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Star Trek Into Darkness (2013)

PG-13 | | Action, Adventure, Sci-Fi | 16 May 2013 (USA)
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After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.

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Nominated for 1 Oscar. Another 6 wins & 44 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Uhura (as Zoë Saldana)
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Rima Harewood
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Ensign Brackett
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Lieutenant Chapin
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Storyline

When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew. Written by Paramount Pictures

Plot Summary | Plot Synopsis

Taglines:

In our darkest hour, when our leaders have fallen, a hero will rise. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of sci-fi action and violence | See all certifications »

Parents Guide:

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Details

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Release Date:

16 May 2013 (USA)  »

Also Known As:

2  »

Box Office

Budget:

$190,000,000 (estimated)

Opening Weekend:

$70,165,559 (USA) (17 May 2013)

Gross:

$228,756,232 (USA) (6 September 2013)
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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

During the first shot of Khan running through the city streets after having crashed the USS Vengeance (right before Spock is beamed down in pursuit), you can hear the sound of sirens of what seem to be emergency responders arriving to the scene (off screen). The sound effect used is the same as the sound effect for the police hovercrafts in Minority Report (2002), which is directed by Steven Spielberg and is also set in the future. J.J. Abrams is a known Spielberg fan. See more »

Goofs

(at around 50 mins) When the Klingons are attacked, they can be heard shouting "nuqneH" several times. This is a Klingon greeting word, and completely inappropriate in this context. See more »

Quotes

[first lines]
Bones: Damn it, man! That was our ride! You just stunned our ride!
James T. Kirk: Oh, great.
See more »

Crazy Credits

There are no opening credits in the film except for the title card, making this the third consecutive Star Trek film that doesn't list its cast at the beginning. See more »

Connections

Follows Star Trek: Generations (1994) See more »

Soundtracks

The Growl
Written by J.J. Abrams, Charles Scott IV (as Charles Scott), Anne Preven and Conway (as Kassia Conway)
Produced by Charles Scott IV (as Charles Scott)
Performed by Conway
Courtesy of Pulse Recordings
See more »

Frequently Asked Questions

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User Reviews

 
Completely misses the tone of the enlightened future that Roddenberry envisioned...
20 May 2013 | by (Wisconsin) – See all my reviews

So it seems JJ Abrams has traded in too many lens flares for too many closeups. The working title of Star Trek Into Darkness could probably have been "Chris Pine's Facial Pores". Seriously JJ - there is such a thing as long and middle shots too you know, and what's more - if you use them - when you *do* use a closeup, it has more dramatic effect, just sayin'...

Anyway, directorial style flaws aside, my big gripe with STID is that it's "just another" sci-fi movie. What always set Trek apart was that Roddenberry created an enlightened future, a refreshing change of pace to most sci-fi, and the conflict therefore had to come from cleverer places. But with this reboot every character is constantly bickering, I frankly left the theater with a headache as if I'd just been to a teenage kids birthday party. I can get bickering, and grit, and violence from *any* sci-fi feature, and sadly now it seems like Trek has followed suit and lost its original edge. It's not until the very final minute where a little bit of the original Trek feel is re-established, but for me that was far too little, far too late.

There's some giant plot holes too, if you're actually thinking about what's going on. It seems like Abrams hoped that if he put enough glitz and dazzle on the screen, most people would entirely miss the fact that they are there. I guess his gamble was correct, since the film is currently standing at an 8.4 IMDb score.

It's not all bad. Benedict Cumberbatch is an incredible, intense villain and the film is worth seeing for his performance alone. And as with the first, the rest of the cast is exceptional. There's nothing wrong with the acting, music, or look of this film... just a lot wrong with the script and the tone of the whole thing. If you're not a Star Trek fan, you'll likely enjoy it... it's big, frenetic, popcorn munching silliness. But if you are a Trek fan, particularly of the quieter explorations of the human condition that TNG did so well, then you might be pretty disappointed.


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