Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mobster wants him killed. He calls Mikey, his friend since childhood, but when Mikey arrives... See full summary »
Sarah Smith, an artist and government hydrologist, sets out on a post-fire stream survey in a remote part of the Kalmiopsis Wilderness of southwestern Oregon. In the course of her journey ... See full summary »
Jason Butler Harner,
Isaac C. Singleton Jr.
Jane Doe is the real name of arms manufacturer Cy-Kor's recently fired security password employee with top clearance, whose teenage son Michael is kidnapped. She obeys the bizarre ... See full summary »
O'Ryan loves Julia. Julia loves Istvan. Istvan loves Julia. Julia falls in love with O'Ryan. Julia falls out of love and ends up hating O'Ryan. O'Ryan hates Istvan. Istvan hates O'Ryan. O'Ryan hates his mother. His mother hates everyone!
An out-of-control robot is inadvertently set loose in a small community, and a crack squad of soldiers are sent to hunt it down. Gradually, the members of the squad begin to suspect that some of them are robots.
After ten years without contact, Bobby Miller (16) shows up famished, exhausted and nightmare-ridden at would be-author Victoria 'Vicki' Miller's home. He ran away from his wicked, selfish ... See full summary »
Marcia Gay Harden,
Probably the worst Irish film ever made. "Father Ted" creator, Arthur Matthews penned this awful script and in the DVD extras he confesses to being "plot dyslexic". One is left wondering why a writer who is "plot dyslexic" gets to have his witless ramblings turned into a movie. Seriously, there are thousands of very clever plot writers out there who can't get a break. Anyway, there is no plot, no character development and no meaning to this mess of a movie. Yet, it brings together some fine actors. Gerald Mc Sorely and Owen Rowe are two of Ireland's best actors and its just as well that their careers are established because getting associated with this nonsense could really ruin an actor's career. There is not one proper laugh in what is supposed to be a comedy film. Attempts at Beckett type, minimalism fall embarrassingly flat. There are one or two Laurel and Hardy type visual moments which just look like bad impersonations. The pace of the whole movie is unbearably slow, so slow in fact, that at times it seems as if the director was making it up as he went along. I could go on and on but it really gives me no pleasure to be so critical.
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