A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Occasionally in the 15 years since summer camp, Adam and Emma cross paths. When he discovers that an ex-girlfriend is living with his dad, he gets drunk, calls every woman in his cell phone contact list, and ends up passed out naked in her living room. By this time, she's a medical resident in L.A. and he's a gopher on a "Glee"-like TV series, hoping to be a writer. She guards her emotions (calling her father's funeral "a thing"), so after a quick shag in the moments she has before leaving for the hospital, she asks if he wants a no-strings-attached, sex-only relationship, without romance or complications. A prescription for fun or for disaster? Written by
Adam says to Emma, "You can't fight me. You're miniature. You're like a girl Rick Moranis." Ivan Reitman, the director of this movie, directed Moranis in Ghostbusters and Ghostbusters II. See more »
Adam flinches and turns his head well before Emma slaps him in the emergency room. Not only was the slap unexpected, but Adam had taken painkillers, so he should have been far less likely to react that quickly. See more »
My dad invited me to dinner and he's bringing Vanessa. You have to come with me.
No, I don't. I just worked 14 hours. I'm not gonna meet your parents.
You know what? Just help me. These are really powerful painkillers. I can't feel anything.
Yeah. I felt that.
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"No Strings Attached" poses the question: Is it possible to have sex with someone without risking that you could fall in love with them? The answer is YES. It also poses the question: Is it possible to make a clichéd and hackneyed film that smells like ass? The answer is YES.
A bland and dated mainstream romantic comedy, which attempts to give itself an edge through raunchy humor and language and situational comedy right from the 80's. Kutcher and Portman have no chemistry. That lack of understanding of how people interact with each other and this carries over to all of the relationships in the film. None of these actors feel like they enjoy each other. You get the sense that Natalie Portman hates everyone she is working with and it's this kind of energy that dominates the film and makes it so painful to watch. The audience sat there like statues for the film hoping they would maybe get a string You know we walk into the movie theater with open minds and goodwill and get hit by this and it's just an affront. It is incoherent, maddening and UN-funny. They had what? 25 million dollars to work out some kind of movie... How about 10 reasonably real moments? That would have been acceptable. They delivered zero. Excuse me? Hello?! I'm sorry Natalie, maybe you had the Oscar deal already dialed in but nonetheless, they're shooting real film here that people watch Kutcher? You there? Was anybody there? Was Reitman around? What the hell is going on here? C'Mon folks! Let's step up to the plate. You're all getting a nice stack of cash Can't you put just a little bit of work into it? Let's go! C'Mon Reitman! Snap snap. Wake the hell up kids! Time to pull the star out of your ass! EMBARRASSING!
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