A slave-turned-gladiator finds himself in a race against time to save his true love, who has been betrothed to a corrupt Roman Senator. As Mount Vesuvius erupts, he must fight to save his beloved as Pompeii crumbles around him.
In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
The origin story of the the mythical Greek hero. Betrayed by his stepfather, the King, and exiled and sold into slavery because of a forbidden love, Hercules must use his formidable powers to fight his way back to his rightful kingdom.
Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
Fresh from prison, a street racer who was framed by a wealthy business associate joins a cross country race with revenge in mind. His ex-partner, learning of the plan, places a massive bounty on his head as the race begins..
Dr Victor Frankenstein dies frozen to death and the creature buries him at the cemetery of his family. However he is attacked by demons but he kills one of them and Gargoyles save him and take him to a Cathedral where the Gargoyles Order gathers. The Queen of the Gargoyles Leonore keeps Dr. Frankenstein's journal together with the treasures of the Order and gives the name of Adam to the creature. Then she explains to Adam that there is an ancient war between the Gargoyles that are angels and demons under the command of the Prince Naberius. She also invites Adam to join the Gargoyles in the war against demons, but Adam prefers to isolate in a remote place. Two hundred years later, Adam returns and finds a modern society. Soon he learns that Naberius has the intention of creating an army of soulless corpses to be possessed by demons. The scientist Terra is researching a process to create life and Naberius is seeking Dr Frankenstein's journal to help Terra and raise his army. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The trailer for I, Frankenstein says it all. Does the dialogue look stupid and clichéd? Yep! Does the action look boring and uninspired? Yep! Does it look like it was made BY middle schoolers FOR middle schoolers? You got it! Nothing will surprise you here. It hits every predictable beat and hits them with the grace and subtlety of a cow walking a tightrope awkwardly and dumbly. The characters are rote and predictable, the makeup and cg (while not bad) is leftover from "Star Trek: The Next Generation", and the entire viewing experience is laborious and forgettable. Set in modern times, Frank is over 200 years old and gets caught in the middle of a war going on between gargoyles, demons, and other fantastical characters. Clearly this isn't Karloff's Frankenstein; it's more in the vein of stylized Gothic action films like Underworld or Blade. Gone is the stumbling, sympathetic horror of the Mary Shelley; instead we have a Batman-wannabe shooting for mysteriously cool and coming off as just lazy and unrelatable. Poor Aaron Eckhart is still trying to find where he fits in Hollywood, and this isn't it. Fun game idea: see how long you can stay awake through this movie. Sure, there are copious fight scenes and mildly complex characters but no rational explanation for anything plot-wise. It may have helped if the filmmakers had their tongues more firmly planted in their cheeks, but instead we are left laughing AT them instead of WITH them. With so many great things in theatres right now, don't waste your time on this.
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