Dr Victor Frankenstein dies frozen to death and the creature buries him at the cemetery of his family. However he is attacked by demons but he kills one of them and Gargoyles save him and take him to a Cathedral where the Gargoyles Order gathers. The Queen of the Gargoyles Leonore keeps Dr. Frankenstein's journal together with the treasures of the Order and gives the name of Adam to the creature. Then she explains to Adam that there is an ancient war between the Gargoyles that are angels and demons under the command of the Prince Naberius. She also invites Adam to join the Gargoyles in the war against demons, but Adam prefers to isolate in a remote place. Two hundred years later, Adam returns and finds a modern society. Soon he learns that Naberius has the intention of creating an army of soulless corpses to be possessed by demons. The scientist Terra is researching a process to create life and Naberius is seeking Dr Frankenstein's journal to help Terra and raise his army. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Kevin Grevioux is ~not~ dubbed by Michael Dorn (as someone noted). Anyone who has heard Kevin's voice before should know this. See more »
Frankenstein's notebook is written in English; as of 1790, English had not been established as the international scientific language yet, and thus it should have been written in German. The first page should also read ''Ingolstadt Universität'' instead of ''University'' See more »
There's something to be said for big, dumb blockbusters featuring immortal creatures of the undead, gargoyles, demons and a whole lot of CGI. That's especially true now, during awards season, when the cinemas are otherwise crowded with Important Movies that might be worthy but difficult to watch. I, Frankenstein even lurches into cineplexes with a bit more credibility than is typically attached to C-grade movies: usually reliable character actors Aaron Eckhart, Miranda Otto and Bill Nighy have signed on to rain hellfire (or something) down on one another. It's a shame, then, that the overly dour film wastes rather than benefits from their talents.
Forced into a shambling semblance of life, Victor Frankenstein's dark, brooding creation (Eckhart) stalks bitterly through the centuries. He's hunted mercilessly by the forces of evil - flame-streaked demons led by the nefarious Prince Naberius (Nighy). On the side of good are the gargoyles, a peaceable clan who enjoy the blessing of the heavens and are led by the beautiful Queen Leonore (Otto). Bequeathed the name of Adam by Leonore, Frankenstein's creature soon discovers that he is the factor that could tip the scales in the immortal battle between the demons and the gargoyles.
I, Frankenstein is entirely too grim for its own good. Kevin Grevioux's screenplay, adapted from his graphic novel of the same title, marches forward in workmanlike fashion. Plot 'twists' can be seen coming from miles away - see the sassy blonde scientist (Yvonne Strahovski) directed to investigate Adam's origins grow increasingly fascinated with her science project! There are precious few shades of complexity to be found in the film, the characters never really breaking free of their archetypes - beyond the fact that the good guys morph into huge, stony, winged gargoyles that aren't particularly pleasing to the eye. Fiery explosions and bone-crunching battles abound, but they never amount to very much in emotional terms.
The unexpectedly good cast liven things up a little, though not by enough to drag I, Frankenstein out of the doldrums. Eckhart storms stoically through the film, a singular grave expression carved into his features like so much rigor mortis. Nighy seems to be having fun even while phoning in his performance. As for Otto and Strahovski, both actresses are competent but largely colourless in their roles.
Genre flicks like this one don't usually have to check a lot of boxes to be fun nights out at the cinema. The Underworld franchise - from the same producers - proved just that, spinning its surprisingly rich tale into four films that haven't been critically successful but have nevertheless cultivated their own fans. On the strength (or lack thereof) of the gloomy, predictable I, Frankenstein, it seems unlikely that it will kickstart a new franchise in quite the same way.
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