Following the murder of her father by hired hand Tom Chaney, 14-year-old farm girl Mattie Ross sets out to capture the killer. To aid her, she hires the toughest U.S. marshal she can find, a man with "true grit," Reuben J. "Rooster" Cogburn. Mattie insists on accompanying Cogburn, whose drinking, sloth, and generally reprobate character do not augment her faith in him. Against his wishes, she joins him in his trek into the Indian Nations in search of Chaney. They are joined by Texas Ranger LaBoeuf, who wants Chaney for his own purposes. The unlikely trio find danger and surprises on the journey, and each has his or her "grit" tested. Written by
Jim Beaver <email@example.com>
During the campfire scene, Rooster Cogburn mentions Daniel Webster cigars as he insults LaBoeuf. Webster was an American statesman, lawyer, and orator. The cigar brand was named in his honor. See more »
When she first meets Labeouf in her room at the boarding house, Mattie compares his fringed Texas clothes to those of a rodeo clown. Rodeo clowns did not exist until the beginning of competitive rodeos in the early 1900s, some 25-30 years later. See more »
People do not give it credence that a young girl could leave home and go off in the wintertime to avenge her father's blood. But it did happen. I was just 14 years of age when a coward by the name of Tom Chaney shot my father down and robbed him of his life and his horse and two California gold pieces that he carried in his trouser band. Chaney was a hired man and Papa had taken him up to Fort Smith to help lead back a string of Mustang ponies he'd bought. In town, Chaney had ...
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Buster Coen, Ethan Coen's son, is listed in the end credits as "Mr. Damon's abs double". In reality, he was an on-set assistant to the script supervisor. See more »
Those of you who wonder why someone would remake a good film, need to withhold judgment until seeing this film. It was one of the most authentic westerns I've ever had the privilege of viewing, and I am a die-hard western aficionado, and true-west historian. The costumes, the buildings, the interiors, and the dialogue were so meticulously crafted that I felt entirely immersed in a world long since forgotten, and often misunderstood. The acting was unbelievable as you'd expect from such established, accomplished thespians, but Hailee Steinfeld was a revelation, holding her own, if not carrying the entire film on her relatively small shoulders. The Brothers Coen have justified their choice to adapt Charles Portis' novel, not remake the John Wayne classic. The impact, and visceral reality of life in such places and times, coupled with the abrupt, brutal violence is something you didn't fully grasp in the grandstanding, heroics of the 1969 version. I applaud the Coens for exercising restraint and understatement to allow the scenes and the situations to breathe and take there natural course. Overall, it was an amazing cinematic experience that truly transports the viewer to a very real and fully realized time and space that crackles with fire and true grit.
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