Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
As the result of a childhood wish, John Bennett's teddy bear, Ted, came to life and has been by John's side ever since - a friendship that's tested when Lori, John's girlfriend of four years, wants more from their relationship.
Stu is getting married. Along with Doug, Phil, and his soon-to-be brother-in-law Teddy, he regretfully invites Alan to Thailand for the wedding. After a quiet night on the beach with a beer and toasting marshmallows by the camp fire, Stu, Alan and Phil wake up in a seedy apartment in Bangkok. Doug is back at the resort, but Teddy is missing, there's a monkey with a severed finger, Alan's head is shaved, Stu has a tattoo on his face, and they can't remember any of it. The wolf-pack retrace their steps through strip clubs, tattoo parlors and cocaine-dealing monkeys on the streets of Bangkok as they try and find Teddy before the wedding. Written by
Former USA President Bill Clinton visited the set while on location in Bangkok. Some news sources erroneously stated that he had filmed a cameo. See more »
The plane taking off from CA seems to be a 747 by the shape of the nose, the one landing was an Airbus as previously stated. See more »
[to the lyrics of "Allentown"]
Well, we're living here in Alan Town / And he's driven our lives into the ground / When we woke up we were wasted and drunk / Phil got shot... / We got beaten by a monk... / I was happy and my life was good / Getting married like a dentist should / Roasting marshmallows on a stick / I got fucked in the ass... / By a girl with a dick...
Ha ha ha, I remember that.
And we're living here in Alan Town / But they're taking Teddy's finger now... / And I'm pretty sure I'm ...
[...] See more »
One of the photos during the closing credits recreates the photo of General Nguyen Ngoc Loan executing Nguyen Van Lem. See more »
Greetings again from the darkness. Two years ago, director Todd Phillips presented a highly creative, hilarious, raunchy, unique film comedy called The Hangover. And now, he does it again. He presents that SAME film again. I am unsure whether this is a sequel or remake. The only substantial change is the setting ... Bangkok instead of Vegas.
Now I fully understand WHY most sequels follow the formula created by the successful original film. Filmmakers want to keep their audience satisfied. If it worked once, it will work again. Especially when the first film grosses a half-billion dollars! So the chances are very good that if you liked the first one, you will also enjoy this one. But for me, I get excited for creative filmmakers ... not re-treads.
The key characters are all back and played by the same guys: Bradley Cooper (Phil), Ed Helms (Stu), Zach Galifianakis (Alan), Justin Bartha (Doug), and Ken Leong (Mr. Chow). All of these guys have worked constantly since the first film, but it makes perfect sense to return to the scene that put them on the Hollywood map.
This time around, Stu (Ed Helms) draws the long straw and has the storyline based on his pending marriage to Jamie Chung (Sucker Punch). Stu's "wolfpack" buddies agree to a one-beer bonfire beach bachelor party, but of course, something goes very wrong. The next morning finds our boys staggering to regain consciousness in a sleazy Bangkok hotel with no recollection of the previous night's events. The only clues are a monkey, a severed finger, a facial tat and international criminal Mr. Chow.
No need for me to go into any details or spoil any moments. You know the drill if you have seen the first. What follows is nearly two hours of debauchery and moments of varying levels of discomfort, gross-out and comedic skits.
Supporting work is provided by Paul Giamatti, Jeffrey Tambor, and Mason Lee (Ang Lee's son). There is also a cameo by Nick Cassavetes as a tattoo artist. This role was originally meant for Mel Gibson, and later Liam Neeson. Cast and crew protests kept Gibson out and Neeson's scenes were cut when re-shoots were necessary.
I feel tricked by Mr. Phillips. The first Hangover had me excited that a new comedic genius had entered Hollywood and would quickly blow away the Judd Apatow recycle jobs and copycats. Instead, we get Todd Phillips copying Todd Phillips.
This is certainly an above-average comedy and there are plenty of laughs from the characters we kind of feel like we know - though, wish we didn't. Just know going in that are witnessing a clear attempt at cashing in, not a desire to wow.
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