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28 out of 31 people found the following review useful:
A tense thriller yet an accurate insight., 12 May 2010
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Author:
(anthonyjlangford@yahoo.com.au) from Australia
'Beneath Hill 60' is a true story based on a front-line campaign in
Belgium in 1917. This is a war film unlike any other. Not at least that
it is about Australian soldiers in a predominately British campaign.
There were many others who fought in both World Wars, though you
wouldn't know it from most big budget war films we are used to seeing.
Oliver Woodward (Brendan Cowell) is a late inductee into the campaign
on the front who must prove himself to his fellow Aussies who have been
in the trenches for some time. It's literally hell on earth. But these
soldiers belong to a special unit. The tunnelers. Their job, to subvert
the enemy from beneath. They are soon sent to one of the great Fronts
of WW1 in Belgium, to an area known Hill 60 which is currently
dominated by the Germans. There is a plan in place, but can they pull
it off? It's claustrophobic. It's tense. There is constant shelling.
The guns shots come from nowhere. You can understand how many were
driven mad by it. (Shell shock).
This film works on so many levels. A brilliant taut script by David
Roach based on the actual diaries of Woodward who shows us that there
is more at stake here than gaining mere inches of ground. There is the
tenacity of man. The blunt simple-mindedness which is required to get
the job done, but which can also blind some men from the truth. War is
stupid. It's a game. And yet they are not merely soldiers but ordinary
people. We get an insight into their lives, predominately through
Woodward himself, which juxtaposes how horrific war is. We get an idea
of the German position too. Often they are faceless enemy's but here we
get a little insight into the men on the other side of the muddy walls.
It's a suspenseful film, directed with real flair and I'm surprised to
say, mastery of the medium, by actor Jeremy Sims, whose first film,
(Last Train to Freo), was rather an languid affair. Once again he works
within an tight budget, (like all Australian films, except for that
unmentionable one), but he puts you into the mud and the water and the
darkness underground. You'll by yearning for your shower, dry bed and a
cup of tea; privileges denied to most of these chaps for months at a
time.
My only criticism is that Brendan Cowell looks too old for the part.
He' s supposed to be 25. I could have gone along with it if I'd been
told much earlier. But really he is Australia's best actor (Noise, Love
My Way) and plays Woodward to perfection.
The supporting cast is also first class. Steve Le Marquand shows his
depth and is totally believable. It's welcoming to see John Stanton
back. We don't see him enough in Australian film. He has a strong
presence and that amazing voice. He is an underused icon. I barely
recognized Jacqueline McKenzie, who looks ten years younger than she
is. She is always a pleasure to watch. Her on screen daughter played by
Bella Heathcote is a real talent too though Aden Young's brief odd
appearance seemed unconvincing. The tunnelers themselves, all work
together to bring a on-screen camaraderie and presence. Credit must go
to Sims and Roach for this collective working dynamic. Also noted are
the chillingly effective 5.1 sound effects and a classy score by
legendary composer Cezary Skubiszewski.
If you are from outside Australia, and don't like war films, it is
still effective as a thriller and even a love story. It's highly
recommended. For Australians, it's a must own DVD for every household.
Finally, an Australian film to be proud of. And an important one at
that.
23 out of 29 people found the following review useful:
Beneath Hill 60 is a gem., 18 May 2010
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Author:
dianebowen from Australia
This film should be seen by all Australians. It is authentic and extremely well acted; no overacting and no gilding the lily. Take a box of tissues. As an indication of how special this movie was, at the end while the credits were playing, everyone except two people remained in their seats for the entire running time of the credits and the upper part of the theatre was full. I would like to encourage younger people to see it; young people like those who visit Gallipoli would appreciate its significance. It depicts the true nature of the first world war and also depicts the essence of the Australian character; free-spirited, somewhat disrespectful of officer ranks until said officers earn respect. WWI was not like other wars; though the very awfulness of the trenches is obvious, the movie dwells just enough but not too much on this aspect. I hope it is successful overseas though I cannot imagine the British going to see it in large numbers, nor the Americans. The British are gently lampooned once or twice and would not take kindly to this, and the Americans do not get a look in at all so they would not be likely to be motivated to see it. However, if they did, I think they would appreciate it.
19 out of 23 people found the following review useful:
Probably the greatest Aussie -War- film to date., 8 May 2010
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Author:
Glucojel from Melbourne, Australia
Do you remember, as a kid, watching stories of bravery and heroism set
on a backdrop of war, and being fascinated by a kind of warfare you'd
never even imagined before? Marveling at crafty allies and enemies
alike pitting their wits as much as their weapons against each other to
find each others weakness and foil the other's strategy? Well Beneath
Hill 60 is just like that- an old fashioned no-nonsense look at a
fascinating angle of WW1 never before properly explored- TUNNEL
warfare. There are moments that leave you stunned to think of what
dangers and precautions these men had to be ready for, above -and-
below ground.
Make no mistake though, unlike the coming of age tale Gallipoli or the
military court drama Breaker Morant, this really is, at long last, an
Australian WAR film. And quite possibly it is the best from this
country so far (though I'm still yet to see The Odd Angry Shot so
jury's still out) and I would say one of the top ten WW1 films I've
ever seen (and I've seen a LOT).
And it's all the more incredible because it's a true story. There was
one moment which even almost made me tear up (unbelievable, right?)
which I won't mention, suffice to say it involved a briefly shown, but
dialogue-less revealing of just how much an experience had left a man
broken and hollow.
If I absolutely HAD to find fault with the film, it would NOT be the
flashbacks (you can't go round saying the characters were one
dimensional and then say the background story was unimportant!) but
perhaps the soundtrack. It knows what it's doing on the battlefield,
but in the flashbacks is unsure of itself, sometimes getting all
melodramatic like an excited child.
Really, that's it. The music seems slightly odd in one or two places.
Everything else just WORKS. It's visually stunning, realistic, has
great characters, action, suspense (and how!) and even humour. That's
right, even in WW1 soldiers found time to crack the odd joke don't
y'know.
So do check this out pronto- you won't be disappointed. And remember-
keep one eye closed when the flares go up- you'll see better once it
goes out again. ;)
21 out of 28 people found the following review useful:
better than I expected, 5 May 2010
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Author:
ruffior-1 from Australia
There are many war films, but some stand out. This is definitely one of
them.
The story builds slowly in the first part of the film, and we get an
insight into the main characters and the conditions they had to endure.
The latter part develops further as they head towards the Battle of
Messines Ridge.
The battle scenes were made as realistic as possible, intermingled with
flashbacks to Capt. Woodwards life back home, and the circumstances
surrounding his enlistment into the mining battalion.
An outstanding movie....!
20 out of 33 people found the following review useful:
A story just crying out to be told, 19 April 2010
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Author:
kepswa from Perth, Australia
After recently returning from a very moving tour of some of the
battlefields of the western front (including Hill 60 itself), I was
extremely glad to hear of a film depicting some of the heroics which
took place there. Given the enormity of what happened in those years,
the events which took place there are undeniably underrecognised. Make
no mistake, World War One in film has none of the glory associated with
it as so often its sequel. It was a truly awful war, for both sides.
Unique in every way, difficult to explain to others, and for all the
bloodshed, is difficult to comprehend in modern times. Some of the
stories from that period are crying out to be told. This is one of
them.
As war had reached the industrial age, the unpredicted stalemate of
trench warfare would force either side into unforeseen warfare tactics.
This is the story of the 1st Australian Tunneling company's experience
in the region around Ieper, Belgium. An extremely rare kind of battle
was taking place, underground warfare. Given the place in history
Gallipoli has to Australia, one can only wonder why so few of the
younger generations of Australians have ever heard of places such as
Messines, Passchendaele, Pozieres and Fromelles to name a few. A film
which depicts the heroic events of that important chapter of world
history should be received with open arms.
And so I am so glad to say that the acting, characterisation and
cinematography are very good, as are (to my mind at least) the relative
historical accuracy of the script and sets. However this film has one
major hurdle in its way of being utterly brilliant. It is of course
Australian. By this I mean that doesn't intend to significantly push
the envelope or have much of a sharp edge, but to appeal to the masses
and not take many risks. To be honest I was surprised to see the
occasional cigarette smoking of soldiers given the political
correctness of modern Australia. Any realist knows however that the
majority of those soldiers were smokers and I am glad they kept modern
perceptions second to historical accuracy.
If I was going to be critical (and I will be), it is that this film in
one or two moments treads closely to falling into some of the same
traps of film-making clichés that belong in 20th century Hollywood.
Thankfully the foot that is about to get stuck in this trap is soon
lifted out and back on track to being a great film.
I hope many will see it. I also hope Baz Luhrmann learns a thing or two
about film-making and the people who funded and plugged his last piece
of trash feel humiliated that someone made a slightly better film about
Australia's history.
A very moving film. Congratulations to the cast and crew.
7 out of 8 people found the following review useful:
An absorbing war drama of a fairly unknown true story, 22 October 2010
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Author:
paul david from United Kingdom
I have to disagree with the comments comparing this movie with 'Hurt
Locker' which is a superior movie in nearly every day and deserves its
Oscar credits. This is however an excellent war drama telling a fairly
unknown true story of Oliver Woodward during World War One. I for one
had never heard of Oliver Woodward until watching this movie. Yes, to
some degree, I would compare it to 'My Boy Jack" and even
'Passchendale' and actually 'Tunnel Rats' the Vietnam war drama springs
more to mind.
There is also a love story thrown in for good measure and overall this
is a very sensitive film with an unacceptable but seemingly necessary
ending. The acting is superb throughout and the story fascinating in
how it was told from beginning until the end.
For those who like their dose of war dramas, this is clearly one not to
be missed.
8 out of 10 people found the following review useful:
This one passes the test, 26 August 2010
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Author:
milbankj from Adelaide Australia
A fine movie. Not a masterpiece, because such movies are non-existent; consequently, I don't go looking for such a thing. My test is that if a movie reaches or exceeds my expectations, it succeeds. In my book, this beats "The Hurt Locker" hands down-- which may not mean anything to those who disliked that Oscar winner. Perhaps foolishly, because of the Oscar hype, I had expectations of THL which were not met. So it failed. "Beneath Hill 60" does not. It's more realistic, more accurate, more tension-filled, and not at all pretentious. No need for me to repeat the plot outlines that others have mentioned. But I will declare that the above-ground battlefield and underground scenes-- the wet, the mud, the cold, the misery-- are amazing for their reality. And they were shot mostly in tropical north Queensland.
17 out of 28 people found the following review useful:
an impressive story of courage, heroism, sacrifice and mateship in World War One, 11 April 2010
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Author:
gregking4 from Australia
*** This review may contain spoilers ***
Beneath Hill 60 is a story of courage, heroism, sacrifice and mateship set against the background of the trench warfare of the Western Front in 1916, the site of some of the bloodiest battles of World War One. The film brilliantly captures the horrors and futility of war, the senseless waste of young lives, and the appalling conditions endured by the diggers in the trenches. This extraordinary true story concerns a unit of mining engineers and demolition experts who are sent to the Western Front and given the enormous task of maintaining the extensive and labyrinthine tunnel system established under the enemy trenches. Their main mission is to set off explosives under the heavily fortified enemy position on Hill 60, in the Messines Ridges in Belgium. It was one of the most successful Allied campaigns of the war, and yet it has remained unheard of. The effects of the subsequent explosion, the largest man made explosion in history, were felt as far away as London and Dublin. David Roach's script has been based upon the diaries of Oliver Woodward, the commander of the unit. Brendan Cowell (Noise, etc) heads what has to be the best ensemble cast ever assembled for an Australian film, as Woodward, an untrained soldier who has to earn the respect and trust of his men under adverse conditions. The impressive cast includes Anthony Hayes, Steve Le Marquand, Underbelly's Gyton Grantley, Aden Young, comic Bob Franklin in a serious role, John Stanton, and veteran Chris Haywood as a gruff, by-the-book Colonel. All of the actors are terrific. However, because of the large number of characters we do not get to know many of them or empathize with them. Special mention must be made of one of the more moving characters in Tiffin (Harrison Gilbertson), a naive 16-year-old who is scared most of the time, but who still manages to do his bit in the tunnels. Gilbertson is a rising young star to watch he previously played Deborra-Lee Furness's larcenous son in Ana Kokkinos's Blessed, and he plays Geena Davis' troubled teenage son in the forthcoming comedy/drama Accidents Happen. This gripping and exciting war drama explores events that the average Australians has never heard of before. While we all know about Gallipoli, the events depicted here have remained pretty much a secret, but this is a story that deserves to be told. The film has been directed by Jeremy Sims, who is obviously passionate about the material. Beneath Hill 60 contains many elements of the traditional war movie, but Sims gives the story here a claustrophobic look and feel. The action is punctuated by a series of flashbacks that take us back to Woodward's earlier life in Queensland and his romance with the 16-year-old farm girl Marjorie, a budding relationship that was interrupted by his decision to enlist. The film boasts superb production values, with Cezary Skubiszewski's rich and haunting score and Toby Oliver's cinematography adding to the overall mise en scene. The film was shot in Queensland, where the production crew built several kilometers of rain drenched and mud filled trenches to authentically replicate the conditions of World War One.
18 out of 31 people found the following review useful:
An excellent Australian-made war movie, 19 April 2010
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Author:
Helen Harmon from Australia
My husband and I saw this movie yesterday and I have to say the acting
was brilliant.
This is a very good war movie, showing comradeship, caring for your
fellow man, and depicts what a serviceman in war would go through. So
it was very hard to understand why civilians were involved, and young
ones at that.
It was very graphic, to the point where I felt a need to look away at
times. Australia has done us proud. It is definitely not a pretty movie
and quite dark, but then again war isn't pretty. I would say definitely
go and see it.
4 out of 4 people found the following review useful:
diamonds and opals, 26 March 2011
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Author:
eliza_gaskell from Australia
This is a movie that every Australian must watch. It's a story about
the unforgotten heroes, who went and did their bit for the Great War.
Amazingly it's based on a true story of miners who, went to the Western
Front and dug a wealth of tunnels deep beneath the Germans. Implanted
in the Labyrinth of tunnels is millions of explosives waiting to be set
off.
What makes this film is the human side of emotion. There is mate ship
and bonds which can never be set aside; experiences that only the men
can relate to. There is the love story between Oliver Woodward (Brendan
Cowell) and young Marjorie Waddell (Bella Heathcote). And you see the
youthful innocence of young men, in particular Frank Tiffin, played by
Harrison Gilbertson and Walter Sneddon (Alex Thompson).
The contrast between the Queensland and the war is reflected in the use
of colour and lighting. Queensland is bathed in sunlight, warm clean
colours and in the costumes. While the Western Front is portrayed in
constant bleak colours where bright colours don't exist. It's cold, wet
and rain(for some reason, it's not a war movie until is has the element
of rain and coldness).
The English accent of the British troops are not great, they sound more
like upper crust Australians. But apart from that comment, this is a
gem of a movie. It will have you hooked until the very last second.
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