Directed by
| Richard A. Harris | ||
Writing Credits
| Scott Johnston | ... | (screenplay) (as Scott Johnson) |
| Scott Johnston | ... | (story) (as Scott Johnson) and |
| Elaine Corrington | ... | (story) |
Cast (in credits order) complete, awaiting verification
Produced by
| Pamela Easley | ... | associate producer |
| Michael Elias | ... | executive producer |
| Rich Eustis | ... | executive producer |
| Susan B. Landau | ... | producer |
Music by
| Phil Galdston | ... | (music by) |
| John Sebastian | ... | (music by) |
Cinematography by
| Robert Ebinger | ... | director of photography |
Editing by
| Ralph Wikke | ||
Casting By
| Sue Hessel | ||
Production Design by
| Gregory Bolton | ||
Art Direction by
| Robert Needle | ||
Set Decoration by
| Ann Bielowicz | ... | (as Anne Bielowicz) |
Makeup Department
| Jim Alfonso | ... | assistant hair stylist / assistant makeup artist |
| Lynn Wolverton-Parker | ... | hair supervisor (as Lynn Wolverton) / makeup supervisor (as Lynn Wolverton) |
Production Management
| Susan Vogelfang | ... | production manager |
Second Unit Director or Assistant Director
| Susan Vogelfang | ... | first assistant director |
| Mary Ellen Woods | ... | second assistant director |
Art Department
| April Jackson Hill | ... | props |
| Parker Poole | ... | construction coordinator |
| April M. Stephens | ... | production artist |
Sound Department
| Paul B. Clay | ... | supervising sound editor (as Paul Clay) |
| Gordon L. Day | ... | re-recording mixer (as Gordon Day) |
| Jim Hawkins | ... | sound mixer |
| Shirley Libby | ... | sound boom |
| James Troutman | ... | supervising sound editor (as Jim Troutman) |
| Stan Wetzel | ... | re-recording mixer |
| Howard Wilmarth | ... | re-recording mixer |
Visual Effects by
| Neil Krepela | ... | special optical effects |
Stunts
| Richard E. Butler | ... | stunt coordinator (as Dick Butler) |
| Tom Harper | ... | stunts |
| Mike Ketchel | ... | stunts |
Camera and Electrical Department
| Timothy W. Bennett | ... | electrician |
| David L. Blackburn | ... | second assistant camera (as David Blackburn) |
| Mike Clayton | ... | key grip (as Michael Clayton) |
| Paul Elliott | ... | director of photography: second unit (as Paul Elliot) |
| Jack English | ... | gaffer |
| Eddie Evans | ... | best boy |
| Brian Gunter | ... | electrician |
| Joe Jackson | ... | first assistant camera |
| Larry Markart | ... | first assistant camera: second unit |
| Steve McMahon | ... | key grip: second unit |
| Margaret Pittings | ... | camera operator |
| James L. Sedlak | ... | best boy |
| Roger Sherer | ... | grip |
Casting Department
| Joey Douglas | ... | casting assistant: Atlanta |
| Sylvia Mays | ... | casting assistant: Atlanta (as Sylvia D. Mays) |
Costume and Wardrobe Department
| Katherine Dover | ... | costume supervisor (as Kathy Dover) |
| Jacqueline Pinon | ... | assistant costume (as Jacqueline Piñon) |
Editorial Department
| Douglas Murray | ... | assistant editor |
| William Pine | ... | lab timer (as Bill Pine) |
| Bob Sarles | ... | assistant editor |
Location Management
| Fred H. Dresch | ... | location manager |
Music Department
| Marti Robertson | ... | music engineer |
Script and Continuity Department
| Charlene Webb | ... | script supervisor (as Charlene H. Webb) |
Additional Crew
| Laura Bafford | ... | production assistant |
| Frank Blair | ... | production assistant |
| Michael Keck | ... | production assistant |
| Carol Mack | ... | production assistant |
| Daniel Maughon | ... | production assistant |
| Ricky Moore | ... | production assistant |
| Nellie Nugiel | ... | production auditor |
| Elaine Smith | ... | production coordinator |
| Janice Yarbrough | ... | assistant to producer |
