Tribeca Festival has announced the 2024 winners of its competition categories at an awards ceremony at Racket NYC. Top awards went to “Griffin in Summer,” which took home the Founders Award for best U.S narrative feature, “Bikechess,” which won best international narrative feature and “Hacking Hate,” which was honored with best documentary feature.
“After a banner year of Tribeca programming, I do not envy our jurors’ task of selecting this year’s winners,” said Tribeca festival director and SVP of programming Cara Cusumano. “I’m delighted to see they’ve chosen to honor a diverse, international, adventurous group of films that truly reflect the Tribeca spirit. We can’t wait to continue to follow and support all these films’ journeys into the world.”
See a full list of winners below.
U.S. Narrative Competition
Founders Award for Best U.S. Narrative Feature: “Griffin in Summer”, director Nicholas Colia Best Performance in a U.
“After a banner year of Tribeca programming, I do not envy our jurors’ task of selecting this year’s winners,” said Tribeca festival director and SVP of programming Cara Cusumano. “I’m delighted to see they’ve chosen to honor a diverse, international, adventurous group of films that truly reflect the Tribeca spirit. We can’t wait to continue to follow and support all these films’ journeys into the world.”
See a full list of winners below.
U.S. Narrative Competition
Founders Award for Best U.S. Narrative Feature: “Griffin in Summer”, director Nicholas Colia Best Performance in a U.
- 6/13/2024
- by Jazz Tangcay, Jack Dunn, Lexi Carson and Selena Kuznikov
- Variety Film + TV
In “Made in Ethiopia,” directors Xinyan Yu and Max Duncan take the macro issue of China’s influence in Africa and present it provocatively through the micro lens of its effect on a few Chinese and Ethiopian individuals striving for a better life. The film is set at a Chinese industrial complex in Dukem, a small town southeast of Ethiopia’s capital, Addis Ababa. It follows an ambitious Chinese businesswoman trying to expand the complex with the help of Ethiopian bureaucrats and the consequences this expansion has on a factory worker and a farming family that lives nearby.
The businesswoman is Motto Ma, a delusionally ambitious outsider who says things like, “The industrial complex is a tourist hotspot. We are considering selling tickets.” She makes up the lie, believes and then hypes it. Motto (the film refers to all the subjects with just their first names) is both charming and wily,...
The businesswoman is Motto Ma, a delusionally ambitious outsider who says things like, “The industrial complex is a tourist hotspot. We are considering selling tickets.” She makes up the lie, believes and then hypes it. Motto (the film refers to all the subjects with just their first names) is both charming and wily,...
- 6/9/2024
- by Murtada Elfadl
- Variety Film + TV
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