A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Occasionally in the 15 years since summer camp, Adam and Emma cross paths. When he discovers that an ex-girlfriend is living with his dad, he gets drunk, calls every woman in his cell phone contact list, and ends up passed out naked in her living room. By this time, she's a medical resident in L.A. and he's a gopher on a "Glee"-like TV series, hoping to be a writer. She guards her emotions (calling her father's funeral "a thing"), so after a quick shag in the moments she has before leaving for the hospital, she asks if he wants a no-strings-attached, sex-only relationship, without romance or complications. A prescription for fun or for disaster? Written by
Natalie Portman originally entered the project as a producer and not as a member of the cast. She remained an executive producer after being cast as Emma. The film is credited as a production of Portman's production company, Handsomecharlie Films. See more »
When Adam (Ashton Kutcher) is talking to Lucy (Lake Bell) in his downstairs bedroom, there is a guitar at Adam's back. You can see a reflection of the mic boom in the head of the guitar and it moves down as Adam sits down. See more »
She's just so hot.
I know how hot she is.
[peeking out into the hallway]
That's really sweet, thanks guys!
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The American Academy of Motion Picture Arts and Sciences should give their awards conditionally. If you receive an Academy Award for best actor/actress, and then demean it by acting poorly in a subsequent film, you should forfeit the award. This is akin to behaving in a manner unbecoming a professional. Now, I wasn't a big fan of Black Swan, but I did think Natalie Portman deserved the Best Actress award. After watching No Strings Attached, I wonder if I, and others, had been fooled. Admittedly, she didn't have much of a script to work with here in No Strings. At best, her character was two dimensional. But then, she was one of the producers. You'd think she would have been able to tell a flawed script when she saw one.
Like most romantic comedies, you know the ending from the first scene in the movie. This, however, does not mean the film or script is necessarily bad. After all, you know the salesman will die before you even watch Death of a Salesman. It's how you get to that ending that has to be interesting. And in No Strings Attached, that journey is tedious.
Ashton Kutcher, rapidly evolving into the Hugh Grant of American romcoms, plays his usual sensitive, cute but naughty puppy dog role. He basically serves as the eye candy for the female viewers. This is too bad because, as we saw in The Butterfly Effect, he does have talent. Both he and Portman's character lack depth and we can't help but wonder what he sees in her that's so special. No chemistry exists between them or any of the other actors in this film. So there is no romance in this romantic comedy and, what comedy there is, is sophomoric. I am sure that a few 13-year-olds were rolling in the aisles, but that might just be from eating a bad hot dog, which would certainly have been more enjoyable.
I heard that Portman wanted this movie to be the female answer to The Hangover. Personally, I'd prefer a five alarm hangover to watching this movie again.
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