The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.
A look at the lives of two teenage girls - inseparable friends Ginger and Rosa -- growing up in 1960s London as the Cuban Missile Crisis looms, and the pivotal event the comes to redefine their relationship.
Hollywood actor Johnny Marco, nested in his luxury hotel of choice, is a stimulated man. Drinking, parties and women keep a creeping boredom under wraps in between jobs. He is the occasional father of a bright girl, Cleo, who may be spoiled but doesn't act it. When Cleo's mother drops her off and leaves town, Johnny brings her along for the ride, but can he fit an 11-year-old girl into his privileged lifestyle? Written by
Peter Brandt Nielsen
This is a more intelligent film than you might think.
I nearly didn't go to see Somewhere. People who'd seen it suggested I'd find its long winded nature, irrelevant. I'm so glad I decided to see it.
This intelligent film took us on the same ride that our key character was embarking on. From the first scene as we stand stationary watching a car circle a circuit aimlessly we begin to experience the monotony of Johnny Marco's life.
We sat through whole episodes of amateur pole dancing, done reasonably well, so that Coppola could drag us through the point she was trying to make. Hey, you don't recommend a film like this to many people because most people like film to entertain, to have a beginning a middle and an end.
Somewhere had a turning point, the arrival of his daughter, and a conclusion, the electronic beep of Johnny's car ignition. That is when it was headed elsewhere.
And just maybe his life was headed in a more entertaining direction but Coppola would see that as another film; but not necessarily one to be made by her.
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