A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
It's 1949 Los Angeles, the city is run by gangsters and a malicious mobster, Mickey Cohen. Determined to end the corruption, John O'Mara assembles a team of cops, ready to take down the ruthless leader and restore peace to the city.
Tom Monagan is a hired assassin who finds himself in the middle of a mob war between the Italian mob and the Irish mob. He is hired by the Italian mob boss Mr. Paul Columbo to take out ... See full summary »
The true story of Danny Greene, an impoverished but charismatic young Irish-American who rises to power as president of the longshoreman's local union and is charged with corruption but evades serious jail time by becoming an FBI informant. With fearless nerve he joins forces with a Mafia gangster to rise to power in Cleveland's underworld, gaining the reputation of a Robin Hood-like figure with nine lives as he escapes countless assassination attempts. Written by
Val Kilmer joined the production after he declined the opportunity to run for Governor of his home state of New Mexico. See more »
In a wide shot of the alley shown before Danny talks to the gamblers, a skyscraper with a brightly-lit DTE Energy sign at its pinnacle is visible in the background. DTE Energy didn't exist until 1995, 20 years or so after the scene takes place. See more »
We're drunks, we're fighters, we're liars! But there's a bit of good in every Irishman...
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Review by Ruby: If you are reading this, you have probably read the background info about The Irishman Danny Greene and his Italian buddy John Nardi who worked and broke the law many times over in the streets of Cleveland throughout the 1970s. In addition to Greene and Nardi, many of the cast members were familiar "mob types," and testosterone was practically flying off the screen in the midst of bravado, fistfights, gunfire, and countless explosions. But there was an actual story to follow also, so it offered more substance than much of the drivel that manages to run in the theatres today.
Even though they were gangsters, Greene and Nardi were surprisingly likable charactersfor killers, that ismostly because of the charismatic acting of the two leads, Ray Stevenson and Vincent D'Onofrio. The supporting characters were interesting also, including the talents of Christopher Walken, Val Kilmer, Steve Schirripa, Paul Sorvino, Tony Lo Bianco, and Mike Starr.
Interspersed with the actors' scenes were actual clips of film footage from local newscasts of the day, which added authenticity and a touchstone to the amazing story that unfolded in Cleveland some 30-40 years ago.
I highly recommend "Kill the Irishman" as an action-packed, escapist, period piece, featuring superior acting and excellent film editing. It was a thoroughly enjoyable 100+ minutes!
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