After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew. Written by
The highest grossing film of all the Star Trek movies. See more »
When the Enterprise's trash exhaust port is first shown, it's about half-way up the secondary hull and has sliding panels on either side of it. Almost two minutes later, the panels are missing and the exhaust port appears to be farther down and forward. See more »
In the movie theatre I heard a complaint from an old school Trekkie that the second installment of the Star Trek reboot had too many "Little Archie and Veronica" moments.
This is true and it would be OK if that were just the icing on the cake. The real problem with the movie is that it runs like a typical SciFi action plot inserted under a Star Trek banner.
This movie is missing the hallmark epiphany moments Star Trek is famous for. Mainly, it is missing the philosophical "WOW" factors that don't just blow your mind but rather expands it, making you realise that everything you thought you knew is wrong and that everything you thought the Federation had figured out is also wrong. These expansions used to pave the way for the audience to mentally and emotionally take that next step to, "Boldly go where no man has gone before..."
This movie has no epiphany. Where is the deepness that Star Trek is synonymous with? This movie gives us what? A federation struggling with internal corruption and terrorism, a la the typical disgruntled ex employee, who in this case was cryogenics frozen for 300 years, as is the plot. Big deal. These are familiar themes we've all seen in movies before. Just trade the Federation for any corrupt financial, medical, educational, government and or religious institution. Trade the "John Harrison" character for any Bond villain and you have a movie that sounds like a bunch of other movies or what the news broadcasts. Boring.
To me the Federation meant a time in the future when Humanity had finally gotten its act together and to a certain extent had rooted out all this corruption and terrorism. Unless a Klingon or Romulan shows up, things are supposed to be refreshingly illuminating. Not something that degrades into ordinary, mainstream, average caveman fist fight showdowns.
How can we boldly go where no man has gone before in the future unless we have thrown off the shackles of the past? What a sad/shamey day it is when a Star Trek movie presents a not so optimistic future just as dark as today's headlines. I can read/watch the news/The Matrix if I want that. IS THERE NO ESCAPE?!!! IS THERE NO HOPE?!!!
Obviously, Gene Roddenberry's spirit could not find a way to keep the franchise on track. Will, (Vulcan fingers crossed) Trekkies and non-Trekkies alike know the difference between the wealth of deepness and the poverty of darkness?
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