| Photos (See all 76 | slideshow) | Videos (see all 14) |
| Kimberly Elise | ... | Crystal / Brown | |
| Janet Jackson | ... | Jo / Red | |
| Loretta Devine | ... | Juanita / Green | |
| Thandie Newton | ... | Tangie / Orange | |
| Anika Noni Rose | ... | Yasmine / Yellow | |
| Kerry Washington | ... | Kelly / Blue | |
| Tessa Thompson | ... | Nyla / Purple | |
| Phylicia Rashad | ... | Gilda | |
| Whoopi Goldberg | ... | Alice / White | |
| Macy Gray | ... | Rose | |
| Michael Ealy | ... | Beau Willie | |
| Omari Hardwick | ... | Carl | |
| Richard Lawson | ... | Frank | |
| Hill Harper | ... | Donald | |
| Khalil Kain | ... | Bill | |
| Rayna Tharani | ... | Renee | |
| Jaycee Williams | ... | Kenya | |
| Thomas 'Deuce' Jessup | ... | Kwame | |
| May Zayan | ... | Katina | |
| John Crow | ... | Dr. Davis | |
| Michael Cory Davis | ... | Man #1 | |
| Jason Graham | ... | Man #2 | |
| Ayo Sorrells | ... | Man #3 | |
| Kendrick Cross | ... | Man #5 | |
| Joe Amato | ... | Driver | |
| Ambrya Underwood | ... | Girl #1 | |
| Jackie Prucha | ... | Nurse | |
| Holly Crawshaw | ... | Waitress | |
| Roevely Rancell | ... | Nurse | |
| David Feigenbaum | ... | Security Guard | |
| Karen Slack | ... | Soprano #1 | |
| Andrea Jones-Sojola | ... | Soprano #2 | |
| Jeanette Illidge | ... | Soprano #3 | |
| rest of cast listed alphabetically: | |||
| Karissa Parran | ... | Opera Guest | |
| Al G. Sillah | ... | Opera Patron | |
| Indi Tyton | ... | Opera Scene | |
| Natasha A. Williams | ... | Drug User | |
| Haji Abdullah | ... | Graduation Audience Member (uncredited) | |
| Sidney Baxley | ... | Opera Patron (uncredited) | |
| Tim Blanchard | ... | Opera Patron (uncredited) | |
| Kate Caldwell | ... | Audience Member (uncredited) | |
| Gregory R. Campbell | ... | Opera Patron (uncredited) | |
| Frances Cobb | ... | Opera Patron (uncredited) | |
| Michael L. Covington | ... | Parent at Graduation (uncredited) | |
| Lee Darnell | ... | Orderly Roberts (uncredited) | |
| Curtis Gammage | ... | Opera Patron (uncredited) | |
| TJ Hassan | ... | Bill #2 (uncredited) | |
| Walter Hendrix III | ... | Opera Patron (uncredited) | |
| Barry Hopkins | ... | Opera Patron (uncredited) | |
| Eli Jones | ... | Convict (uncredited) | |
| Andrew R. Kaplan | ... | College Professor (uncredited) | |
| Thina Lowe | ... | Graduation Patron (uncredited) | |
| Todd Maynor | ... | Police Officer (uncredited) | |
| Ken Melde | ... | Board Room Member (uncredited) | |
| Deidre D. Mosely | ... | Partygoer (uncredited) | |
| Donald Norris Jr. | ... | Opera Audience Member and Graduation Audience Member (uncredited) | |
| William Palmer Jr. | ... | Restaurant Patron (uncredited) | |
| Elizabeth Pistolis | ... | Opera Patron (uncredited) | |
| Jill St. Williams | ... | Extra - Opera Scene (uncredited) | |
| Latika Sye | ... | Opera Patron (uncredited) | |
| Joshua Tanksley | ... | Student (uncredited) | |
| Summer Valentine | ... | Girl jumping rope (uncredited) | |
| Wayne Webb | ... | Doctor (uncredited) | |
Directed by | |||
| Tyler Perry | |||
Writing credits(WGA) | ||
| Tyler Perry | (screenplay) | |
| Ntozake Shange | (play "For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf") | |
Produced by | |||
| Tim Andrew | .... | supervising producer | |
| Ozzie Areu | .... | supervising producer | |
| Roger M. Bobb | .... | producer | |
| Deborah Evans | .... | line producer | |
| Joseph P. Genier | .... | executive producer | |
| Paul Hall | .... | producer | |
| Charisse Nesbit | .... | co-producer | |
| Tyler Perry | .... | producer | |
| Nzingha Stewart | .... | executive producer | |
Original Music by | |||
| Aaron Zigman | |||
Cinematography by | |||
| Alexander Gruszynski | |||
Film Editing by | |||
| Maysie Hoy | |||
Casting by | |||
| Robi Reed | (as Robi Reed-Humes) | ||
Production Design by | |||
| Ina Mayhew | |||
Art Direction by | |||
| Roswell Hamrick | |||
Set Decoration by | |||
| Lance Totten | |||
Costume Design by | |||
| Johnetta Boone | |||
Makeup Department | |||
| Lay'Na Anderson | .... | third makeup artist | |
| Maurice Beaman | .... | hair stylist | |
| Carol 'Ci Ci' Campbell | .... | hair stylist | |
| Veronica Cox | .... | assistant makeup artist | |
| Anita Gibson | .... | makeup department head | |
| Valerie Gladstone-Appel | .... | key hair stylist | |
| David Presto | .... | custom tattoo artist | |
| Keitric Starks | .... | additional makeup | |
| Keitric Starks | .... | assistant makeup artist | |
| Keitric Starks | .... | makeup artist | |
| Kenneth Walker | .... | hair department head | |
| Dionne Wynn | .... | key makeup artist | |
Production Management | |||
| Petra Hoebel | .... | production manager: New York | |
| Curtis A. Miller | .... | production director | |
| Carl Pedregal | .... | post-production supervisor | |
| Donna Sloan | .... | executive in charge of production: Lions Gate Films | |
Art Department | |||
| Christopher Amerson | .... | painter | |
| Calvin Ashford | .... | assistant to production designer | |
| Bil Barnes | .... | additional on-set dresser | |
| Bil Barnes | .... | set dresser | |
| Eric Bomba-Ire | .... | set dresser | |
| Heather Bowers | .... | assistant propmaster (as Heather Kane) | |
| Billy Bricker | .... | gang boss | |
| Sarah Bricker | .... | set dresser | |
| Danny Brown | .... | set designer | |
| Amanda Carroll | .... | set decorator: New York | |
| Cristina Lucia Cesari | .... | buyer | |
| Carl Cocker | .... | propmaker | |
| Eddie DeCurtis | .... | set dresser | |
| Peter DeCurtis | .... | leadman: New York | |
| Russ Dickerson | .... | general foreman | |
| Daniel Elliott | .... | utility | |
| Jeremy Farlow | .... | welder | |
| Karen A. Felix | .... | assistant property master | |
| Rick Fields | .... | utility | |
| Brenda Findley | .... | art department coordinator | |
| Carol Francoso | .... | scenic artist | |
| Seth Gardner | .... | propmaker | |
| Joey Hall-Sisson | .... | set dresser | |
| Rob Hamby | .... | propmaker | |
| Trent Hevener | .... | prop maker | |
| Meldas Hodges | .... | set dresser | |
| Malchus Janocko | .... | assistant art director | |
| Sean Ryan Jennings | .... | art department production assistant: New York | |
| Shun Jester | .... | leadman | |
| Robin D. Jones | .... | construction buyer | |
| Joshua Justis | .... | set dresser | |
| Kathleen Kasinger | .... | property master | |
| Solomon King | .... | propmaker | |
| Rich Koll | .... | gang boss | |
| Kevin Ladson | .... | property master: New York | |
| Eliot Levin | .... | props | |
| Konrad Lewis | .... | set dresser | |
| Meredith Lippincott | .... | set dec production assistant: New York | |
| Patrick J. Martin | .... | gang boss | |
| David H. Nash | .... | gang boss | |
| Sheila Nash | .... | draftsperson | |
| Mark Nave | .... | gang boss | |
| Valerie Nolan | .... | set decoration buyer: New York | |
| Joe O'Shea | .... | construction medic | |
| Reginald Robert | .... | set dresser | |
| Melinda Sanders | .... | buyer | |
| Chris Sheetz | .... | gang boss | |
| Joey Sisson | .... | set dresser | |
| Kimberly Slosek | .... | props | |
| Brian D. Smith | .... | propmaker | |
| Noreen Souza-Bailey | .... | shop production assistant: New York | |
| Mary Stacy | .... | buyer | |
| Mike Sullivan | .... | scenic chargeman | |
| Alexa-Michelle Tarver | .... | clearances coordinator | |
| Alexa-Michelle Tarver | .... | construction auditor | |
| Richard Tenewitz | .... | additional construction manager: New York | |
| Christopher T. Thompson | .... | art department production assistant: New York | |
| Monika van Schellenbeck | .... | set decoration buyer | |
| James Bryant Wactor | .... | prop maker | |
| Dion Watkins | .... | art production assistant | |
| John Weeks | .... | carpenter | |
| Shauna Williams | .... | art assistant | |
| Jay Womer | .... | construction coordinator | |
| Tim Zydel | .... | on-set dresser | |
| Brittany Cohn | .... | prop intern (uncredited) | |
Sound Department | |||
| Steve Bartkowicz | .... | sound re-recording engineer | |
| Ron Bedrosian | .... | adr mixer | |
| Damian Canelos | .... | sound mixer | |
| Kerry Ann Carmean | .... | sound editor | |
| Dan Furst | .... | video assist | |
| Nick Kray | .... | adr mixer | |
| Daniel J. Leahy | .... | sound re-recording mixer | |
| Jason C. Lewis | .... | sound utility | |
| Colt Logan | .... | boom operator | |
| James Moriana | .... | foley artist | |
| Todd Niesen | .... | dialogue denoising | |
| Stephen P. Robinson | .... | sound designer | |
| Paul Sorohan | .... | sound utility | |
| David Stanke | .... | first assistant sound editor | |
| Michael Stern | .... | pro tools playback operator | |
| Trevor Stott | .... | additional boom operator | |
| Gary Summers | .... | sound re-recording mixer | |
| Seth Tallman | .... | boom operator | |
| Jon Title | .... | sound effects editor | |
| Brett Voss | .... | foley mixer | |
| Todd Weaver | .... | pro tools playback mixer (as Christopher Todd Weaver) | |
| Jeffrey Wilhoit | .... | foley artist | |
| Michael D. Wilhoit | .... | supervising sound editor | |
Special Effects by | |||
| Elliot Holmes | .... | special effects technician | |
| Eric A. Martin | .... | special effects coordinator | |
Visual Effects by | |||
| John Brubaker | .... | digital compositor: 2G Digital Post | |
| Scott Dougherty | .... | visual effects executive producer: Furious FX | |
| Carl Frytz | .... | animator | |
| Cortney Haile | .... | visual effects executive | |
| Spencer Hecox | .... | visual effects supervisor | |
| Patrick Keenan | .... | lead compositor: 2G Digital Post | |
| Sean Mattini | .... | digital colorist assistant | |
| James P. Noon | .... | tracking | |
| Francesco Panzieri | .... | 3D artist & digital compositor: 2G Digital Post | |
| Justin Pascal | .... | compositor | |
| Jason Sanford | .... | visual effects producer | |
| Prateep Siamwalla | .... | tracking | |
| Tiffany Smith | .... | visual effects producer: Furious FX | |
| Ashley J. Ward | .... | visual effects coordinator | |
| Xye | .... | tracking | |
Stunts | |||
| Brent Bernhard | .... | utility stunts | |
| Avis Boone | .... | stunt double | |
| Scott Dale | .... | stunt coordinator | |
| Rose Sias | .... | stunt double | |
| Matthew R. Staley | .... | assistant stunt coordinator | |
| Eddie L. Watkins | .... | stunt coordinator | |
Casting Department | |||
| Aba Arthur | .... | casting assistant | |
| Marquita Bradley | .... | extras casting intern: New York | |
| Rhavynn Drummer | .... | casting assistant | |
| Brittany N. Grooms | .... | extras casting assistant | |
| Barbara Harris | .... | adr voice casting | |
| Talisha McClaney | .... | extras casting assistant | |
| George Pierre | .... | extras casting | |
| Doran Reed | .... | casting associate | |
| Alpha Tyler | .... | additional casting | |
Costume and Wardrobe Department | |||
| Sylvia Akuchie | .... | set costumer | |
| Aliyah I. Baynes | .... | wardrobe production assistant | |
| Alex Bovaird | .... | assistant costume designer | |
| Scott T. Coppock | .... | milliner | |
| Shayne Allen Duhon | .... | set costumer | |
| Careen Fowles | .... | costume supervisor: New York | |
| Shavon Christina Gihan | .... | costumer | |
| Rhonney Greene | .... | costume set supervisor | |
| Darlene Jackson | .... | costume supervisor | |
| Alison Levine | .... | costume assistant | |
| Carmia Marshall | .... | set costumer | |
| Lonnie McQuarters | .... | costume shopper | |
| Katie Nolff | .... | costume production assistant | |
| Natasha Noorvash | .... | costume assistant | |
| Shady Patterson | .... | costume p.a. | |
| Janet Ross | .... | set costumer | |
| Minerva Diann Savoy | .... | seamstress | |
| Ellen Semones | .... | shopper | |
| Jeffrey Wirsing | .... | ager/dyer | |
Editorial Department | |||
| Rick J. Brown | .... | colorist: dailies (as Rick Brown) | |
| Tricia Chiarenza | .... | color timer | |
| Eileen Godoy | .... | digital intermediate producer | |
| Rachel Faith Hanson | .... | dailies | |
| Matt Hull | .... | digital intermediate assistant producer | |
| Natasha Leonnet | .... | digital intermediate colorist | |
| Curtis Lindersmith | .... | digital intermediate editor | |
| Joi McMillon | .... | first assistant editor | |
| Justin Powell | .... | post-production assistant | |
| Kimberly Wilhoit | .... | post-production assistant | |
| Ariana Young | .... | post-production coordinator | |
Music Department | |||
| Joshua Bell | .... | musician: violin solos | |
| Johnny Caruso | .... | supervising music editor | |
| Sandy DeCrescent | .... | orchestra contractor | |
| George Doering | .... | musician | |
| Jay Faires | .... | music executive | |
| Jerry Hey | .... | orchestrator | |
| Joel C. High | .... | music supervisor | |
| Steve Juliani | .... | music preparation | |
| Mem Nahadr | .... | composer: additional music | |
| Maria Newman | .... | musician | |
| Jasper Randall | .... | choir contractor | |
| Rebecca Rienks | .... | assistant music supervisor | |
| Peter Rotter | .... | music contractor | |
| Dennis S. Sands | .... | music scoring mixer | |
| Michael Stern | .... | music scoring mixer | |
| Dara Wedler | .... | music coordinator | |
| Willa Yudell | .... | music assistant | |
| Sam Zeines | .... | music editor | |
| Aaron Zigman | .... | conductor | |
| Aaron Zigman | .... | orchestrator | |
Transportation Department | |||
| Tim Barker | .... | transportation | |
| Tracy L. Coker | .... | hair/make-up driver | |
| Daniel La Fave | .... | production driver | |
| Cindy Parker | .... | transportation coordinator | |
| J.L. Parker | .... | transportation captain | |
| Janet Perrotti | .... | transportation co-captain | |
| Dennis Salomone | .... | transportation captain: New York | |
| Patricia Sammons | .... | driver | |
| Ralph Strickland | .... | driver: cast | |
| Kevin R. Wood | .... | transportation co-captain: New York | |
Thanks | |||
| Shawn Luckey | .... | special thanks | |
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| A Streetcar Named Desire | Blue Valentine | The Hours | The Duchess | Fiona |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
For Colored Girls (2010)
An artful, gutsy, moving experience.
You could easily see this movie and say that it's overly artful, overtly gutsy, and an overwhelmingly moving experience. You would have to like this kind of high drama to get into this at all. Very high drama. I do, and so I loved this movie.
If you've seen "Crash" you know how this movie is put together--a series of high powered characters in tough situations are followed separately in an interwoven and increasingly connected urban universe. This is a work about women, African-American women, and about their ultimately horrible plight in a world of greed, horror, and men, who don't come off very well. So they turn increasingly inward, and to each other, to survive.
Director Tyler Perry has great material here--the Ntozake Shange play that wowed Broadway in 1975. One of the strengths here is one of the things people find irritating--the characters speak at times in long lines of poetic monologue. It isn't realistic, but it's beautiful, and in fact it really is poetry, and is part of the overall style. This helps form the overall aura of the movie, as well, of highbrow seriousness in a gutsy, often low income narrative. The story gets tweaked for 2010, though some of the themes don't make sense for our times, most glaring the backstreet abortion.
The acting is fabulous, and uniformly so. Everyone is able to really pour it on, which is difficult when they are sometimes speaking through actual poetry. And so through all the tears comes a realization that this very artificially outrageous drama has deeply deeply serious intentions.
If you like movies for how they are made--the editing, the filming, the set design--you'll be impressed. It's highly artful in a Hollywood, expensive way, an uncompromised production. Of course, as a viewer, you have to like that, especially when it gets artsy, as when a mother and daughter speak in two simultaneous monologues and the camera, and the sound, film back and forth between them, while still delicately keeping both threads continuous and palpable throughout. And the moment has huge symbolism, too, because it's about how they never understand each other, even when they pretend to try.
If there's a large problem here, it's in the endless excess. There is more tragedy, and more emotional crisis, than you can handle in a movie. I think it starts to be a parody of itself, and toward the end you are just ready for a catharsis. The choreographed ending is a little predictable and breezy, too, though even here, when the women gather on the roof, there is still a complex, interwove poetic power.
Forget the cynics and the impatient, if you can, that have slammed this film. It's not a typical Tyler Perry movie at all. It's a smart, beautiful film, and in some ways a great film.