| Cast overview, first billed only: | |||
| Vin Diesel | ... | ||
| Jordi Mollà | ... | ||
| Matt Nable | ... | ||
| Katee Sackhoff | ... | ||
| Dave Bautista | ... | ||
| Bokeem Woodbine | ... | ||
| Raoul Max Trujillo | ... |
Lockspur
(as Raoul Trujillo)
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| Conrad Pla | ... | ||
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Danny Blanco Hall | ... | |
| Noah Danby | ... | ||
| Neil Napier | ... | ||
| Nolan Gerard Funk | ... | ||
| Karl Urban | ... | ||
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Andreas Apergis | ... | |
| Keri Hilson | ... |
Santana's Prisoner
(as Keri Lynn Hilson)
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The infamous Riddick has been left for dead on a sun-scorched planet that appears to be lifeless. Soon, however, he finds himself fighting for survival against alien predators more lethal than any human he's encountered. The only way off is for Riddick to activate an emergency beacon and alert mercenaries who rapidly descend to the planet in search of their bounty. The first ship to arrive carries a new breed of merc, more lethal and violent, while the second is captained by a man whose pursuit of Riddick is more personal. With time running out and a storm on the horizon that no one could survive, his hunters won't leave the planet without Riddick's head as their trophy. Written by Universal Pictures
I wasn't expecting much. When I heard of the sequel I assumed it'd be a bigger and "better" chapter in the Richard D. Riddick series. Then I saw the trailer and thought that going back to the basics of Pitch Black felt like Twohy didn't know how to go bigger and was reverting into his safe bubble. I was wrong. This is by far Twohy's strongest script with a surprising range of fleshed-out characters. The first ten minutes of the movie has no dialogue and right from the get-go I was pleasantly surprised. It begins to feel like an appropriate direction to take the character. There are jokes that don't work but most do. While Riddick's monologue is a little... quaint (and a cgi dog companion that feels a tad out of place; but i get why it's there) i really think it's important that 'Riddick' is a success at the box office -- to help open the way for genuinely fun, inventive sci-fi narratives with a budget.