A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Occasionally in the 15 years since summer camp, Adam and Emma cross paths. When he discovers that an ex-girlfriend is living with his dad, he gets drunk, calls every woman in his cell phone contact list, and ends up passed out naked in her living room. By this time, she's a medical resident in L.A. and he's a gopher on a "Glee"-like TV series, hoping to be a writer. She guards her emotions (calling her father's funeral "a thing"), so after a quick shag in the moments she has before leaving for the hospital, she asks if he wants a no-strings-attached, sex-only relationship, without romance or complications. A prescription for fun or for disaster? Written by
Shipped to theaters under the code name "Dos". See more »
When Emma is carrying the two cups of coffee to the car after running into Adam, she carries them like they are empty, not accounting for the coffee inside. If there was coffee in either one, it would have spilled everywhere. See more »
A weak, weak light comedy with a wasted Portman in the lead role
No Strings Attached (2011)
You expect more than you're going to get here. There are two strong leads, Natalie Portman at her finest relaxed self (seeming) and Ashton Kutcher in a slightly amusing, self-deprecating mode that is a little dulling but fits his part. But there isn't the necessary conflict here to make their attraction take on fire. They drift together, they push apart, they find each other again, and so on, all mildly engaging and a bit sleepy.
And don't expect much from Kevin Kline, either, mostly because his part is small and a bit canned, a caricature dad with too much to prove. The rest of the cast is frankly just functional, and you start to look harder at why the movie fizzles with so much apparent talent, especially Portman. And the only real answer is the director, who is more a producer at heart, Ivan Reitman. You can't fault the success of some of his movies, but it's an uneven bunch, from "Ghostbusters" to "Kindergarden Cop." Something lacks energy and imagination here, and the writing stretched a bit.
Enjoyable? Somewhat. Be warned, it's not funny, romantic, or energized enough to quite make it on any score.
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