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A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Occasionally in the 15 years since summer camp, Adam and Emma cross paths. When he discovers that an ex-girlfriend is living with his dad, he gets drunk, calls every woman in his cell phone contact list, and ends up passed out naked in her living room. By this time, she's a medical resident in L.A. and he's a gopher on a "Glee"-like TV series, hoping to be a writer. She guards her emotions (calling her father's funeral "a thing"), so after a quick shag in the moments she has before leaving for the hospital, she asks if he wants a no-strings-attached, sex-only relationship, without romance or complications. A prescription for fun or for disaster? Written by
Adam flinches and turns his head well before Emma slaps him in the emergency room. Not only was the slap unexpected, but Adam had taken painkillers, so he should have been far less likely to react that quickly. See more »
You want to go with me to this stupid thing?
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a raunchy rom-com from the female perspective = interesting
What is most fascinating about this movie is that it's a raunchy rom-com from the female perspective. Knowing that the film was written by a woman prior to my viewing it made the nuances jump out to me. It's those nuances and that perspective that make the film enjoyable. No one scene or moment merits more then a minor chuckle but the characters themselves expand and grow as the story unfolds. It's hard to care about the leads at first because there's no set up or real establishment of character. Then, they kind of grow on you even though neither really rang true for me in any real world sense. Natalie Portman is great as many would expect but Ashton Kutcher did a fine job as well. I've seen others criticizing his performance but I think that's based on a pre-determined hatred of him rather than on his work. The supporting characters were VERY weak and useless save for the father character played by the wonderful Kevin Kline. Overall, better than I was expecting it to be.
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