An entry-level employee at a powerful corporation finds himself occupying a corner office, but at a dangerous price: he must spy on his boss's old mentor to secure for him a multi-billion dollar advantage.
The high stakes thriller Paranoia takes us deep behind the scenes of global success to a deadly world of greed and deception. The two most powerful tech billionaires in the world (Harrison Ford and Gary Oldman) are bitter rivals with a complicated past who will stop at nothing to destroy each other. A young superstar (Liam Hemsworth), seduced by unlimited wealth and power falls between them, and becomes trapped in the middle of the twists and turns of their life-and-death game of corporate espionage. By the time he realizes his life is in danger, he is in far too deep and knows far too much for them to let him walk away. Written by
Adam rents a McLaren sports car. It has no front plate. The film is set in New York (Manhattan/Brooklyn), which requires a front plate, as do the surrounding states (excluding Pennsylvania, but that only borders New York upstate). So either he rented it from very far away, or the car is not legal, or this is an oversight. See more »
I'm not going to make excuses, I asked for this. All of it. And I did it to become someone else. And I wanted more.
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Thankfully, Gary Oldman can make almost any film bearable and his portrayal here of a ruthless, corrupt CEO is just about the only thing that this derivative movie has going for it. He manages to infuse a one-dimensional character with at least one more dimension.
The script is so full of hackneyed clichés that I felt like I was watching a Dan Brown novel. You have to assume that the writer's entire experience of the corporate world is based on a combination of Occupy Movement manifestos and Oliver Stone movies. Liam Hemsworth has evidently starred in something call the Hunger Games where, I have to assume, he was hired for his looks and not his acting chops.
August is usually the doldrums when it comes to movie releases and this dud simply proves the rule to which Blue Jasmine is the exception.
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