The origin story of the the mythical Greek hero. Betrayed by his stepfather, the King, and exiled and sold into slavery because of a forbidden love, Hercules must use his formidable powers to fight his way back to his rightful kingdom.
A slave-turned-gladiator finds himself in a race against time to save his true love, who has been betrothed to a corrupt Roman Senator. As Mount Vesuvius erupts, he must fight to save his beloved as Pompeii crumbles around him.
In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
As his kingdom is being threatened by the Turks, young prince Vlad Tepes must become a monster feared by his own people in order to obtain the power needed to protect his own family, and the families of his kingdom.
Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
Dr Victor Frankenstein dies frozen to death and the creature buries him at the cemetery of his family. However he is attacked by demons but he kills one of them and Gargoyles save him and take him to a Cathedral where the Gargoyles Order gathers. The Queen of the Gargoyles Leonore keeps Dr. Frankenstein's journal together with the treasures of the Order and gives the name of Adam to the creature. Then she explains to Adam that there is an ancient war between the Gargoyles that are angels and demons under the command of the Prince Naberius. She also invites Adam to join the Gargoyles in the war against demons, but Adam prefers to isolate in a remote place. Two hundred years later, Adam returns and finds a modern society. Soon he learns that Naberius has the intention of creating an army of soulless corpses to be possessed by demons. The scientist Terra is researching a process to create life and Naberius is seeking Dr Frankenstein's journal to help Terra and raise his army. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the graveyard, after Adam has been saved from the demons by the gargoyles, but is unconscious, the female gargoyle exclaims 'it's alive, it's alive', just as Frankenstein says in the original 1931 movie. See more »
After Adam wipes off the blood from his forehead that Naberius put there, it comes back, and then changes position after another cut away. See more »
I'm a dozen different parts of eight different corpses. I'm a monster.
You're only a monster if you behave like one.
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I, Frankenstein (2014) is a sad excuse for a Frankenstein film, and this genre, the Frankenstein films, have seen more than their fair share of bad films. The James Whale 1931 and 1935 versions remain the best, with a nod to the comedic versions (Young Frankenstein, and Abbott and Costello Meet Frankenstein) and perhaps the 1942 "Son of" which had a great performance by Lionel Atwill as the Inspector with the wooden arm.
This latest travesty has almost nothing to do with Frankenstein per se. Aaron Eckhart is hardly the hulking figure, and we are missing the joys of an Igor or a Baron. Instead, this one is more like "Frankenstein vs the Creature from Blood Cove" (2005) or "Frankenstein Meets the Space Monster" (1965). The creature, in a very modified manner (smaller, talking, with existential questions no less) is the lynch pin in a war between demons and angels. There are some nice special effects along the way, especially with the gargoyles, which is what earns this film a 3 instead of a 2 or less. It's always good to see Bill Nighy (best known as Viktor in the "Underworld" series, but also for "The Constant Gardener" and "Love Actually" among others) and nice to see Yvonne Strahovski making the transition from her TV series ("Chuck" and "Dexter").
But Frankenstein fans beware. This one will disappoint.
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