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Directed by | |||
| Andy Fickman | |||
Writing credits(WGA) | ||
| Moe Jelline | (written by) | |
Produced by | |||
| Andy Fickman | .... | producer | |
| Mario Iscovich | .... | executive producer | |
| John J. Strauss | .... | producer | |
| Betsy Sullenger | .... | co-producer | |
| Eric Tannenbaum | .... | producer | |
| Todd Y. Murata | .... | production executive (uncredited) | |
Original Music by | |||
| Nathan Wang | |||
Cinematography by | |||
| David Hennings | (director of photography) | ||
Film Editing by | |||
| Keith Brachmann | (edited by) | ||
| David Rennie | (edited by) | ||
Casting by | |||
| Gail Goldberg | |||
Production Design by | |||
| Craig Stearns | |||
Art Direction by | |||
| Charles Daboub Jr. | (as Charlie Daboub) | ||
Set Decoration by | |||
| Jan Pascale | |||
Costume Design by | |||
| Genevieve Tyrrell | |||
Makeup Department | |||
| Simone Almekias-Siegl | .... | makeup department head | |
| Audrey L. Anzures | .... | key hair stylist (as Audrey Anzures) | |
| Mary Burton | .... | makeup artist: Ms. Weaver | |
| Camille Clark | .... | makeup artist: Ms. Curtis | |
| Barbara Lorenz | .... | hair department head | |
| Barbara Lorenz | .... | personal hair stylist: Jamie Lee Curtis | |
| Sabine Roller | .... | key makeup artist (as Sabine Roller Taylor) | |
| Anthony Veader | .... | hair stylist: Sigourney Weaver | |
| Gary Archer | .... | dental technician (uncredited) | |
| Peter De Oliveria | .... | makeup artist (uncredited) | |
| Ashley Fox | .... | additional makeup artist (uncredited) | |
| Natasha Ladek | .... | wig maker (uncredited) | |
| Victoria Wood | .... | wig maker: Sigourney Weaver (uncredited) | |
Production Management | |||
| Jayne Armstrong | .... | post-production supervisor | |
| John G. Scotti | .... | unit production manager | |
| Ellen Wolff | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Ian Calip | .... | second assistant director | |
| Kyle Hollingsworth | .... | second second assistant director (as Kyle Allen Hollingsworth) | |
| Jenna Kehrli | .... | dga trainee | |
| Scott Rogers | .... | second unit director | |
| Sunday Stevens | .... | first assistant director | |
Art Department | |||
| Sharon E. Alshams | .... | set designer (as Sharon Alshams) | |
| Steve Altuna | .... | set dresser (as Stephen F. Altuna) | |
| Peter Alvarez | .... | general foreman (as Peter Pace Alverez) | |
| Nicole Balzarini | .... | art department coordinator | |
| Scott Buckwald | .... | property master | |
| Alan Burg | .... | set dresser (as F. Alan Burg) | |
| Greg John Callas | .... | construction coordinator (as Greg Callas) | |
| Louise Del Araujo | .... | leadperson | |
| Jared Fleury | .... | assistant property master | |
| Susan Garcia | .... | set dresser | |
| Bryan Gettman | .... | set dresser | |
| Deborah Harman | .... | set dresser | |
| Rochelle Harvey | .... | art department assistant | |
| Tom Ivanjack | .... | on-set painter | |
| Mike MacDonald | .... | food stylist | |
| Melissa Merritt | .... | on-set dresser | |
| Richard Paul Pond | .... | set dresser (as Rick Pond) | |
| Cynthia C. Rebman | .... | on-set dresser | |
| Mark Richardson | .... | assistant property master | |
| Sara Wilhelmi | .... | graphic artist | |
| Dan Caplan | .... | storyboard artist (uncredited) | |
| Francesco Ferrara | .... | painter (uncredited) | |
| Christopher Morente | .... | on-set greensman (uncredited) | |
| Daniel P. Murphy | .... | welding foreman (uncredited) | |
| Matt Robbins | .... | key greensman (uncredited) | |
| Lindsey Sjoberg | .... | set dresser (uncredited) | |
Special Effects by | |||
| Mark R. Byers | .... | special effects supervisor (as Mark Byers) | |
| Joe D. Ramsey | .... | special effects foreman (as Joe Ramsey) | |
| Tom von Badinski | .... | special effects technician (as Tom Von Badinski) | |
Visual Effects by | |||
| Dick Edwards | .... | visual effects: Invisible Effects | |
| Chris Holmes | .... | visual effects producer: ICO Entertainment, Inc. | |
| Jeffrey Kalmus | .... | visual effects supervisor: ICO Entertainment | |
| Jason M. Bergman | .... | digital artist (uncredited) | |
| Stuart Bruzek | .... | digital artist (uncredited) | |
| Chris Dawson | .... | digital compositor (uncredited) | |
Stunts | |||
| Elle Alexander | .... | stunt double: Ramona | |
| Kevin Arnold | .... | stunts | |
| Allison Caetano | .... | stunt double: Marni | |
| Mary Lynn Giacomazzi | .... | stunt double: Joanna | |
| Mickey Giacomazzi | .... | stunts | |
| Sean Graham | .... | stunts | |
| Tim James | .... | stunts | |
| Kinsley Johnson | .... | stunt silk double: Georgia | |
| Donna Keegan | .... | stunt double: Gail | |
| Frank Lloyd | .... | stunt double: Mark | |
| Debbie Park | .... | stunt silk double: Gail | |
| Scott Rogers | .... | stunt coordinator | |
| Paul Anthony Scott | .... | stunt double: Will (as Paul Scott) | |
| Sean Taylor | .... | stunts | |
| Nancy Wetzel | .... | stunt double: Young Gail | |
Casting Department | |||
| Maryellen Aviano | .... | extras casting coordinator | |
| Jennifer Shapiro | .... | casting associate | |
| Claire Benjamin | .... | extras casting (uncredited) | |
| Terri Douglas | .... | adr voice casting (uncredited) | |
| Wendy Washbrook | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Nickolaus Brown | .... | key costumer | |
| Romy Devack | .... | costume department assistant | |
| Amy Fegely | .... | set costumer (as Amy E. Fegely) | |
| Courtney Hoffman | .... | set costumer | |
| Carol Kunz | .... | costume supervisor | |
| Kia Tyrrell | .... | set costumer (as Kia M. Tyrrell) | |
| Sara Walbridge Castro | .... | set costumer (as Sara Walbridge) | |
| Melissa Kidd | .... | costumer (uncredited) | |
| Molly McConnaughy | .... | costumer (uncredited) | |
Editorial Department | |||
| Ben Cox | .... | apprentice editor | |
| Christine Gaiman | .... | post production coordinator (as Chris Gaiman) | |
| Laura Geucherian | .... | digital intermediate producer | |
| Keith Mahoney | .... | digital edit assist | |
| Kevin O'Connor | .... | digital film colorist | |
| Edward H. Ostermann | .... | editorial production assistant | |
| Chris Regan | .... | color timer | |
| Thom Whitehead | .... | digital intermediate editor | |
| JoAnne Yarrow | .... | assistant editor (as Joanne Yarrow) | |
| Amanda Zemke | .... | first assistant editor | |
| Judith Babcock | .... | technical supervisor dailies (uncredited) | |
Music Department | |||
| Richard Bronskill | .... | auricle operator | |
| Brent Brooks | .... | supervising music editor | |
| Gary Chase | .... | composer: additional music | |
| Gary Chase | .... | music programmer | |
| Nick Glennie-Smith | .... | orchestra conductor | |
| Tom Hardisty | .... | scoring recordist | |
| Joel Iwataki | .... | score mixer | |
| Joel Iwataki | .... | score recordist | |
| Katia Lewin Jablonsky | .... | assistant music engineer (as Katia Lewin) | |
| Joseph Magee | .... | supervising music playback mixer | |
| Larry Mah | .... | digital workstation operator | |
| Milton Nelson | .... | orchestrator | |
| Peter Rotter | .... | orchestra contractor | |
| Booker White | .... | music preparation: Walt Disney Music Library | |
| George Doering | .... | musician (uncredited) | |
| Frank Macchia | .... | music preparation (uncredited) | |
| Aaron Meyer | .... | music preparation (uncredited) | |
Transportation Department | |||
| Neil Marshall | .... | transportation captain | |
| Kenny Searle | .... | transportation coordinator | |
| David Becerra | .... | transportation office coordinator (uncredited) | |
| Robert C. Cawley | .... | driver (uncredited) | |
| Don Haggerty | .... | transportation (uncredited) | |
| Charles Montgomery | .... | driver: cast (uncredited) | |
| Frank Porras | .... | driver (uncredited) | |
Other crew | |||
| Scott Ballew | .... | set production assistant | |
| Betty Bennett | .... | script supervisor (as Betty Bennett Pappe) | |
| Lori Beth Bernat | .... | executive assistant: Mr. Fickman | |
| Jason Christian Brown | .... | stand-in: Mr. Wolk (as Jason Brown) | |
| Jim Carberry | .... | location manager (as James C. Carberry) | |
| Ross Coscia | .... | set production assistant | |
| Kelly Curtis | .... | assistant: Mr. Curtis | |
| Lucian Daniels | .... | assistant: Mr. Sullenger | |
| Jeremy Davis | .... | medic | |
| Doris Donnenberg | .... | production coordinator | |
| Mike Dussault | .... | assistant: Mr. Tannenbaum | |
| Jesse Ehman | .... | office production assistant | |
| Brendan Finnigan | .... | first assistant accountant | |
| Molly Flattery | .... | assistant: Ms. Weaver, LA | |
| Vivian Garcia | .... | stand-in: Ms. Yustman | |
| Ryan Gladden | .... | data wrangler | |
| Barbara Gutman | .... | production accountant | |
| Brandon Hamilton | .... | office production assistant | |
| Mark Harden | .... | animal trainer | |
| Hannelies Harman | .... | assistant: Ms. Weaver, NY (as Hannelies Hartman) | |
| Tom Hogan | .... | key assistant location manager | |
| Eric Hoskins | .... | data wrangler | |
| Jake Isham | .... | set production assistant | |
| Keith Jackson | .... | set production assistant | |
| Stephen Kardell | .... | assistant location manager | |
| Mimi Karsh | .... | assistant choreographer | |
| Dave Kasubowski | .... | craft service (as David A. Kasubowski) | |
| Mary Ann Kellogg | .... | choreographer | |
| Katherine Kohler | .... | payroll accountant (as Kathy Kohler) | |
| Christine Lakin | .... | assistant choreographer | |
| Brandon Little | .... | craft service | |
| Kyle Loll | .... | office production assistant | |
| Heather Longerbeam | .... | production secretary | |
| Sharon Lubin | .... | stand-in: Ms. White | |
| Patti McGuire | .... | environmental steward | |
| Jackie Medel | .... | set production assistant | |
| Boone Narr | .... | head animal handler | |
| David O'Dell | .... | medic | |
| Sonni Paisley | .... | stand-in: Ms. Bell (as Sonni Stommel) | |
| Nick Pietryga | .... | assistant: Mr. Tannenbaum | |
| Chuck Radtke | .... | assistant: Mr. Fickman | |
| Anna Ramey | .... | set production assistant | |
| Nick Rufca | .... | assistant production coordinator | |
| Justin Stirling | .... | post-production accountant | |
| Cid Swank | .... | unit publicist | |
| Ross Tatelman | .... | office production assistant | |
| Patty Tobin | .... | stand-in: Ms. Curtis (as Patti Tobin) | |
| Craig W. van Gundy | .... | additional location manager (as Craig W. Van Gundy) | |
| Katina Waters | .... | stand-in: Mr. Unger | |
| Sasa Watt | .... | second assistant accountant | |
| Amye Wilmes | .... | second assistant accountant | |
| Rachelle Wise | .... | set production assistant | |
| Diane Witter | .... | stand-in: Ms Weaver | |
| Lois Yaroshefsky | .... | studio teacher | |
| William Yohe | .... | stand-in: Mr. Garber | |
| Ted Zizik | .... | assistant: Mr. Strauss | |
| Ryan Babbs | .... | stand-in (uncredited) | |
| Cathleen Brown | .... | clearances (uncredited) | |
| Christina Hwang | .... | title producer (uncredited) | |
| Airica Prange | .... | production assistant: second unit (uncredited) | |
| Stephanie Siemiller | .... | stand-in (uncredited) | |
Thanks | |||
| Richard Bates | .... | the filmmakers wish to thank | |
| David Meister | .... | the filmmakers wish to thank | |
| Seth Pappal | .... | the filmmakers wish to thank: Yearbook Library | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Being a guy, I always wonder, with these slapstick comedies that revolve around women with a wedding as a backdrop, do grown women over the age of 25 really become THIS immature? In "Bride Wars", you see two very attractive women pulling childish pranks on one another in preparation for their respective weddings, and somehow some women went to see that movie in droves. "You Again" received a spanking from major critics, most of whom were male, but actually turned in a profit at the box office.
I'm still really curious to know what women think when they see two women in their 20's pulling mean, callow tricks on each other, then seeing two other women in their 50's, who are attractive for their age I might add, trying to one-up each other while taking dance lessons in preparation for a wedding. Can real life women actually relate to these women on screen? Do they think their antics are funny?
Speaking as a man (whether or not that's important is up to you, the reader), I found these shenanigans ranging from cat fights to forced slapstick comedy neither amusing nor believable. If I saw my Mom acting the way either Jamie Lee Curtis or Sigourney Weaver do on screen, I would get angry, and quick.
But I digress. This movie starts out on a good note showing Marni Olsen (Kristen Bell) in high school with glasses, braces, and a bad case of acne. Although the nerd stereotype is a bit overdone here, somehow Bell succeeds in being unglamorous to the point where we, the audience, feel for her.
Her main tormentor is popular cheerleader J.J. (Odette Yustman), who is smoking hot, but effectively easy to dislike. However, the first mean prank you see pulled on Marni is her being crowd-surfed out of school by a group of jocks, including that mean cheerleader. Marni seems to be angry at J.J. and only J.J., somehow forgetting that she wasn't the only one in the crowd.
Fast forward less than a decade later, and Marni has lost the braces and glasses, is a successful P.R. executive, and looks as hot as she did in "Forgetting Sarah Marshall" (2008). Her post-high school transformation is one many people would envy, but none of that matters when she finds out that her older brother is about to marry J.J., who is now known as Joanne.
Marni's mother Gail (Jamie Lee Curtis) tries to convince Marni to put the past behind her. That is, of course, until it's revealed that Joanne's aunt is Ramona (Sigourney Weaver), a woman who used to be "best friends" with Gail in high school. However, you know that unresolved animosity brews underneath the facade of these two women when a flashback reveals Ramona pushing Gail into a pool. Why she did this, the movie never really explains.
The rest of the movie remains laugh-less as Kristen Bell seems to trip over herself and bang her head into several different people and objects, almost as if she's Curly from The Three Stooges. One scene shows her falling off a running path into a nest of red ants. Her love interest tries to help her, but their heads bump into one another. Nuk nuk nuk!
Of course, when Marni and Joanne trade blows, there is the inevitable catfight with dialogue so vapid and uninspired. When Joanne throws a dish at Marni, she replies, "Ooh, kitty likes to scratch!" I don't know what other movie I've heard that phrase in, but it's probably because it has been in at least six other films.
With such hackneyed verbal taunts comes a fight that fails to intrigue. Dishes get broken, Marni smashes a vase Joanne got as a gift that she claims is "so expensive" (yet looks like one you could get for $2 at Goodwill), and Joanne dumps some sort of soup over Marni's head. Are you laughing yet? You wonder what is wrong with these people, and why such hot women have maturity levels that make Zach Galifianakis look like Don Draper. Even worse, once the pratfalls come to a close, the movie tries to sugarcoat itself with messages of peace, love and reconciliation, and the rest of the movie is boring.
I thought Betty White would be the breath of fresh air in this movie. After all, she was hilarious as a "Saturday Night Live" host last year. Unfortunately, she has no really funny lines, and a really dumb gag involving false teeth. Kristen Chenowith is also equally wasted as a flamboyant Southern belle wedding planner who seems to be in the wrong movie. There are also a handful of subplots that go nowhere, and scenes completely irrelevant to the story that go on forever. The cheerleader's dance to Kris Kross's "Jump" is energetic, but belongs in another "Bring It On" sequel.
"You Again" is a great looking movie with likable actors in it. Unfortunately, the lead actresses are forced to act childishly, then mend their ways through fluffy speeches about family values, aided by background music borrowed from past episodes of "Full House". It could have been a memorable film, but somehow chose not to be and went the "My Best Friend's Wedding" route.