After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
During the reign of the Vikings, Kainan, a man from a far-off world, crash lands on Earth, bringing with him an alien predator known as the Moorwen. Though both man and monster are seeking revenge for violence committed against them, Kainan leads the alliance to kill the Moorwen by fusing his advanced technology with the Viking's Iron Age weaponry.
When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew. Written by
Chekov spends much of the film in engineering rather than the bridge, so that he doesn't interact with Khan. This is in keeping with Star Trek: Space Seed (1967), which aired before Chekov was added to the cast. Ironically, Chekov is the only crew member Khan interacted with directly in Star Trek II: The Wrath of Khan (1982). Khan's face-to-face interaction with the rest of the crew on board the Enterprise is a first since "Space Seed". See more »
During Kirk's speech to the crew what appears to be the monorail (No. 234) safe working load limit of 1000-lbs is shown in the background. See more »
I know I'll sound like an old guy, but J.J. Abrams just doesn't get Star Trek. Maybe that's just fine because he is searching for a new and younger audience that probably doesn't get Star Trek either.
Star Trek was never about the special effects or action. Most of the best Trek stories from all of the television shows (TOS through Enterprise) didn't rely on either. Action and special effects were always there, but they were used to tell a story instead of becoming the story.
To be fair, there is one thing to like about the new Star Trek reboot. The cast is great, and it is easy to see the original actors through them. After that, I'm over this thing. It is just an action movie series using Star Trek's name to sell tickets.
If you think this is great science fiction in the Star Trek universe, then enjoy it. If you are looking for something more and want to really understand what Star Trek is about then queue up "Measure of a Man" from TNG, just one of many classic Star Trek episodes that expose this new "reboot" for the sham that it is. Gene Roddenberry would be ashamed.
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