunset Part II
Written by Thomas Mars, Christian Mazzalai, Laurent Brancowitz, Deck D'Arcy
Performed by Phoenix
Courtesy of Ghettoblaster S.A.R.L. under exclusive license to V2 Records International Ltd. t/a Cooperative Music
Under license from Universal Music Operations Ltd. and Glassnote Entertainment Group LLC
By Arrangement with Zync Music Inc. See more »
A 30something year old actor spends his days (and nights) driving his Ferrari as fast as it can go, getting private shows from women,getting massages and participating in events which are part of his career. When at a press conference a journalist asks him "Who's Johnny Marko" he is unable to respond. Johnny is someone (or is he?) but he doesn't really know who. The relationships he has with people are far from personal.
From what we see at the beginning of the movie we would probably think Johnny is the usual single good looking but empty inside actor and that he pretty much has been all his life. But when his daughter shows up the picture is different: a failed marriage behind him... could this have made him what he is? maybe. As he welcomes Cleo back in his life she somehow seems to fill the emptiness of the environment around him. Nothing particularly overwhelming, just the little things that make the difference.
Does this movie display emotion in an explicit and clearly visible way? No. The dialog between characters is not what makes the difference. It's the feelings that make us think we're going somewhere or instead that we are so disconnected we can't care less where we are going. The feelings you can't really put into words (as properly emphasized in "Lost in Translation").
Just like the latter, "Somewhere" shows life as it is, no astonishing happenings, not many life changing experiences and maybe this is what will make a lot of people walk out of the theater unsatisfied or bored. We usually go to the cinema to evade from reality, see relationships develop clearly as they drastically change the lives of those involved in them. But this is not the case: just like in our lives things slowly develop and maybe over time change the way we see the world or feel the world. Maybe as the film suggests at one point, we need to slow down and take a look at where we are going instead of just passing through.
"Somewhere" is a particular movie from a particular director/writer. I can't go ahead and say watch this movie, you will love it, because it isn't for everyone but this is not a good enough reason to not give it a try altogether.
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